This collection is available for use by appointment in the Department of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University. For further information and to make an appointment, please email avery-drawings@library.columbia.edu.
The collection includes 1134 images (photographs and postcards, with some duplicates) of approximately 60 buildings, including some earlier photographs, plans, and renderings that Morris copied to add context to her own contemporary photographs. Of properties with identified architects, the great majority were designed by Alexander Jackson Davis, with a few examples of the work of Richard Upjohn, James Renwick, and several other lesser-known architects. Major sites depicted include Lyndhurst, Tarrytown, N.Y.; Fonthill Castle, Bronx, N.Y.; Lovat, Hastings-on-Hudson, N.Y.; Hurst-Pierrepont, Garrison, N.Y.; Belvoir, Yonkers, N.Y.; Beechwood, Yonkers, N.Y.; Mount Ida, Troy, N.Y., Llewellyn Park, Orange, N.J.; and Malbone, Newport, R.I. Some 18th-century buildings, and one 17th-century building (the Christopher Billop House, near Tottenville, Staten Island, built circa 1699), are also depicted.
Also included is correspondence to Morris about her research from Emma Clifton Austin; J. J. Champenois; John Mead Howells; Cornelius G. Kolff; Grace M. Mayer (Museum of the City of New York); Renwick, Aspinwall & Guard; Robert B. Sterns; and Isaac Newton Phelps Stokes; as well as several published articles and Morris' own research notes. Lastly, of special interest are nine photographs of the official opening of the George Washington Bridge in 1931.
This collection is organized in four series: Mounted Photographs; Ringbound Photographs; Loose Images; and Papers.
This collection is available for use by appointment in the Department of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University. For further information and to make an appointment, please email avery-drawings@library.columbia.edu.
Permission to publish must be obtained in writing from the Director, Avery Architectural & Fine Arts Library, Columbia University, 1172 Amsterdam Ave., MC 0301, New York, NY 10027.
Nathalie Bailey Morris photographs of American Gothic Revival architecture. Dept. of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University, New York, N.Y.
See also the Alexander Jackson Davis architectural drawings and papers, the Richard Upjohn and Richard Michell Upjohn architectural drawings, and the Leslie O. Merrill Collection of Greek Revival in Syracuse held in the Department of Drawings and Archives at the Avery Architectural and Fine Arts Libraries.
Gift of Elizabeth M. Smith, pre-1978. (1000.055)
Source of acquisition--Gift of Elizabeth M. Smith, pre-1978. Accession number--1000.055.
Columbia University Libraries, Avery Architectural and Fine Arts Library
This collection was processed by Annemarie van Roessel, Archivist, Dept. of Drawings & Archives, Avery Architectural and Fine Arts Library, in January 2008.
2007-11-14 File created.
2009-07-23 File revised.
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
Alletta Nathalie Lorillard Bailey Morris (1883-1935) was born to a socially prominent New York City family and in her adult life was active in civic and charity work. She was also an amateur architectural historian and photographer, particularly dedicated to documenting works of 19th-century American Gothic Revival architecture in the Mid-Atlantic and New England states. Her interest may have been spurred in part by the summer house she and her husband, Lewis Gouverneur Morris, owned in Newport, Rhode Island. A large villa in the Gothic Revival style"Malbone" was designed in 1848-1850 by noted American architect Alexander Jackson Davis. From the 1910s through the early 1930s, Morris was driven by her husband or chauffeur to many notable sites of Gothic Revival architecture so that she could photograph extant conditions.
N. B. Numbers in parentheses indicate quantity of duplicate prints.
This series is subdivided into four major geographic areas, and therein projects are listed in alphabetical order by state, city, and project name.
Box 1 Folder 1
Box 1 Folder 2
Box 1 Folder 3
Box 1 Folder 4
Box 1 Folder 5
Box 1 Folder 6
Box 1 Folder 7
Exterior views.
Box 1 Folder 8
Interior views.
Box 1 Folder 9
Box 1 Folder 10
Also known as the William Barton residence.
Box 1 Folder 11
Box 1 Folder 12
Box 1 Folder 13
Box 1 Folder 14
Box 1 Folder 15
Box 1 Folder 16
Box 1 Folder 17
Box 1 Folder 18
Box 1 Folder 19
Includes windmill and summer house on Kingman estate.
Box 1 Folder 20
Box 1 Folder 21
Box 1 Folder 22
Color photomechanical prints
Box 1 Folder 23
Box 1 Folder 24
Includes view of Morris with her husband and their first car, a Matheson.
Box 1 Folder 25
Box 1 Folder 26
Box 1 Folder 27
Box 1 Folder 28
Box 1 Folder 29
Box 1 Folder 30
Box 1 Folder 31
Box 1 Folder 32
Box 1 Folder 33
Image copied from an unidentified published source.
Box 1 Folder 34
Box 1 Folder 35
Box 1 Folder 36
Includes view of Morris' first car, a Matheson.
Box 1 Folder 37
Box 1 Folder 38
Box 1 Folder 39
Box 1 Folder 40
Box 1 Folder 41
Box 1 Folder 42
Box 1 Folder 43
Includes views of unidentified hexagonal residence and Washington Heights.
Box 1 Folder 44
Box 1 Folder 45
Box 1 Folder 46
Box 1 Folder 47
Box 1 Folder 48
Images are copied from earlier views.
Box 1 Folder 49
Copy of image given to Morris by Mrs. Stuart Scott, descendant of owner's family.
Box 1 Folder 50
Includes view from unidentified source showing house in 1860.
Box 1 Folder 51
Includes copy of earlier image given to Morris by Miss Mary Rutherford Jay.
Box 1 Folder 52
Includes copy prints of earlier views.
Box 1 Folder 53
Box 1 Folder 54
Box 1 Folder 55
Box 1 Folder 56
Box 2 Folder 1
Box 2 Folder 2
Box 2 Folder 3
Box 2 Folder 4
Box 2 Folder 5
Box 2 Folder 6
Box 2 Folder 7
Box 2 Folder 8
Box 2 Folder 9
Box 2 Folder 10
Box 2 Folder 11
Box 2 Folder 12
Box 2 Folder 13
Two binders, A and B, were compiled by Morris and contain 170 individual black and white photographic prints and black and white and color postcards of varying sizes, cornered in pages, with brief descriptions of the properties, architects, and owners. In addition to Morris's own photography, images include views, renderings, and plans from other sources. Many photographs and views are dated.
Photographs in this series are listed in the order in which they are found in each binder.
Box 3
Includes two photographs of watercolors by Alethea Hill Platt, 1890.
Box 3
Includes photograph of original plan and elevation.
Box 3
Includes photograph of original plan and elevation.
Box 3
Box 3
Box 3
Box 3
Includes photograph of original plan and elevation
Box 3
Box 3
Includes photograph of original plan and elevation.
Box 3
Includes photograph of original plan and elevation.
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Includes photograph of original plan and elevation.
Box 3
Includes photograph of original plan and elevation.
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Box 3
Photograph of plan and elevation.
Box 3
Items are gelatin silver photographic prints, unless otherwise noted.
Photographs in this series are listed in alphabetical order by state, city, and project name.
Box 2 Folder 14
Box 2 Folder 15
Box 2 Folder 16
Box 2 Folder 17
Box 2 Folder 18
Box 2 Folder 19
Image trimmed from stereocard.
Box 2 Folder 20
gelatin silver print postcards
Box 2 Folder 21
Box 2 Folder 22
Box 2 Folder 23
Box 2 Folder 24
2 gelatin silver prints and 1 printed card
Box 2 Folder 25
Photographer identified as "ER"?
Box 2 Folder 26
Perspective rendering and plans from unidentified publication.
Box 2 Folder 27
A. C. Richards Residence. David Milton Jones, photographer.
Box 2 Folder 28
color photomechanical postcard
Box 2 Folder 28
black and white photomechanical postcard
Box 2 Folder 29
black and white lithographic prints
Perspective rendering fromHistory of Westchester County,1886.
Box 2 Folder 30
Box 2 Folder 31
Noted on verso, "Original Jay house - at Rye, N.Y. Property bought 1745. Taken from a wash drawing made in the early 1800's."
Box 2 Folder 32
printed paper
Box 2 Folder 33
Box 2 Folder 34
E. White Studio, photographer. Noted "Herrick" on versos.
Box 2 Folder 35
Box 2 Folder 36
Box 2 Folder 37
Box 2 Folder 38
Box 2 Folder 39
printed papers
Box 2 Folder 40
David Milton Jones, photographer.
Box 2 Folder 41
Box 2 Folder 42
Noted on verso "Pugin." From unidentified published source.
Materials in this series are listed in alphabetical order by folder title.
Box 2 Folder 43
Printed paper
Box 2 Folder 44
Typed letter, signed
Regards buildings designed by James Renwick.
Box 2 Folder 45
Autograph letter, signed, and 2 gelatin silver photographs
Relates history of Austin's house in New Bedford, MA, and encloses two photographs of exterior.
Box 2 Folder 45
Autograph letter, signed
Thanks Morris for sending photographs of Austin's house, expresses regret that she will have to leave home to uncertain future, relates information about her brother.
Box 2 Folder 46
Typed letter, signed
Regards drawings by Baroness Hyde de Neuville.
Box 2 Folder 47
Printed paper
Box 2 Folder 48
Printed paper
Box 2 Folder 49
Printed paper
Includes "View of Carve's Mill, at Sleepy Hollow, Tarrytown, New York."
Box 2 Folder 50
Printed paper
Box 2 Folder 51
Typed letter, signed
Suggests that Morris view exhibition of Sanford Ross at the Macbeth Galleries.
Box 2 Folder 51
Autograph letter, signed
Thanks Morris for her notes on "Old Morrisania," regrets dating errors made in his earlier publication, and relates ongoing research on Portsmouth Colonial architecture.
Box 2 Folder 52
Typed letter, signed, with brochure
Relates history of involvement in development of Emerson Hill property; with "Emerson Hill, Staten Island, New York," brochure printed by Cornelius G. Kolff, Inc.
Box 2 Folder 53
Typescript
Box 2 Folder 54
Printed paper
Two images of houses in Emerson Hill annotated by Morris.
Box 2 Folder 55
Typed letter, signed
Regards photographs of buildings at Morrisania and "Ravenswood" lithograph by A. J. Davis.
Box 2 Folder 56
Printed paper
Box 2 Folder 57
Photostat copy
Box 2 Folder 58
Holograph and typescript papers
Box 2 Folder 59
Printed papers
Box 2 Folder 60
Typed letter, signed
Relates history of family's ownership of residence at Irvington, NY, built by Mr. Richards.
Box 2 Folder 61
Typed letter, signed
Regards Mrs. Bacon's house at 1 Park Avenue, Manhattan, being part of the Waddell Villa.
Box 2 Folder 62
Engraved card
Permits Morris to "inspect the new Club House." Signed by Charles K. Beekman.
Box 2 Folder 63
Printed paper