This collection is located off-site. You will need to request this material from the C.V. Starr East Asian Library at least 5 business days in advance to use the collection in the Rare Book and Special Collections reading room.
Unique time-based media items have been reformatted and are (available online / available onsite) via links in the container list. Commercial materials are not routinely digitized.
This collection has no restrictions.
The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.
Series 1: "Land of China", 1948-1951
The films are the earliest of Weng's works included in the collection. Each of the films profiles a different Chinese city or town – specifically the four major cities listed in the film titles, and Changshu, the titular "Town by the Yangtze," Weng's hometown. Each film runs approximately 10 minutes long and features color footage shot silently and English-language narration. Research shows that the films were shot in China during Weng's visit to China in 1948 and released as educational films in the US beginning in 1951. Elements included in the collection are master picture elements for all five titles (single-roll reversal for the first four and A and B rolls for the last), master sound elements for all five titles, two release prints of Yangtze, and additional original footage from Peking, Hangchow, and Nanking. These films are almost certainly the most interesting in the collection from a historical perspective, as they were all shot in China in the interim between the end of World War II and the coming to power of the Communist regime. Filmed in vivid Technicolor, they depict street scenes, artistic and architectural highlights, and people at work, among other subjects. Titles include in this series:
Series 2: Films sponsored by Li Sumin, 1949-1979
In this series, the films on traditional Chinese arts and crafts were sponsored by Sumin Li(李叔明, 1900-1973), a Chinese banker, industrialist, and publisher, in the early 1950s. Each film runs approximately 15-20 minutes long and features color footage shot silently and English-language narration. They were released as educational films for the U.S. market. The films are composed entirely of shots of Chinese art and artifacts from the collections of US museums. The collection includes master picture and sound elements (picture and optical track negatives) for all four films, prints of all four films, and additional original reversal footage from Chinese Sculpture. Titles include in this series:
Series 3: "Art of China" and "Crafts of China", 1947-1991
The films in this series depict various Chinese art forms through demonstrations by skilled artisans (including Weng himself in the painting episodes), as well as shots of art objects similar to those in the Li Sumin films. The films were filmed in the early 1950s. Each film runs approximately 10 minutes long and features color footage shot silently and English-language narration. The collection contains master picture and sound elements for five of the seven listed films (excepting Folk Dances and Dressmaking), prints for all seven films, and additional sound elements and original footage for many of the films. Titles include in this series:
Series 4: "Chinese History", 1963-1980
The series is also known as the "China: The Enduring Heritage" series. This 13-part series on Chinese history and the affiliated film Buddhism in China were produced by Weng under the auspices of the China Institute in America, an organization for which Weng later served as president for several years in the 1980s. The series was filmed between 1972 and 1974, and was release in 1977. They were initially screened at museums, including the Metropolitan Museum of Art, the Smithsonian, and the St. Louis Art Museum, then distributed as educational films by the Indiana University Audio-Visual Center on film and later, VHS. As with many of Weng's films, the footage consists largely of Chinese art and artifacts filmed in museums. The museum footage is supplemented by other documentary footage licensed from a variety of sources, including the BBC Film Library, the 1968 film Two Faces of China, directed by Magnum photographer René Burri, and Requiem for a Faith: Tibetan Buddhism, directed by Elda Hartley. The films run approximately 20 minutes each and feature color footage shot silently with English-language narration. Titles include in this series:
Series 5: Selected Other Films, Produced/Directed by Weng Wango, 1945-1980
The films in this series are produced or directed by Weng Wango, dating from 1945 to 1979. Some of the major titles include in this series:
Series 6: Selected Other Films, Collected by Weng Wango, circa 1944-1967
The films in this series were collected by Weng Wango. Despite that these films seem to have had no creative input from Weng, future research could uncover additional information. The films include a number of U.S government and United Nations films with Chinese-language soundtracks, suggesting that Weng may have been involved in translating, re-recording, or distributing these versions of the films. Films include are:
Series 7: Combined, Miscellaneous, or Unidentified, 1949-1975, undated
This series consists of combined, miscellaneous, unidentified films. Some unknown materials contain dates while others contain title but without dates. Future digitization and research could uncover additional information on the films.
Collection is arranged in 7 series.
This collection is located off-site. You will need to request this material from the C.V. Starr East Asian Library at least 5 business days in advance to use the collection in the Rare Book and Special Collections reading room.
Unique time-based media items have been reformatted and are (available online / available onsite) via links in the container list. Commercial materials are not routinely digitized.
This collection has no restrictions.
Single photocopies may be made for research purposes. The C.V. Starr East Asian Library maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Wan-go H.C. Weng film collection; Box and Folder; C. V. Starr East Asian Library, Columbia University Library.
Wan-go H. C. Weng Collection of Chinese Paintings and Calligraphy at the Museum of Fine Arts, Boston. Link to acquisition publicity page.
Materials may have been added to the collection since this finding aid was prepared. Contact starr@library.columbia.edu for more information.
Gift of Wan-go H.C. Weng, 2017.
Columbia University Libraries, C. V. Starr East Asian Library
Preservation report completed by Jonah Volk in 2016. Inventory list created by Wei Zheng, 2016; revised by Jonah Volk, 2017-2019. Two empty reels were deaccessioned and discarded. Finding aid created by Yingwen Huang, from preservation report and revised inventory, in September 2019. Collection is part of the ongoing AMI Year 1 digitization initiative, 2019-2020.
15 videos from the collection have been reformatted into DVD and they are available via CLIO.
Some of the items in the collection has been digitized and made available through the Columbia Digital Library Collection.
2020-08-06 Links to digitized AV added. kws
Wan-go H.C. Weng (Wade-Giles: Weng Wan-go, Weng Wango; Pinyin: Weng Wange; Chinese: 翁万戈, 翁萬戈; also known as: Weng, Hsing Ching Wan-go; Weng, Hsing Ching; Weng Xingqing; 翁兴庆;, 翁興慶) was born in 1918, Shanghai, China. He is the fifth-generation descendant of Weng Tonghe (翁同龢), who was a Chinese scholar in the Qing dynasty. Weng Wango attended Shanghai Jiaotong University (上海交通大学) and studied engineering. In 1938, he began studying at Purdue University and received his master degree in engineering. He later also attended University of Wisconsin-Madison and studied art. In 1980s, he became the President of the China institute (华美协进社). He is a known art historian, collector, and film maker. In 2020, he died at the age of 102, in Lyme, New Hampshire.