This series contains scores and documents relating to Lindsey's collaborations - as a composer, arranger, conductor, and pianist - with various popular entertainers. The material primarily pertains to his work in television and on the concert stage. The series primarily comprises scores (conductor or concert, handwritten and typewritten) for arrangements, but also includes a number of original compositions (songs, television cues). Lindsey generally titled his arrangements with the name of the performer it was produced for, and not with the name of the original composer or lyricist. Judging from annotations, Lindsey appears to have performed live from a number of these scores. This series is divided into four subseries, arranged by collaborator. Subseries I.1 and I.2 comprise materials produced for Judy Garland and Merv Griffin respectively - two of Lindsey's closest and most notable collaborators. Subseries I.3 comprises arrangements that Lindsey produced for his wife, Judy Johnson: these arrangements are significantly represented in the Mort Lindsey collection. Subseries I.4 includes collaborations with a range of other performers whose work is less heavily represented within the collection.
Subseries I.1: Judy Garland, 1954-1987 (bulk 1963-1966)
This subseries contains material relating to Lindsey's collaborations with Judy Garland in the 1960s. Much of the material in this subseries relates to Lindsey's work on The Judy Garland Show (1963-1964), for which he arranged all the music, composed a number of cues and songs, conducted the band, and accompanied Garland on the piano. His music for Judy Garland are generally represented in annotated conductor scores (usually ozalid copies of calligraphy scores produced by a copyist): there are no instrumental parts and only one (manuscript) concert score. Through The Judy Garland Show, Lindsey arranged music for many of the show's musical guests: these performers are listed at the folder level. This collection does not include all of the music that Lindsey produced for The Judy Garland Show: the musical numbers from several episodes are missing in their entirety. This subseries includes a number of print documents that chart Lindsey's work with Garland, both on television and on stage. Material relating to Lindsey's work on films that starred Judy Garland can be found in Series II.
Box 2 Folder 1-5
Conductor scores of arrangements for The Judy Garland Show, circa 1963-1964, 5 folders
Primarily annotated ozalid copies but also includes some xerox copies. Arrangements for Judy Garland (solo): "Just in Time"; "Memories of You"; "Have You Ever Met Jack Jones"; "Island in the West Indies"; "This Could Be the Start of Something Big"; "It's a Good Day"; "Toot Toot Tootsie"; "Shenandoah"; "Lorna" (composed by Mort Lindsey); "Ol' Man River"; "Exactly Like You"; "Lost in the Stars"; "Never Will I Marry"; "What a Little Moonlight Can Do"; "Time After Time"; "Moon River"; "Liza"; "You Do Something To Me"; "A Lot of Livin' to Do"; "Here's That Rainy Day." For Judy Garland and choir: "Jamboree Jones"; "Sing-Sing-Sing"; "I'll Come Back"; "World War I Medley"; "Great Day." For Judy Garland and the Count Basie Band: "The Sweetest Sounds." For Judy Garland, George Maharis, Jack Carter, The Dillards, Jerry Van Dyke: "Back Porch Medley." For Judy Garland and Peggy Lee: "I Love Being Here With You"; "Men Medley." For Judy Garland and Lena Horne: "Love"; "Judy-Lena Medley"; "Day In, Day Out." For Judy Garland and Vic Damone: "West Side Story Medley"; "Kismet." For Judy Garland and Donald O'Connor: "The Good Old Days of Vaudeville"; "Opening Intro: Theme Song Medley." For Judy Garland and Mickey Rooney: "Judy-Mickey Medley." For Judy Garland, Ray Bolger, and Jane Powell: "The Jitterbug." For Judy Garland, Bobby Darin, and Choir: "Train Medley." For Judy Garland and Mel Tormé: "Trolley Song Duet." For Judy Garland, Jack Jones, and Liza Minnelli: "Jingle Bells Medley." For Judy Garland and Ethel Merman: "Judy-Ethel Medley." For Judy Garland and Jack Jones: "Jeannette-Nelson Medley." For Judy Garland and Barbra Streisand: "Garland-Streisand Medley." For Judy Garland and Liza Minnelli: "Bob White"; "Together"; "Liza-Judy Medley." For Judy Garland, Tony Bennett, and Choir: "Train Medley." For Judy Garland, Lena Horne, Jerry van Dyke, and Terry-Thomas: "Brush Up Your Shakespeare." For Judy Garland, Zena Bethune, Vic Damone, and choir: "All Purpose Holiday Medley." For Judy Garland, Mel Tormé, and the Count Basie Band: "Don't Dream of Anything But Me/April in Paris." For Judy Henske, Mel Tormé, and Jerry van Dyke: "Walk Right In." For Dick [Shawn?] and choir: "Honestly Sincere." For Jerry van Dyke and Soupy Sales: "I'm Calm." For Jane Powell: "Dear Friend." For Lena Horne: "I Want to Be Happy"; "Where is Love?"; "He Loves Me." For Lorna Luft: "Santa Claus is Coming to Town." For the orchestra: various versions of "Judy's Theme" (composed by Mort Lindsey); "Hollywood Overture"; "Button #2"; "Button #5"; "Button #4"; "R.I.P. Overture"; "Love Overture"; "Homestretch Overture"; "Frank and Dean Dialogue"; "Formality is the Keynote"; "Hey Look Me Overture"; "40 Fathoms" (composed by Mort Lindsey); "American Overture"; "California Overture." From episodes: 4-16, 20-26. Several scores are missing episode numbers. Scores are in Lindsey's original order.
Box 2 Folder 6
Manuscript score for arrangement of "Happy Days Are Here Again/Get Happy", circa 1963
Titled "Duet." Vocal lines marked "Judy" and "Barb." Likely for Judy Garland and Barbra Streisand on The Judy Garland Show.
Box 3 Folder 1
Ozalid copies of parts for "Seven the Hard Way" for The Judy Garland Show, circa 1963
Includes conductor score and all parts. Some parts are annotated. Composed by Mort Lindsey.
Box 3 Folder 2
Conductor score of Skip Martin's arrangement of the "Born in a Trunk Medley" from Judy Garland's film A Star is Born, circa 1954
Box 4 Folder 1
Administrative documents relating to The Judy Garland Show, 1964, undated
Includes an annotated catalog of Judy Garland's orchestrations prior to the airing of The Judy Garland Show. Also includes: personnel lists (for crew and orchestra); episode schedules; song lists for various episodes.
Box 4 Folder 2
Legal documents relating to The Judy Garland Show, 1963, 1965-1966, undated
Mainly contracts. Includes advertisements in the Los Angeles Times regarding reruns of the show. Originally in a folder titled "Judy Garland Series Reruns."
Box 4 Folder 3
Documents relating to the life and career of Judy Garland, 1987
Possibly relating to a book project on The Judy Garland Show by Coyne Steven Sanders. Includes Garland's concert schedule from 1951 to 1969, a draft copy of the article "Rainbow's End: The Judy Garland Show" by Coyne Steven Sanders. Also includes copyright renewal notices for a number of Lindsey's songs and arrangements.
Box 22 Folder 1
Manuscript concert score of "Seven the Hard Way" for The Judy Garland Show, circa 1963
Pencil manuscript with annotations. Composed by Mort Lindsey.
Subseries I.2: Merv Griffin, 1950-2001 (bulk 1968-2001)
Material in this subseries derives from a range of different collaborations between Mort Lindsey and Merv Griffin, documenting their partnership from the 1960s to the early 2000s. Lindsey primarily worked with Griffin on his television productions, where he served as a composer, arranger, and bandleader; however, they also collaborated on a number of live performances. This subseries includes scores for Lindsey's arrangements for The Merv Griffin Show and for the 1968 TV special Merv Griffin's Sidewalks of New England. It also includes sketches for Lindsey's original cues for Griffin's game show Wheel of Fortune, and Lindsey's arrangements of the theme for the quiz show Jeopardy (composed by Griffin himself). Most scores in this collection are manuscript concert scores (or copies thereof); however, some parts and conductor scores are also included. Although all the scores in this collection are labeled as collaborations with Griffin, it is not always clear which Griffin production these scores originated from.
Box 3 Folder 3
Parts for arrangement of "Shadow of Your Smile" for Merv Griffin, undated
Includes: piano/conductor, guitar, bass, drums, reeds (1-4), trumpets (1-2), trombones (1-3), flutes, clarinet, and bass clarinet. Some of these parts are annotated. Mostly photocopies but some ozalid copies.
Box 3 Folder 4
Parts for "Bye Bye Baby," arrangement for Carol Channing for a Merv Griffin production, undated
Some parts are annotated.
Box 3 Folder 5-6
Parts for arrangements for Merv Griffin, 1986, undated, 2 folders
Mostly printed copies. Synthesizer parts for "You Stepped Out of a Dream," "My Funny Valentine," "Wave," "A Nightingale Sang in Berkeley Square," "The More I See You." Piano-vocal parts for "Sweet Lips," "You Better Go Now," "It's Like a Dream," "Merv's Theme." Manuscript conductor scores for "Sweet Lips" and "You Better Go Now." Other printed fragments relating to "Merv's Theme." Also includes a lyric sheet of "Sweet Lips." Includes all parts (copies and originals, including piano/conductor score) for "Merv's Theme." Trumpet parts for "More Plasma" and "Another Samba." Conductor score of "Tchaikowsky Fantasy." Fragments of unidentified concert scores for the Merv Griffin Show (manuscript and copy). A manuscript vocal score for "Sweet Lips." Personnel list for "Merv Griffin at the Coconut Ballroom" (1986). Published scores for "My Foolish Heart" (music by Victor Young, lyrics by Ned Washington) and "Jeopardy Theme" (music by Merv Griffin). Conductor and synthesizer scores for: "Jeopardy Fantasy"; "The More I See You"; "My Funny Valentine."
Box 3 Folder 7
Parts for arrangment of "I Don't Want to Walk Without You" for Merv Griffin, undated
Parts include: piano/conductor, percussion, guitar, drums, alto sax (1-2), tenor sax (1-2), baritone sax, trumpets (1-4), trombones (1-4)
Box 3 Folder 8
Parts for the concert "Merv Griffin at the Coconut Ballroom", undated
Conductor scores for "Goody Goody Jeepers Creepers," "Don't Take Your Love From Me," "Candy and When Your Sugar Walks Down"; trumpet and guitar parts for "I Had the Craziest Dream."
Box 3 Folder 9
Rhythm and conductor scores for arrangements for Merv Griffin, 2001, undated
For: "You Better Go Now"; "With You I'm Born Again"; "It's Like a Dream"; "A Nightingale Sang in Berkeley Square"; "You Stepped Out of a Dream"; "Wave," "I've Grown Accustomed to Her Face."
Box 3 Folder 10
Ozalid copies of conductor scores for "Merv Griffin's Sidewalks of New England", circa 1968
For: "My Ship"; "Eleanor Rigby"; "Autumn Leaves"; "New England Opening"; "Stanley Steamer"; "Beyond the Blue Horizon"; "When I Was a Lad"; "Good Ship Lollipop"; "Quiet Nights"; "Moonlight in Vermont." Includes a runsheet for the television broadcast.
Box 4 Folder 4
Parts for arrangements for a dinner for Jim Murray hosted by Merv Griffin, 1992
Mostly photocopies but some manuscripts. Assorted parts for various songs: "Bright as a Benny," "Orson," "Merv's Theme," "Hello Dere," "Does She," "Ebony," "Take Me Out to the Ball Game," "St. Thomas," "Sunshine Alley," "Notre Dame Fight Song." Includes rhythm, tenor sax, piano conductor, and guitar parts. This is likely the 1992 tribute dinner for Jim Murray by the Richstone Family Center.
Box 4 Folder 5
Administrative documents for "Merv Griffin at the Coconut Ballroom", 1986
Includes invoices, receipts, budgets, typed financial notes, run sheets, schedules, etc.
Box 4 Folder 6
Parts for arrangement of "Shadow of Your Smile" for Merv Griffin, undated
Box 4 Folder 7
Materials for Merv Griffin, undated
A reharmonization of the "Jeopardy Theme," a conductor score of "Merv's Theme," an annotated photocopy of pages from a book titled The Greatest Songs - American, and a concert score of "What Are You Doing In Bed With My Wife" arranged by Tom Kubis for Jack Sheldon.
Box 5 Folder 1
Bound photocopy of the manuscript concert score for "Jeopardy Fantasy" for Merv Griffin, circa 1990
For piano and orchestra; based on a theme by Merv Griffin.
Box 5 Folder 2
Manuscript concert score of arrangement of "What Are You Doing the Rest of Your Life" for Merv Griffin, 1995
Box 5 Folder 3
Manuscript concert score of arrangement, "Tchaikowsky Piano Medley," for Merv Griffin, 1995
Box 5 Folder 4
Copy of a manuscript concert score for arrangement of "I've Grown Accustomed to Her Face" for Merv Griffin, 2001
Box 6 Folder 1
Arrangements for "Merv Griffin Presents Mort Lindsey and His Orchestra" album on Dot Records, 1965-1966
Box 6 Folder 2
Parts for arrangement of "Jeopardy Fantasy" based on a tune by Merv Griffin, undated
Includes conductor score. Printed parts. Some parts are annotated.
Box 6 Folder 3
Parts for arrangement of "What Are You Doing the Rest of Your Life" for Merv Griffin, circa 1995
Box 6 Folder 4
Conductor scores for themes from the Merv Griffin game shows "Jeopardy" and "Reach for the Stars", undated
Box 7 Folder 1
Cue sheets for "Merv Griffin at the Coconut Ballroom", 1986
Box 7 Folder 2
Copy of the manuscript concert score of arrangement of "My Funny Valentine" for Merv Griffin, undated
Box 7 Folder 3
Manuscript concert score of arrangement of "The More I See You" for Merv Griffin, undated
Box 7 Folder 4
Manuscript concert score of arrangement of "Winter Wonderland" for Merv Griffin, 1996
Box 7 Folder 5
Manuscript concert score of arrangement of "My Funny Valentine" for Merv Griffin, circa 1998
Box 7 Folder 6
Manuscript concert score of arrangement of "A Nightingale Sang in Berkeley Square" for Merv Griffin, 1998
Box 7 Folder 7
Manuscript concert score of arrangement of "You Stepped Out of a Dream" for Merv Griffin, circa 1998
Box 7 Folder 8
Manuscript concert score of arrangement of "Wave" for Merv Griffin, 1988
Box 7 Folder 9
Manuscript concert score of arrangement of "The More I See You" for Merv Griffin, 1997
Box 19 Folder 3
Photocopy of the manuscript concert score of arrangement of "You Stepped Out of a Dream" for Merv Griffin, circa 1998
Box 19 Folder 4
Photocopy of the manuscript concert score of arrangement of "A Nightingale Sang in Berkeley Square" for Merv Griffin, 1998
Box 19 Folder 5
Photocopy of the manuscript concert score of arrangement of "Wave" for Merv Griffin, 1998
Box 19 Folder 6-7
Manuscript concert score for arrangement of "Autumn Leaves" for Merv Griffin's TV special "The Sidewalks of New England", 1968
Box 12 Folder 1-2
Parts for arrangement of "Autumn Leaves" for Merv Griffin's TV special "The Sidewalks of New England", 1950, circa 1968, 2 folders
Includes an annotated copy of the original standard by Joseph Kosma.
Box 12 Folder 3
Sketches for "shopping cues" for the TV show The Wheel of Fortune, undated
In a folder titled "Wheel Shopping Music." Mostly handwritten sketches of lead sheets. Almost all cues have titles ("Miles of Style"; "Sparkle Plenty"; "New Age Aerobics"; "Cool and Mellow"; "The Little Easy"; "P.Z. 10019"; "Aloha There"; "Black Pearls"; "Dave's Sandstorm"; "Saints Preserve Us: Cajun Hop"; "Prairie Lullaby"; "Romantic Continent"; "Ode to the '88" etc.). Some cues are also attributed to Stephen Lindsey. Contains some xerox copies. Some sketches are explicitly marked "WOF" (Wheel of Fortune) while others are not.
Box 22 Folder 2
Concert score for arrangement of "Merv's Theme (Ballad)" for Merv Griffin, 1976
Subseries I.3: Judy Johnson, 1914-1995 (bulk 1988-1995)
Lindsey married Judy Johnson in 1954 and ultimately produced a number of arrangements for the singer. This subseries comprises concert scores and parts for several of these arrangements. The context of these arrangements - whether they were produced for an album, for the concert stage, or for some other event - is not always clear, with the exception of two folders originally labeled as "audition music" and "bows music." Many of Lindsey's arrangements for Johnson are in sketch form: either handwritten onto, or interleaved with, the original published sheet music of the song that he was arranging. Many annotations suggest that Lindsey used these scores to accompany Johnson himself. Although Johnson was born "Betty Bonney" (and went by this name earlier in her career) and occasionally referred to herself by her married name, "Betty Lindsey," all of Lindsey's arrangements list her as "Judy Johnson."
Box 4 Folder 8
Parts for arrangement of "I Cried/I Heard That Song Before" for Judy Johnson, 1991
Box 4 Folder 9
Parts for arrangement of "The Lady's In Love With You/The Lady is a Tramp" for Judy Johnson, undated
Box 4 Folder 10
Parts for arrangement of "Beginning to See the Light/Sugar" for Judy Johnson, undated
Typeset parts. Includes conductor score.
Box 5 Folder 5
Manuscript concert score of arrangement of "You Made Me Love You" for Judy Johnson, 1993
Box 5 Folder 6
Photocopy of the manuscript concert score of arrangement of "But Not For Me" for Judy Johnson, undated
Box 5 Folder 7
Photocopy of the manuscript concert score of arrangement of "Sentimental Journey" for Judy Johnson, 1995
Box 5 Folder 8
Concert scores for arrangements for Judy Johnson by Johnny Mandel, undated
Annotated photocopy of an arrangement of "Mona Lisa"; manuscript concert score of an arrangement of "Getting to Know You."
Box 6 Folder 5
Parts and concert score for arrangement of "That Old Feeling" for Judy Johnson, 1992
Box 6 Folder 6
Parts for arrangement of "I Don't Know Why" for Judy Johnson, undated
Box 6 Folder 7
Parts for arrangement of "I Had the Craziest Dream" for Judy Johnson, 1991
Box 6 Folder 8
Parts for arrangement of "You Made Me Love You" for Judy Johnson, 1993
Some parts are handwritten and some are typeset.
Box 6 Folder 9
Arrangements used as Judy Johnson's audition music, 1947, 1956, 1964, undated
Includes an ozalid copy of the lead sheet for arrangement of "It's Good to Be Alive" (originally for Pat Boone). Includes sketches of arrangements of: "I Didn't Know What Time it Was"; "The Stanley Steamer"; "Theme"; "Most Usual Day"; "Get Happy." Includes published copies of the original sheet music for: "The Stanley Steamer"; "Bells are Ringing." Includes Lindsey's handwritten notes.
Box 6 Folder 10
Arrangements used as Judy Johnson's bows music, undated
Includes: conductor scores; percussion part. Ozalid copies and onionskins.
Box 6 Folder 11
Parts for arrangement of "Just in Time" for Judy Johnson, undated
Some parts are annotated.
Box 8 Folder 1-3
Sketches of arrangements for Judy Johnson, 1914, 1921, 1924, 1926-1929, 1934-1935, 1938, 1940-1945, 1947, 1950-1952, 1954-1957, undated, 3 folders
Parts and/or lead sheets. Includes Lindsey's manuscripts, with the original published sheet music of each song interleaved. In some cases, Lindsey notated his arrangement straight onto the original published score. Songs include: "Gershwin Medley"; "Hi Lili"; "Your Kisses Kill Me"; "Nina Never Knew"; "One Step at a Time"; "My Kinda Love"; "Street of Dreams"; "Spring in New York"; "Sentimental Journey"; "Sand in My Shoes"; "Round and Round"; "Time After Time"; "They Didn't Believe Me"; "The Man That Got Away"; "Takin' a Chance on Love"; "Spring at the Y"; "When the Rain Comes Out"; "When I Fall in Love"; "We'll Be Together Again"; "Wait 'Til You See Her"; "Too Marvelous For Words"; "While We're Young"; "Why Baby Why"; "You Too Romeo"; "Get Out and Get Under the Moon"; "A Lovely Night"; "I Thought About You"; "It's Easy to Remember"; "It's Good to Be Alive"; "I'm Gonna Sit Right Down"; "Impossible"; "Chantez, Chantez"; "Button Up Your Overcoat"; "The Birth of the Blues"; "But Not For Me"; "The Boy Friend"; "Bewitched"; "You Can't Run Away"; "People Will Say"; "Orange Colored Sky"; "Moonlight in Vermont"; "Mangos"; "Aren't You Glad I'm Here"; "Any Place I Hang My Hat is Home"; "April in Paris"; "April Showers"; "Almost Like Being in Love"; "All I Do is Dream of You"; "Someone to Watch Over Me"; "Yesterday"; "Like Someone in Love"; "You Took Advantage of Me"; "The Fun We Had Last Summer"; "At Long Last Love"; "Mississippi Mud"; "Lullaby of Broadway"; "Bazazz."
Box 8 Folder 4
Arrangement of "Sentimental Journey" for Judy Johnson, undated
Includes printed parts and a xerox of a handwritten string reduction. Also includes the piano part for "Make Someone Happy" and two saxophone parts for "I Don't Know Why."
Box 8 Folder 5
Parts for arrangement of "You Made Me Love You" for Judy Johnson, 1993
Box 8 Folder 6
Parts for arrangement of "Lady's in Love/Lady's a Tramp" for Judy Johnson, undated
Typeset parts. Includes conductor score.
Box 9 Folder 1
Manuscript concert score of arrangement of "But Not For Me" for Judy Johnson, undated
Box 9 Folder 2
Manuscript concert score of arrangement of "Sentimental Journey" for Judy Johnson, 1995
Box 10 Folder 1
Parts for arrangement of "The Trolley Song" for Judy Johnson, undated
Box 11 Folder 1
Photocopy of the manuscript concert score of arrangement of "The Trolley Song" for Judy Johnson, undated
Parts of the score are cut off in the photocopy.
Box 22 Folder 3
Manuscript concert score for arrangement of "That Old Feeling" for Judy Johnson, circa 1992
Box 22 Folder 4
Manuscript concert score for arrangement of "I Cried/I Heard That Song Before" for Judy Johnson, 1991
Box 22 Folder 5
Manuscript concert score of arrangement of "The Lady's In Love With You/The Lady is a Tramp" for Judy Johnson, undated
Box 22 Folder 6
Manuscript concert score of arrangement of "I Don't Know Why" for Judy Johnson, 1988
Box 22 Folder 7
Manuscript concert score of arrangement of "You Made Me Love You" for Judy Johnson, 1993
Two manuscript scores: one score has added strings.
Box 22 Folder 8
Manuscript concert score of arrangement of "Just in Time" for Judy Johnson, undated
Box 22 Folder 9
Manuscript concert score of arrangement of "The Trolley Song" for Judy Johnson, undated
Box 23 Folder 1
Manuscript concert score of arrangement of "See the Light/Sugar" for Judy Johnson, undated
Box 23 Folder 2
Manuscript concert score of arrangement of "I Had the Craziest Dream" for Judy Johnson, 1991
Box 23 Folder 3
Manuscript concert score of arrangement of "Look to the Rainbow" for Judy Johnson, undated
Subseries I.4: Other performers, 1958-2007
This subseries groups together Lindsey's arrangements for a range of performers: Barbra Streisand, Pat Boone, Rod Stewart, Michael Bublé, Michael Feinstein, Elisa Fiorillo, Aaron Neville, Art Alexakis, Diane Schur, Burt Reynolds, Liza Minnelli, the Glenn Miller Orchestra, Jimmy Dean, Katey Sagal, Les Brown, and Al Hirt. It is generally arranged according to collaborator, with material produced for the same performer held together where physically possible (although oversized material is boxed separately). This series primarily consists of handwritten concert scores (manuscript or photocopy), although parts and typeset concert scores are also present. The original context in which these scores were created is not always clear. However, many of these arrangements appear to have been made for studio albums: either because the scores are labeled as such, or because the arrangements can be heard on studio albums released around the time that the score is dated (for example, Lindsey's arrangements of "Let It Snow," "Winter Wonderland," and "The Christmas Song" for Aaron Neville from the early 1990s all appear on Neville's 1993 Soulful Christmas album, which was produced by Lindsey's son Stephen). This subseries contains scores and documents relating to various television specials, including Al Hirt's Fanfare, the ABC pilot for The Jimmy Dean Show, and Burt Reynolds's Take Me Home. This subseries also contains administrative documents relating to various Barbra Streisand concerts and television broadcasts, including the Emmy-winning televised concert, A Happening in Central Park. It also includes conductor scores for arrangements produced for Barbra Streisand (although the context of their production is not specified).
Box 4 Folder 11
Documents relating to Barbra Streisand concerts, 1966-1967
Administrative documents, correspondence (with Streisand's managers, with contractors, etc.), and press clippings relating to Barbra Streisand's concerts at the Hollywood Bowl, Soldiers Field (Chicago), John F. Kennedy Stadium (Philadelphia), and the Newport Festival. Includes a clippings reviews in the Los Angeles Times and the Hollywood Reporter. Includes a memorandum from Barbra Streisand, Mort Lindsey's notes, run sheets, personnel lists, a copy of the "Barbra Streisand Library" catalog. Includes a clipping of an advertisement for the Hollywood Bowl concert. Originally in a folder titled "Streisand, Hollywood Bowl."
Box 4 Folder 12
Administrative documents relating to Barbra Streisand's TV special "The Belle of 14th Street", 1967, 1991, undated
Includes: a handwritten meeting schedule; rehearsal schedules; a set list; invoices and receipts; Lindsey's handwritten notes; a personnel list; a meeting memorandum; correspondence with Morton Bullman about pay. Also includes a rerun cost chart for The Judy Garland Show.
Box 4 Folder 13
Administrative documents relating to Barbra Streisand's "A Happening in Central Park", 1967
Includes: a run sheet for the TV broadcast; personnel list; receipts and invoices for services rendered; set list; Lindsey's handwritten notes; contract.
Box 4 Folder 14
Copies of manuscript concert scores of arrangements for Michael Feinstein, 1999
Box 4 Folder 15
Copies of parts for arrangement of "The Christmas Song" for Aaron Neville, 1993
Most copies are annotated.
Box 9 Folder 3
Manuscript concert score for arrangement of "Search for the Summer" for Pat Boone, undated
Box 9 Folder 4
Manuscript concert score of arrangement of "Crazy" for Diane Schuur, 1992
Box 9 Folder 5
Manuscript concert score of arrangement of "September in the Rain" for Diane Schuur, 1992
Box 9 Folder 6
Manuscript concert score of arrangement of "Let It Snow" for Aaron Neville, 1994
Box 9 Folder 7
Manuscript concert score of arrangement of "Winter Wonderland" for Aaron Neville, circa 1994-1995
Box 9 Folder 8
Manuscript concert score of arrangement of "Somebody Stole My Heart Away" for Michael Feinstein, 1991
Box 9 Folder 9
Manuscript concert score of arrangement of "Annabella" for Art Alexakis, 1998
Box 10 Folder 2-3
Conductor scores of arrangements for Barbra Streisand, undated, 2 folders
Includes ozalid copies of: "Good Man & Some of These Days"; "Melancholy Baby"; "Happy Days are Here Again"; "Four Americans"; "Liebestraum"; "Mother Macree"; "Everybody Loves My Baby"; "I Don't Care"; "Alice Blue Gown"; "My Buddy (How About Me)"; "Put Your Arms Around Me."
Box 10 Folder 4
Conductor scores of arrangements for Pat Boone's album Yes Indeed!, circa 1958
Includes ozalid copies of: "I'll Build A Stairway to Paradise," "Sweet Georgia Brown," "It's a Pity to Say Goodnite," "Sweet Sue," "Robins and Roses," "Gone Fishin'," "Frenesi," and "I've Heard That Song Before." Many scores indicate that they were also used by Pat Boone himself.
Box 10 Folder 5
Parts for arrangement of "Search for the Summer" for Pat Boone, undated
Mostly ozalid copies. Includes conductors score. Parts are annotated. Also includes a conductor score for arrangement of "Let it Snow" and a viola part for arrangement of "White Christmas."
Box 10 Folder 6
Conductor scores of arrangements for Diane Schuur, undated
Printed copies for "September in the Rain" and "Crazy."
Box 10 Folder 7
Parts for Christmas song arrangements for Aaron Neville, circa 1994-1995
Box 10 Folder 8
Printed concert score of arrangement of "Annabella" for Art Alexikis, 1998
Box 10 Folder 9
Printed parts for arrangement of "You're Gonna Hear From Me" for Elisa Fiorillo, 1995
Box 10 Folder 10
Administrative documents relating to the 1965 TV special "Fanfare" with Al Hirt, 1963, 1965, undated
Includes: personnel lists of music and production staff; musical sketches (for "Matchmaker"; "Dana"); an inventory of music recorded and released by Al Hirt. Also includes a list of film music scores eligible for a CLGA award in 1963.
Box 10 Folder 11
Documents and scores of compositions and arrangements for the ABC pilot of The Jimmy Dean Show, 1962-1963
Documents include: invoices, bills, and a run sheet. Includes sketches for "The Jimmy Dean Theme" and "This Land We Love." Includes conductor scores for "This Land We Love"; "Here Comes Jimmy" (Mort Lindsey original); "John Henry"; "Gonna Cause a Ruckus Tonight"; "Gonna Build a Mountain"; "Accustomed to Your Face" (arranged by Dick Hyman); "Balloon Medley."
Box 11 Folder 2
Photocopy of the manuscript concert score of arrangement of "Our Love" for Rod Stewart, 2007
Box 11 Folder 3
Photocopy of the manuscript concert score of arrangement of "Someone to Watch Over Me" for Rod Stewart, 2003
Box 11 Folder 4
Photocopy of the manuscript concert score of arrangement of "Smile" for Rod Stewart, 2005
Box 11 Folder 5
Photocopy of the manuscript concert score of arrangement of "The Christmas Song" for Aaron Neville, 1995
Box 11 Folder 6
Photocopy of the manuscript score of arrangement of "Dream a Little Dream" for Katey Sagal, 1996
Box 11 Folder 7
Printed concert scores of arrangement of "The Trolley Song" for Liza Minnelli, 1999
Box 11 Folder 8
Manuscript orchestral score for Lindsey's soundtrack to the TV special "Take Me Home Again" for Burt Reynolds, 1973
Cues include: "Song"; "Opening Title"; "Palm Beach Aerial"; "The Old House"; "Hands Across the Bar"; "Memories of Mo Mustang." Includes a cue sheet for the pilot.
Box 11 Folder 9
Photocopy of a manuscript concert score for arrangement of "The Superman Theme: Can You Read My Mind" for the Glenn Miller Orchestra, undated
Box 13 Folder 1
Printed parts for arrangement of "You're Gonna Hear From Me" for Elisa Fiorillo, 1995
Box 13 Folder 2
Parts for arrangement of "Joltin' Joe DiMaggio" for Les Brown, undated
Box 14 Folder 1
Manuscript concert score of arrangement of "You're Gonna Hear From Me" for Elisa Fiorillo, 1995
Box 23 Folder 4
Photocopy of the manuscript concert score for arrangement of "Dream a Little Dream" for Michael Bublé, 2004
Two copies of the arrangement. Includes a photocopy of a reduction of the arrangement for strings. Also includes a manuscript sketch for a descant line.
Box 23 Folder 5
Manuscript concert score for arrangement of "Dream a Little Dream" for Michael Bublé, 2004
Box 24 Folder 1
A stage plan for Barbra Streisand's concert "A Happening in Central Park", circa 1967