The following boxes are located off-site: Boxes 1-4, 6-7, 15-24. You will need to request this material from the Rare Book and Manuscript Library at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions.
Philip Grushkin (1921-1998) was a book designer, educator, and art director. He is best known for his book design work for publishers such as Alfred A. Knopf, Random House, Abbeville, and Harry N. Abrams, where he also worked as Art Director and Vice President. The collection includes material related to his design work and a collection of book jackets by George Salter.
The materials related to Grushkin's career in book jacket design are primarily found in Series I: Book Jacket Design. These materials consist of final printed book jackets, as well as related comprehensives, mechanicals, and roughs. Small book jackets and related comprehensives are filed alphabetically by title and these are not listed by item in the contents list. Oversized book jackets, comprehensives, mechanicals, and roughs are listed individually in the contents list due to the variation in their condition and size. There is also a small set of catalogs from Dial Press and the Marboro Book Club. Grushkin's collection of Salter's book jackets can be found in Series V: George Salter Collection.
Series II: Project Files contains records related to specific projects that were maintained as individual files. The projects include professional book design, book jacket design, and graphic design projects, as well as personal projects such as announcements, greeting cards, invitations, and presentation pages.
The collection also includes Grushkin's collection of book jackets by George Salter. These are filed in Series V: George Salter Collection. This collection consists primarily of Salter's finished book jackets, but also includes a printed piece, a mechanical for Josephine Johnson's Wildwood, and an article and an item from Salter that were given to Grushkin.
Grushkin also kept files of his lettering experiments, unused book cover backgrounds, and many samples of advertisements, catalogs, and pamphlets from paper and typeface companies, book jacket and title designs by others, paper samples, and a catalog of book fabrics. These files can be found in Series III: Design Experiments, Samples, and Supplies.
There are few personal papers in the collection; what exists is filed under Series IV: Personal Papers. The personal papers include a small folder of correspondence, a self-portrait, personal logos, and a small collection of signed keepsakes and other printed materials.
This collection is arranged in six series and several subseries.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
The following boxes are located off-site: Boxes 1-4, 6-7, 15-24. You will need to request this material from the Rare Book and Manuscript Library at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Philip Grushkin Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
No additions are expected
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
2013-2014-M047: Source of acquisition--Glenn Horowitz, Bookseller. Method of acquisition--Purchase; Date of acquisition--2013.
Columbia University Libraries, Rare Book and Manuscript Library
Papers processed by Catherine C. Ricciardi and Elizabeth McIntosh (GSAS), 2016-2017.
Finding aid written by Catherine C. Ricciardi, February 2017.
2017-02-07 File created.
2017-02-07 xml document instance updated by Catherine C. Ricciardi
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
Philip Grushkin was born on June 1, 1921 in Brooklyn, New York, the son of Jewish Russian immigrants who had come to the United States to escape the pogroms in their home country.
Grushkin became interested in art and book design as a teenager. He studied calligraphy and book design with George Salter (1897-1967) at Cooper Union, graduating in 1941. Grushkin served as a cartographer in the United States Army from 1943-1945; afterwards he became a freelance book jacket designer in New York.
Grushkin focused on book jacket design during the 1940s and 1950s, working for nearly all the major publishers in New York, including Alfred A. Knopf, Random House, Harper and Brothers, Harcourt, Brace, and Company, MacMillan, and Doubleday, as well as smaller publishers, including Farrar Strauss, John Day, and Crown. Gruskin was also active in the Book Jacket Designers Guild during this period, until it disbanded in mid-1950s.
During the mid-1950s, Grushkin's interests shifted from book jacket design to book design. He became assistant book designer to Abe Lerner at World Publishing in 1956, and moved to Harry N. Abrams, a pioneering art book publisher, in 1958. At Harry N. Abrams, Grushkin became Art Director in 1959, and Vice President in 1960. Working with Editor Milton Fox, Grushkin oversaw many important art book projects during the 1960s, including The History of Art by H.W. Janson (1962). Grushkin left Harry N. Abrams in 1969, and worked as a freelance book designer and publishing consultant for the rest of his career.
During the final thirty years of his career, Grushkin worked for several art book publishers and museums, including the New York Graphic Society, Rizzoli, and Abbeville Press. These projects included The Art of Rock, by his son, Paul Grushkin (1987), Atlas of Human Anatomy by Dr. Frank Netter (1989), and a joint project between the United States and Russia on Impressionism and Post-Impressionism (1986). He also operated a hobby press called the CapGee Press out of his home, and printed announcements, business cards, holiday cards, invitations, and other personal commissions.
In addition to his own design work, Grushkin taught design to students. Grushkin taught calligraphy at Cooper Union from 1946-1968, and also taught book design at New York University from 1948-1970s. He also served as the Director of Book Design for the Radcliffe Course in Publishing Procedures for the Harvard Summer School.
Grushkin died of heart failure on September 25, 1998, in New Jersey.
This series contains comprehensives, mechanicals, roughs, and finished book jackets for book jackets designed by Philip Grushkin.
This series also contains several catalogs for Dial Press, as well as a jacket for the Fall 1950 catalog, and many issues of the "Bulletin of the Marboro Book Club."
For projects where more substantial records were maintained together as a file, see Series II: Project Files.
This subseries contains comprehensives (comps) of book jackets designs, as well as mechanicals and roughs, sometimes in multiple drafts.
Smaller items of uniform size are filed together by title in one alphabetical sequence; individual items are not listed in the contents list. Larger items are listed individually due to the variation in the condition and size of these items.
Arranged alphabetically by book title
Box 1 Folder 1-31
Box 2 Folder 38-44
Box 9 Folder 1
Box 9 Folder 2
Box 4 Folder 4
Box 5 Folder 5
Box 9 Folder 3
Box 12 Folder 1
Box 4 Folder 5
Box 14 Folder 1
Box 8 Folder 1
Box 8 Folder 2
Box 9 Folder 4
Box 12 Folder 2
Box 9 Folder 5
Box 9 Folder 6
Box 9 Folder 7
Box 12 Folder 3
Box 9 Folder 8
Box 9 Folder 9
Box 9 Folder 10
Box 9 Folder 11
Box 4 Folder 6
Box 9 Folder 12
Box 14 Folder 2
Box 9 Folder 13
Box 9 Folder 14
Box 9 Folder 15
Box 4 Folder 7
Box 9 Folder 16
Box 9 Folder 17
Box 4 Folder 7
Box 2 Folder 53
Box 9 Folder 18
Box 9 Folder 19
Box 9 Folder 20-21
Box 4 Folder 9
(Appears to be a company publication)
Box 10 Folder 1
(Appears to be a company publication)
Box 15 Folder 2
Box 10 Folder 2
Box 10 Folder 3
Box 4 Folder 10
Box 10 Folder 4
Box 10 Folder 5
Box 10 Folder 6
Box 14 Folder 3
Box 12 Folder 4-5
Box 10 Folder 7
Box 10 Folder 8
Box 15 Folder 3
Box 10 Folder 9
Box 12 Folder 6
Box 10 Folder 10
Box 10 Folder 11
Box 10 Folder 12
Box 10 Folder 13
Box 12 Folder 7
Box 4 Folder 11
Box 4 Folder 12
Box 10 Folder 14
Box 10 Folder 15
Box 8 Folder 3
Box 4 Folder 13
Box 10 Folder 16
Box 8 Folder 4
Box 4 Folder 14
(Note indicates that lettering is by George Salter)
Box 4 Folder 15
Box 10 Folder 17
Box 12 Folder 8
Box 10 Folder 18
Box 12 Folder 9
Box 10 Folder 19
(Last book cover designed by George Salter, rendered for reproduction by Grushkin, per the 2001 Grolier Club Retrospective Catalog)
Box 5 Folder 6
Box 15 Folder 4
Box 4 Folder 16
Box 8 Folder 5
Box 12 Folder 10
Box 11 Folder 1
Box 11 Folder 2
Box 11 Folder 3
Box 11 Folder 4
Box 11 Folder 5
Box 11 Folder 6
Box 11 Folder 7
Box 11 Folder 8
Box 11 Folder 9
Box 11 Folder 10
Box 11 Folder 11
Box 11 Folder 12
Box 15 Folder 5
Box 12 Folder 11
Box 11 Folder 13
Box 11 Folder 14
Box 15 Folder 6
(Comp of full jacket, including the spine)
Box 15 Folder 7
(Comp of full jacket, including the spine)
Box 11 Folder 15
Box 4 Folder 17
Box 11 Folder 16
Box 15 Folder 8
Box 11 Folder 17
Box 11 Folder 18
Box 4 Folder 18
(Lettering)
Box 11 Folder 19
(Incomplete)
Box 4 Folder 19
Box 4 Folder 20
Box 11 Folder 20
Box 12 Folder 12
Box 2 Folder 49
(Line drawings of open book, star)
Box 2 Folder 50
Box 7 Folder 9
(This is a printed copy of the title page and table of contents pages with annotations in pencil)
Box 19 Folder 28
(This is a printed sheet consisting of a pattern using the small logo; the logo might be for a subsidiary of Random House)
Box 18 Folder 1
(This is a printed copy)
This subseries contains published book jackets, and two folders of photostats of book jackets.
Arranged alphabetically by book title.
Box 2 Folder 1-37
Box 5 Folder 4
(Includes 50 Secrets of Magic Craftsmanship; American Chairs; Art Through the Ages; Bartholomew's Advanced Atlas of Modern Geography; History of Art; Midstream: Lincoln the President; Miracle in Brittany; The Rock Poster; Signs and Symbols in Christian Arts; The War Against the Jews 1933-1945 and a portion of The American Oxford Atlas)
Box 15 Folder 9
(Includes Bridge-Head: The Drama of Israel; Do Not Disturb; Horace Greeley: Voice of the People; The Houses In Between; Inside the Confederate Government: The Diary of Robert Garlick Hill Kean; Morning Faces: A Book of Children and Parents; The Muses are Heard; Story of a Year: 1848 and When the World Ended; as well as the title strip for Two Thousand Years of Oriental Ceramics)
Box 3 Folder 3-4
(Photostat copies of book jackets or portions of book jackets. Some with minor annotations)
This subseries contains several catalogs for Dial Press, as well as a jacket for the Fall 1950 catalog, and many issues of the "Bulletin of the Marboro Book Club." A few of these items are annotated.
Box 24 Folder 1-2
Box 24 Folder 3
Box 24 Folder 4
Box 24 Folder 5
Box 24 Folder 6
Box 24 Folder 7
This series contains project files for several projects involving the design of book jackets, books, graphics, logos, and other items such as greeting cards, envelopes, invitations, and presentation pages.
This subseries contains project files related to book and book jacket design. These files include comprehensives (comps), correspondence, cost estimates, drafts, illustrations, mechanicals, negatives, notes, project plans, and receipts.
Box 18 Folder 3
Box 18 Folder 4
(This folder contains one undated note, and a few empty envelopes)
Box 18 Folder 4-10
Box 18 Folder 11-12
Box 18 Folder 13
Box 19 Folder 6-27
Box 13 Folder 2
(Book jacket design)
Box 2 Folder 48
(Book jacket design)
Box 13 Folder 1
(Book jacket design.)
Box 3 Folder 5-6
(Includes final book covers, layout notes regarding figure placement within the text, and sample figure)
Box 4 Folder 1-3
(Prosposed set of "Look and Learn -- Picture Language Dictionary in Color" with Jack Jaget. Files include correspondence, drawings for illustrations, notes, and proposal drafts.)
Box 15 Folder 12-14
(Includes correspondence, negatives, comps, etc.)
Box 15 Folder 1
Box 7 Folder 4
(This is a joint publication produced by an American and Russian design team. The file contains text with annotations, and newspaper articles on the project.)
Box 5 Folder 1-3
(Includes sketches and layouts of facial anatomy plates with draft notes by Grushkin and receipts from the lithography company. Arranged by plate number.)
Box 13 Folder 5-6
(Includes samples of the bindings with artwork, as well as correspondence, etc.)
This subseries contains project files for several graphic design projects. These files contain drafts and final copies of the design, and a few files also include correspondence, cost estimates, negatives, and other records.
Box 19 Folder 1-2
(Includes correspondence)
Box 2 Folder 45
Box 19 Folder 3
Box 3 Folder 1
Box 3 Folder 2
(Includes correspondence and negatives)
Box 2 Folder 47
Box 2 Folder 46
Box 13 Folder 3
Box 13 Folder 4
Box 14 Folder 6
(This mechanical contains logos for Steuben, Keller Company, and one additional logo)
This subseries contains project files for both professional and personal projects. These projects include a scalograph (created for the War Department in 1945), calligraphy projects, greeting cards, envelopes, invitations, and presentation pages.
Box 5 Folder 9
(Rejected)
Box 7 Folder 3
(Includes the published catalog (which includes a printed figure by Grushkin) and a mechanical of the figure. The figure is untitled, but appears to be an early Philip Grushkin (PG) mark.)
Box 5 Folder 7
(Gruskin designed the calligraphy)
Box 5 Folder 8
(Calligraphy for a section in "Bouquet for BR" published by the Typophiles in honor of Bruce Rogers)
Box 14 Folder 4
Box 7 Folder 5-7
(These files design experiments, mechanicals, and finished pieces)
Box 15 Folder 15
Box 14 Folder 5
(Mechanical for holiday card)
Box 7 Folder 8
This series contains a mix of samples and original design experiments.
The samples include advertisements, catalogs, and pamphlets from paper and typeface companies, a book fabric catalog, book jacket and title designs by others, and paper samples. Grushkin tested out calligraphy marks on some of the paper samples.
The original design experiments include lettering experiments and unused book jacket backgrounds. The lettering experiments include the alphabet and specific words. The unused cover backgrounds include maps and several geometric patterns.
Box 2
Box 20 Folder 1
Box 20 Folder 2-5
Box 6 Folder 4-10
Box 5 Folder 10
(Several different marbled papers)
Box 20 Folder 6
Box 6 Folder 11-18
Box 20 Folder 7-8
Box 6 Folder 1-3
Box 20 Folder 9
Box 20 Folder 10
This series contains a small amount of personal correspondence, a self-portrait, examples of the Philip Grushkin (PG) and Capgee Press logos, and a small set of signed keepsakes and other printed materials.
This subseries contains one folder of miscellaneous personal correspondence.
Box 7 Folder 2
Box 15 Folder 11
This subseries contains examples of the Philip Grushkin (PG) and CapGee Press logos, as well as a small information card on CapGee Press.
Box 2 Folder 51
(Two examples of Grushkin's professional "PG" logo)
Box 2 Folder 52
(Two examples of lettering; informational material about Capgee Press)
This subseries contains a small amount of printed materials with handwritten signatures and inscriptions, as well as materials with printed signatures or logos.
Box 15 Folder 16-17
(This includes materials with handwritten signatures and inscriptions, as well as materials with printed signatures or logos.)
This series consists primarily of Salter's published book jackets, but also includes a printed piece, a mechanical for Josephine Johnson's Wildwood, and an article and an item from his library that were given to Grushkin.
For materials related to the Detective Book Club, which involved both Salter and Grushkin, see Subseries II.1: Book Project Files.
This subseries contains book jackets designed by Salter for American publishers.
Arranged alphabetically by publisher, and then by author
Box 16 Folder 1
Box 16 Folder 1
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 2
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 3
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
(The file includes one copy of a finished book jacket by Salter, and a comp of a different cover (perhaps by Grushkin, although it is not marked) with handwritten comments signed "GS")
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 4
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 5
Box 16 Folder 6
Box 16 Folder 6
Box 16 Folder 7
Box 16 Folder 7
Box 16 Folder 8
Box 16 Folder 9
Box 16 Folder 9
Box 16 Folder 9
Box 16 Folder 10
Box 16 Folder 11
Box 16 Folder 11
Box 16 Folder 11
Box 16 Folder 11
Box 16 Folder 11
Box 16 Folder 12
Box 16 Folder 13
Box 16 Folder 13
Box 16 Folder 14
Box 16 Folder 15
Box 16 Folder 15
Box 16 Folder 16
Box 16 Folder 17
Box 16 Folder 18
Box 16 Folder 18
Box 16 Folder 19
Box 16 Folder 19
Box 16 Folder 19
Box 16 Folder 20
Box 16 Folder 21
Box 16 Folder 21
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 22
(There is a book jacket, and a separate 8.5x11" copy of the cover illustration)
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 22
Box 16 Folder 23
Box 16 Folder 24
Box 16 Folder 25
Box 16 Folder 25
Box 16 Folder 25
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 26
Box 16 Folder 27
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 28
Box 16 Folder 29
Box 16 Folder 30
Box 16 Folder 30
Box 16 Folder 31
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 1
Box 17 Folder 2
Box 17 Folder 2
Box 17 Folder 2
(The famous play by Jack Kirkland from the novel by Erskine Caldwell)
Box 17 Folder 2
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 3
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 4
Box 17 Folder 5
Box 17 Folder 5
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 6
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 17 Folder 7
Box 16 Folder 32
Box 16 Folder 33
Box 16 Folder 33
Box 16 Folder 33
Box 16 Folder 33
Box 16 Folder 34
Box 16 Folder 35
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
(There are two copies of book jacket, and a separate 8.5x11" copy of the cover illustration)
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 36
Box 16 Folder 37
Box 16 Folder 37
Box 16 Folder 38
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 39
Box 16 Folder 40
Box 16 Folder 41
Box 16 Folder 42
Box 16 Folder 42
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 43
Box 16 Folder 44
Box 16 Folder 44
This subseries contains book jackets designed by Salter for German publishers.
Arranged alphabetically by publisher, and then by author. There is one miscellaneous file at the end.
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 8
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 9
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 10
Box 17 Folder 11
Box 17 Folder 11
Box 17 Folder 11
Box 17 Folder 11
Box 17 Folder 11
Box 17 Folder 12
Box 17 Folder 12
Box 17 Folder 12
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
Box 17 Folder 13
This subseries includes a printed piece, a mechanical for Josephine Johnson'sWildwood, and an article and an item from Salter's library that were given to Grushkin.
Box 15 Folder 10
Box 19 Folder 4
Box 19 Folder 5
(Includes Dr. E. Hölscher, "Neue Farbfotos Im Trinidruck" (1936) (marked with Salter's library stamp) and "Latin Script Since the Renaissance" (author unknown, circa 1964 with Salter's envelope) )
This series contains exhibition catalogs, publications, keepsakes, and other printed materials.
A few items will be cataloged separately from the collection. Ephemera from the Grolier Club has been added to the Library's collection of Grolier Club Ephemera, and all holdings of the periodical U & lc are cataloged as part of the Library's Graphic Arts collections
This subseries contains exhibition catalogs and publications which directly relate to Grushkin and his work.
Box 22
Box 21
Box 21
Box 22
Box 22
(Includes CUAS logo designed by Grushkin)
Box 22
Box 21
Box 7 Folder 1
(Grolier Club Exhibition Catalog)
This subseries includes exhibition catalogs, publications, keepsakes, and other printed materials that were collected by Grushkin, but that do not relate directly to his own work.
Box 21
Box 23
Box 21
Box 21
Box 21
Box 21
Box 21
Box 21
Box 21
Box 21
Box 21
Box 14 Folder 7
Box 23