Rare Book & Manuscript Library
 

Samson Raphaelson papers, 1916-1982

Series III: Manuscripts by Raphaelson

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Subseries III.1: Fiction



Box 4 Absent Without Leave [Film], 1937, Scenario (unproduced, carbon copy


Box 4 Accent on Youth [Play], Gulf Screen Guild Theatre, 1939, Radio script (mimeographed copy


Box 4 Accent on Youth [Play], NBC Matinee Theatre, [n.d.], Television script (mimeographed copy


Box 4 Accent on Youth [Play], Programs,


Box 4 Accent on Youth [Play]: Reviews, New York; Vienna; etc., 1935-1959, Clippings & mimeographed copies,


Box 4 Accent on Youth [Play], 1935, Sheet music, printed copy,


Box 4 After the Ball [Short Story], Typescripts, 3 drafts & a photostat,


Box 4 After the Ball [Short Story]: "The First Affair", The Saturday Evening Post, 1958, Tearsheets,


Box 4 Agent Meets Lady [Short Story], 1960-1977, Typescripts, unpublished, 5 drafts (partly carbons


Box 4 Agent Meets Lady, Notes & loose pages,


Box 4 Angel [Film], 1937, Scenario (Xerox copy


Box 4 Angel [Film], Clipping,


Box 4 Anniversary [A Shelley Play], 1935-1943, Playscript, unfinished, drafts & notes,


Box 4 Anything Can Happen In Central Park [Play] See: Mr. Bystander and Miss Passerby [Play]



Box 5 Beautiful MorninG [Story - Hilda Benson], The Saturday Evening Post, 1947, Tearsheets,


Box 5 The Bedroom; a Comedy [Play] See: Here We Are, Alone Together [Play]


Box 5 Before the Fact [Film] See: Suspicion [Film]


Box 5 The Best Years [Film], Synopsis (unproduced, typescript


Box 5 The Bollingers [Short Story], 1949, Typescripts (2 carbon copies


Box 5 The Bollingers [Short Story], Typescripts (2 mimeographed copies

[Submitted to Metro-Goldwyn-Mayer 1949]


Box 5 Boolie [Play], 1929, Playscript (carbon copy, "First revision"


Box 5 Boolie [Play], 1959 & 1964, Playscript (act one, drafts


Box 5 Boolie [Play]: Act One, 1961, Playscript,


Box 5 Boolie [Play], 1964, 3 copies Playscript,


Box 5 [Boolie Play] The Heel, 1959, Playscript (2 carbon copies

["Final OK version"]


Box 5 [Boolie Play] The High Sign, 1961, Playscript,

["First draft final version"]


Box 5 [Boolie Play] The Magnificent Heel, 1936, Playscript (carbon copy

["Next to last version"]


Box 5 [Boolie Play] The Magnificent Heel, Playscript,

["As produced in Dallas"]


Box 5 [Boolie Play] The Magnificent Heel, 1959, Playscript,

["Act One"]


Box 5 [Boolie Play] The Magnificent Heel, 1959, Playscript,

["1st draft act one"]



Box 6 [Boolie Play], 1961-1967, Notes,


Box 6 [Boolie Play], 1962-1964, Notes,


Box 6 [Boolie Play] The Heel, Dallas, 1954, Reviews,


Box 6 Broken Lullabye [Film] See: The Man I Killed [Film]


Box 6 Bud's "Home-coming" [Short Story], Tearsheets from a college magazine,


Box 6 Bunny - "Untitled Play", 1958, Playscript,


Box 6 Bunny - "Untitled Play", 1958, Playscript (draft of act one


Box 6 Bunny - "Untitled Play", 1958, Playscript (carbon copies


Box 6 Bunny - "Untitled Play", 1958, Playscript (carbon copy & notes


Box 6 Bunny - "Untitled Play", 1958, Playscript,

["Rejected"]


Box 6 The Burning Secret [Film], 1951, Scenario,

[Unproduced]


Box 6 Carole [Short Story] Everybody's Magazine, 1923, Tearsheets,


Box 6 Casanova [Film], 1935, Typescript (carbon copy) film treatment,

[Unproduced]


Box 6 A Christmas Present [Play], 1954, Playscript (carbon copy


Box 6 Confessional [Play], Playscript (carbon copy


Box 6 Confetti [Short Story] See: Design in Confetti [Short Story]


Box 6 Could Be [Short Story] See: A Hollywood Fable [Short Story]


Box 6 Counterfeit Heaven [film], Typescript film treatment (carbon copy

[unproduced.]



Box 7 The Day of Atonement [Short Story] Everybody's Magazine, 1922, Tearsheets,

[Earliest Version of The Jazz Singer]


Box 7 Design in Confetti [Short Story], 1948, Typescript,


Box 7 Design in Confetti [Short Story], Typescript (3 carbon copies


Box 7 Design in Confetti [Short Story] Esquire, 1948, Tearsheets (2 copies


Box 7 Debora and John [Play] See: Here We Are, Alone Together [Play]


Box 7 Domestic Episode [Short Story] Good Housekeeping, 1944, Tearshteets,


Box 7 The Dover Road [film], 1931, Scenario (bound mimeograph copy


Box 7 Eleven Short Stories [Anthology], Typescript (contents page) ,


Box 7 Epaulettes for Everybody [Play], 194[?], Radio script,


Box 7 Everybody Is Wonderful [Play] See: [Jason] My Severest Critic [Play]


Box 7 Eyes for No Other Woman [Short Story] Snappy Stories, 1925, Tearsheets,


Box 7 Fable [Play], 1947, Playscript (original version) ,


Box 7 Fable [Play], Playscript (2nd version


Box 7 Fable [Play], Playscript ("Thelma version"


Box 7 Fable [Play], 1947, Notes & drafts,


Box 7 The Family Circle [Play] See: [Jason] The Family Circle [Play]


Box 7 Father Goes to College [film], Typescript (film treatment, carbon

[Unproduced]


Box 7 The First Affair [Short Story] See: After the Ball [Short Story]



Box 8 Going Up [Short Story], Typescript (carbon) ,

[Unpublished]


Box 8 The Good Fairy [film], 1941, Scenario (carbon) ,


Box 8 Goodbye Lady [Play] See: [Skylark] Goodbye Lady [Play]


Box 8 Goodbye Mama, Goodbye Papa [Play] See: Here We Are, Alone Together [Play]


Box 8 The Greatest Idea In The World [Short Story], Typescript (2 carbon copies


Box 8 The Greatest Idea In The World [Short Story] Good Housekeeping, 1946, Tearsheets,


Box 8 The Green Fig [Play] See: Here We Are, Alone Together [Play]


Box 8 The Guitar [Short Story], 1976, Typescripts & notes,



Box 9 Hamburgers in Hollywood [film] See: Two Little People [film]


Box 9 The Happiness of Rebecca [Short Story] See: 0VERSIZE


Box 9 He and She [Play] See: Israeli Play [Play]


Box 9 He Found Himself [film], 1941, Typescript screen story (carbon copy


Box 9 He Wanted to Marry a Rich Girl [Short Story] See: Marry for Money [film]


Box 9 Heaven Can Wait [film], 1943, Screenplay (Xerox copy


Box 9 Heaven Can Wait [film], 1981, Screenplay, edited for publication (2 xerox copies


Box 9 Heaven Can Wait [film], 1981, Screenplay, edited for publication: "Wisc. transcript" (Xerox copy


Box 9 Heaven Can Wait [film], Seminar at the Museum of Modern Art, 1977, Transcripts, etc.,


Box 9 Heaven Can Wait [film], Seminar at the Smithsonian, 1975[?], Transcript (Xerox copy


Box 9 Heaven Can Wait [film], 1972-1980, Reviews & printed misc.,


Box 9 The Heel [Play] See: [Boolie] The Heel [Play]


Box 9 The Helen Morgan Story [film], 1956, Typescript film treatment,

[Unproduced]


Box 9 Hello and Goodbye [Play], Synopsis and some dialogue,



Box 10 Here We Are, Alone Together [Play], 1955-1975, Playscripts,



Box 11 Here We Are, Alone Together [Play], 1950-1982, Notes, novella, & related materials,



Box 12 The High Sign [Play] See: [Boolie] The High Sign [Play]


Box 12 Hilda Benson [Hilda Crane. Novel], 1943-1947, Typescripts & notes,

[See also: Beautiful Morning [Short Story] -- Jingle Bells [Short Story] -- Lost on 44th Street [Short Story] -- My Shining Palace [Short Story] -- Not the Cushion and the Slipper [Short Story] -- The Parson's Waiting [Short Story] -- Song At Twilight [Short Story]]


Box 12 Hilda Crane [Play], 1950, Playbills,


Box 12 Hilda Crane [Play], 1950, Reviews (clippings


Box 12 Hollywood Encounter [Short Story] See: A Hollywood Fable [Short Story]


Box 12 A Hollywood Fable [Short Story], 1975-1979, Typescripts (drafts & notes


Box 12 A Hollywood Fable [Short Story] Atlantic Monthly, 1980, Proofs & tearsheets,


Box 12 Home Sweet Home [Play] See: Here We Are, Alone Together [Play]


Box 12 Honey [Play], 1938, Unfinished drafts, etc.,



Box 13 I Have the Greatest Respect [Play] See: One In a Billion [Play]


Box 13 I Said To Myself [Series of Columns] Saucy Stories, 1923, Proofs & tearsheets,


Box 13 I'm a Stranger Here [Dramatic Sketch], ca. 1938, Playscript (carbon copy


Box 13 I'm Mavis, the Irish Girl. [Short Story], 1947-1976, Typescripts,


Box 13 I'm Mavis, the Irish Girl. [Short Story], 1947-1976, Notes,


Box 13 In My Opinion [Play] See: [Jason] In My Opinion [Play]


Box 13 Israeli-American Play [film], ca. 1970, Playscripts (carbon copies


Box 13 Israeli-American Play [film], 1970, Screenplay (carbon copy


Box 13 Israeli Play [Play], 1972-1980, Playscripy,


Box 13 Israeli Play [Play], 1973-1980, Notes,


Box 13 It Was a Pleasure [Short Story] See: Mother's Day [Short Story] See: Rough Treatment [Short Story]



Box 14 Jason [Play], 1941, Playscript,


Box 14 Jason [Play], Television script (carbon copy


Box 14 Jason [Play], Television script (mimeograph copy


Box 14 Jason [Play], Programs & misc.,


Box 14 Jason [Play], 1942-1947, Reviews (clippings


Box 14 Jason [Play] The Family Circle [Play], 1940, Playscript,


Box 14 Jason [Play] In My Opinion [Play], 1940, Playscripts (3 drafts


Box 14 Jason [Play] My Severest Critic [Play], 1940-1941, Playscripts (drafts



Box 15 The Jazz Singer [Play], Playscript,

[Samson Raphaelson did not write the film adaptation]


Box 15 The Jazz Singer [Play], 1925, Playscript,


Box 15 The Jazz Singer [Play], 1925, Playscript,

[Intermediate version (mimeograph copy)]


Box 15 The Jazz Singer [Play], Reviews, etc.,

[See also: OVERSIZE]


Box 15 The Jazz Singer [Play], 1925-1981, Misc.,


Box 15 The Jazz Singer [Play] See also: The Day of Atonement [Short Story]


Box 15 The Jazz Singer [Black Musical], 1975, Playscripts,


Box 15 The Jazz Singer [Black Musical, 1975, Notes,


Box 15 Jingle Bells [Short Story - Hilda Benson] Good Housekeeping, 1947, Tearsheets,


Box 15 Kati [Short Story], 1949, Typescripts,


Box 15 Kati [Short Story] Cosmopolitan, 1949, Tearsheets,


Box 15 King With Umbrella [Play][ Suggested by a play by Ralph Benatzky], 1938, Playscript (carbon copy


Box 15 King With Umbrella [Play]. Playscript by Benatzky ("The King With the Umbrella"), Carbon copy,


Box 15 Kingdom Come [Play] See: Fable [Play]



Box 16 Last Day in Paris [Short Story], NBC, 1957, Radio script,

[Adapted by Edward Nolan for NBC 1957]


Box 16 Last Day in Paris [Short Story], 1957, Typescript,


Box 16 Last Day in Paris [Short Story] The Saturday Evening Post, 1957, Tearsheets


Box 16 Lavender and Old Louse ["A Skit"], Typescript (carbon copy


Box 16 Leave 'em Smiling [film], Typescript (film treatment


Box 16 Letter to the Editor [Short Story] Good Housekeeping, 1950, Tearsheets (3 copies


Box 16 A Life of Her Own [film], 1949, Scenario (mimeographed

[Not used for produced film]


Box 16 Lila [Play & Novella] See: Here We Are, Alone Together [Play]


Box 16 Long Live the King [Play], 1937, Playscript (draft


Box 16 Long Live the King [Play], 1937, Playscript (carbon copy


Box 16 Lost On 44th Street (Short Story - Hilda Benson), 1946, Typescripts (carbon copies


Box 16 Lost On 44th Street (Short Story - Hilda Benson) Good Housekeeping, Tearsheets,


Box 16 The Madness of Men (Series), Snappy Stories, 1925, Tearsheets,


Box 16 The Magnificent Heel [Play] See: [Boolie] The Magnificent Heel [Play]


Box 16 Main Street To Broadway [film], Screenplay (draft, carbon copy


Box 16 Main Street To Broadway [film], 1952, Screenplay (draft, mimeograph copy


Box 16 Main Street To Broadway [film], 1952, Screenplay (mimeograph copy



Box 17 Man and Wife [Play] See: [Skylark] Man and Wife [Play]


Box 17 The Man I Killed [also, Broken Lullabye] [film], 1931, Scenario (Xerox copy


Box 17 A Man Is Entitled Once In a While To a Whim [Short Story] See: The Guitar [Short Story]


Box 17 Marry For Money [film], Typescript film treatment,


Box 17 The Merry Widow [film], 1934, Scenario (Xerox copy


Box 17 The Middle-aged Freshman [Short Story], Typescript (carbon copy


Box 17 The Middle-aged Freshman [Short Story], Radio script (mimeograph copy


Box 17 Mike Miller [Play] [later called The Store], 1926, Typescript,


Box 17 Mike Miller [Play] [later called The Store], Typescript (variant, carbon copy


Box 17 The Miracle [film], Screenplay (carbon copy of draft


Box 17 Mr. Bystander and Miss Passerby [Short Story], Typescript,


Box 17 Moonlight and Roses [film] [American-Isreali Film Project], 1970, Typescripts (drafts

[See also: Israeli-American Play [film]]


Box 17 Moonlight Sonata [Short Story], Tearsheets,


Box 17 Mother's Day [Short Story], Typescript drafts & notes,

[See also: Rough Treatment [Short Story]]



Box 18 The Music Shop [film], 1930, Screenplay (carbon copy


Box 18 My Boy [film], Outline & dialogue, carbon copy 1929,


Box 18 My Friend Leo (Play by Joseph Patrick McEvoy), Notes & revisions by Raphaelson,


Box 18 My Severest Critic [Play] See: [ My Severest Critic - Play]


Box 18 My Shining Palace [Short Story - Hilda Benson] Good Housekeeping, 1947, Tearsheets,


Box 18 The New Green Fig [Play] See: Here We Are, Alone Together [Play]


Box 18 Not the Cushion and the Slipper [Short Story - Hilda Benson] Good Housekeeping, 1947, Tearsheets,


Box 18 Old Couple in New York [Play] See: Israeli Play [Play]


Box 18 The Old Gentleman [Short Story], 1974, Typescript (Xerox copy


Box 18 The Old Gentleman [Short Story], Notes,


Box 18 Old Love [Film, not produced] See: Counterfeit Heaven [film]


Box 18 One Hour With You [film], 1931, Scenario (Xerox copy


Box 18 One In a Billion [Play], 1974 & 1975, Playscript (drafts & notes


Box 18 The One Life of Erwin Barrows [Short Story] See: The Middle-aged Freshman [Short Story]


Box 18 Opus Minus One (Poem), Typescript,


Box 18 Palm Springs Musical [Play], 1953, Note,


Box 18 The Parson's Waiting [Short Story - Hilda Benson] Good Housekeeping, 1947, Tearsheets,


Box 18 The Peanut Bag [Play] See: Here We Are, Alone Together[Play]


Box 18 The Perfect Marriage [Play], 1946, Playscript (carbon copy

["Die Vollkommene Ehe" (German translation of SR's play)]


Box 18 The Perfect Marriage [Play], 1960, Notes for a musical,


Box 18 The Perfect Marriage [Play], 1944, Program,


Box 18 Perhaps a Love Story [Short Story] See: A Hollywood Fable [Short Story]


Box 18 Portrait of Jenny [Play - musical], 1960, Typescript (play treatment


Box 18 Portrait of Jenny [Play - musical], 1960, Notes,


Box 18 A Prince in Disguise [Film, not produced], 1971, Screenplay,


Box 18 A Prince in Disguise [Film, not produced], 1970-1971, Screenplays (drafts

[See also: Israeli-American Play [film]]


Box 18 The Queen of Sheba (Play-musical) See: Sheba Musical [Play]



Box 19 The Richest Woman In the Town [Short Story], Typescript,


Box 19 The Richest Woman In the Town [Short Story], Typescript (carbon copy


Box 19 Roses Are Red [Play] See: [Jason] My Severest Critic [Play]


Box 19 Rough Treatment [Short Story], 1957, Typescripts (carbon copy drafts


Box 19 Rough Treatment [Short Story], 1958, Radioscript (mimeograph copy

[Adaptation by Harriet Weber. See also: Mother's Day [Short Story]]


Box 19 Servants' Entrance [film], Scenario (mimeographed copy) bound volume,


Box 19 Sheba Musical [Play], Playscripts,


Box 19 Sheba Musical [Play], 1954-1970, Outlines & notes,


Box 19 Shelley Play [Play] See: Anniversary (a Shelley play). [Play]


Box 19 Shirley Play [Play] See: Fable [Play]



Box 20 Shop Around the Corner [film], [1939], Screenplay [Xerox copy],


Box 20 Shop Around the Corner [film], (Revised 1980), Screenplay [Xerox copy of 1939 screenplay],


Box 20 Shop Around the Corner [film], (Revised for publication 1981), Typescript,


Box 20 [Shop Around the Corner] Parfumerie; a Comedy in Three Acts. By Miklos Laszlo, 1936 & 1957, Typescript of "Base Play" (Xerox copy


Box 20 [Shop Around the Corner] Parfumerie; a Comedy in Three Acts. By Miklos Laszlo, 1980, Misc.,


Box 20 Skylark [Play], Playscript (carbon copy

[Agent's copy]


Box 20 Skylark [Play], Television scripts,


Box 20 Skylark [Play], 1939-1984, Programs & misc.,


Box 20 Skylark [Play], 1939-1942, Reviews (clippings


Box 20 [Skylark] Goodbye Lady [Play], Playscript, draft,


Box 20 [Skylark] Man and Wife [Play], Playscript (draft, carbon copy



Box 21 The Smiling Lieutenant [film], 1931, Scenario (Xerox copy


Box 21 Song At Twilight (Short Story - Hilda Benson) Good Housekeeping, 1947, Tearsheets,


Box 21 Sticks and Stones [Play], Playscript, drafts & notes,


Box 21 Stopover In Chicago [Short Story], Typescripts (carbon copies


Box 21 Stopover In Chicago [Short Story] Cosmopolitan, 1951, Tearsheets,


Box 21 [Stopover In Chicago] Stopover, Television script (mimeographed copy


Box 21 The Store [Play] See: Mike Miller [Play]


Box 21 Streamlined Heart [Short Story] See: OVERSIZE See also: Skylark [Play]


Box 21 [Suspicion] Before the Fact [film], 1941, Scenario (Xerox copy


Box 21 [Suspicion] Before the Fact [film], 1940, Xerox copy of screenplay,

[Screenplay by Boris Ingster & Nathanael West]


Box 21 [Suspicion] Before the Fact [film], 1940, Xerox copy of screenplay,

[Screenplay by Joan Harrison]


Box 21 [Suspicion] Before the Fact [film], 1941, Typescript film treatment (Xerox copy],


Box 21 Suspicion [film], Miscellaneous,



Box 22 Take It Away (Poem), Typescript,


Box 22 Terrible As an Army With Banners [Short Story] Romance, 1920, Tearsheets,


Box 22 That Lady In Ermine.[film], 1948, Scenario (Xerox copy


Box 22 Thelma Play [Play] See: Fable [Play]


Box 22 There's No Law a Man Has To Understand His Wife [Short Story] See: Agent Meets Lady [Short Story]


Box 22 A Thousand Kisses [film] See: Casanova [Film, not produced]


Box 22 Samson Raphaelson Three Screen Comedies, 1981-1984, Review & catalog listing,


Box 22 Trouble In Paradise [film], 1932, Scenario (Xerox copy

[Edited for publication]


Box 22 Trouble In Paradise [film], 1932, Scenario (Xerox copy

[Final editing for publication]


Box 22 Trouble In Paradise [film], Typescript for publication (Xerox copy


Box 22 Trouble In Paradise [film], Typescript of interview,

[See:OVERSIZE]


Box 22 Trouble In Paradise [film], 1972-1985, Miscellaneous,


Box 22 Two Little People [film], Typescript film treatment,


Box 22 "Untitled Play" See: [Bunny] "Untitled Play"


Box 22 White Man [Play], 1936, Playscript (carbon copy


Box 22 Who Am I [Short Story], 1947/1948, Typescripts (carbon copies


Box 22 Who Am I [Short Story] Good Housekeeping, 1948, Tearsheets,


Box 22 Who Am I [Short Story], Miscellaneous,


Box 22 Who Could Ask For Anything More? [Play- Musical], 1943, Notes & outlines,



Box 23 The Winner [Short Story] Good Housekeeping, 1948, Tearsheets,


Box 23 Without Love [film], 1943, Screenplay (mimeograph copy


Box 23 The Wooden Slipper [film], Typescript film treatment (mimeograph copy


Box 23 The Wooden Slipper [Play], 1934, Programs & reviews,


Box 23 Young Love [Play], 1928-1947, Programs,


Box 23 Young Love [Play], 1928-1947, Reviews & clippings,


Box 23 Young Love [Play], Miscellaneous,


Box 23 Young Man [film], 1972, Screenplay,


Box 23 Young Love [Play] See also: Israeli-American Play [film]


Box 23 Young People Musical [Play], Outlines & notes,


Box 23 Untitled & miscellaneous


Subseries III.2: Non-Fiction



Box 24 Achilles and Aeneas -- Two Conceptions Of a Hero [Student Essay], 1920, Typescript,


Box 24 Antigone and Medea -- a Brief Comparison Of the Characters Of Two Women [Student Essay], 1920, Typescript,


Box 24 [Book Review Of] How To Read a Film by James Monaco, Typescript,


Box 24 [Book Review Of] How To Read a Film by James Monaco, Notes,


Box 24 [Book Review Of] How To Read a Film by James Monaco, Galley proofs, corrected,


Box 24 [Book Review Of] How To Read a Film by James Monaco Film Comment, 1977, Printed copy,


Box 24 [Book Review Of] A Preface To Life by Edwin Justus Mayer [Article] The Nation, 1923, Tearsheet,


Box 24 [Book Review Of] "Thirty Years Of Theatrical Enterprise" in American Writing Today [Article], 1949, Clipping with 2 xerox copies,


Box 24 The Cher Spectacular [Article] See: Sonny, Cher, and Me [Article]


Box 24 A Comparison Of the Religion In Homer's Iliad and the Religion Presented By Plato Through Socrates in The Apology [Student Essay], 1920, Typescript,


Box 24 For the Love Of Liv [Article], Typescript (Xerox copy


Box 24 For the Love Of Liv [Article], Notes,


Box 24 For the Love Of Liv [Article], Tearsheets with 2 xerox copies,


Box 24 For the Love Of Liv [Article] American Film, 1977, Printed copy,


Box 24 For the Love Of Liv [Article], Miscellaneous,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Manuscript, first draft,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Typescript, "carbon of 1st typed",


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Typescript, corrected,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Typescript, "corrected copy",


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Typescript, "first typed",


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1980, Typescript, "master copy",


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1981, Typescript, setting copy,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], Correspondence about article,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], 1977-1980, Notes,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch], Galley proofs, revised,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch] The New Yorker, 1981, Tearsheets,


Box 24 Freundschaft [Biographical Article On Ernst Lubitsch] The New Yorker, 1981, Printed copy,



Box 25 The Glittering Snake [Article - Television Criticism], Typescript (Xerox copy


Box 25 The Glittering Snake [Article - Television Criticism], Notes,


Box 25 The Glittering Snake [Article - Television Criticism] Film Comment, 1979, Tearsheets,


Box 25 The Glittering Snake [Article - Television Criticism] Film Comment, 1979, Printed copy,


Box 25 Griselda As a Heroine [Student Essay], 1920, Typescript,


Box 25 Hollywood Parties In the 30s and 40s [Article], Typescript (incomplete


Box 25 The Human Nature of Playwriting [Book], 1947-1955, Correspondence,


Box 25 The Human Nature of Playwriting [Book], 1948-1955, Correspondence with students,


Box 25 The Human Nature of Playwriting [Book], Clippings: reviews, etc.,


Box 25 The Human Nature of Playwriting [Book], Promotion,



Box 26 Kol1ek Teddy [Autobiography] Edited by Raphaelson [Book], Original manuscript Typescript drafts,



Box 27 Kollek, Teddy [Autobiography] Edited by Raphaelson [Book], Notes & discards,


Box 27 The Last Time I Saw Lubitsch [Biographical Article] See: Freundschaft [Biographical Article about Ernst Lubitsch]


Box 27 Notes on Lumber Jacks, Typescript notes,


Box 27 On My Word Of Honor As An Adjunct Professor [Article On Teaching], [1977], Typescript,


Box 27 On My Word Of Honor As An Adjunct Professor [Article On Teaching], [1977], Promotion,


Box 27 On My Word Of Honor As An Adjunct Professor [Article On Teaching] American Film, 1977, Tearsheets,


Box 27 On My Word Of Honor As An Adjunct Professor [Article On Teaching] Columbia, 1983, Tearsheets,


Box 27 On My Word Of Honor As An Adjunct Professor [Article On Teaching] American Film & Columbia, Printed copies,


Box 27 [On Ruth Orkin, photographer] [Article], 1974, Typescript & Xerox copy,


Box 27 People We Like. (Obituary Article on James M. Cain) Film Comment, 1978, Printed copy,


Box 27 Personal To Sonny Bono [Article] See: Sonny, Cher, and Me [Article - Television Criticism]


Box 27 Random Notes [for American Film Magazine] [Article], 1976, Typescript drafts,


Box 27 Smothers Brothers [Article - Television Criticism], 1975, Manuscripts,


Box 27 Sonny, Cher, and Me [Article - Television Criticism], 1974-1976, Drafts,


Box 27 Sonny, Cher, and Me [Article - Television Criticism], 1974-1980, Clippings,


Box 27 Sonny, Cher, and Me [Article - Television Criticism] American Film, 1977, Tearsheets,


Box 27 Sonny, Cher, and Me [Article - Television Criticism] American Film, 1977, Printed copy,


Box 27 That Lady in Bergman [Article - Film Criticism on Ingmar Bergman & Liv Ullman], 1976, Typescripts,


Box 27 That Lady in Bergman [Article - Film Criticism on Ingmar Bergman & Liv Ullman], Notes,


Box 27 That Lady in Bergman [Article - Film Criticism on Ingmar Bergman & Liv Ullman] Film Comment, 1976, Tearsheets


Box 27 That Lady in Bergman [Article - Film Criticism on Ingmar Bergman & Liv Ullman] Film Comment, 1976, Printed copy,


Box 27 That Lady in Bergman [Article - Film Criticism on Ingmar Bergman & Liv Ullman], 1977, Miscellaneous,


Box 27 Youth Grows Young [Essay on Education] Century, 1922, Printed copy,


Box 27 Miscellaneous