This finding aid is made available for public use following the Universal 1.0 Public Domain Dedication Creative Commons designation.
Finding aid in repository;folder level control
This collection is arranged in two series.
"American Film Scripts Online (AFSO)"; "Neil Simon: Plays" Harvard Theatre Collection, Houghton Library, Harvard University; "The Richard Hoffman Neil Simon Collection" University of Delaware.
This collection has no restrictions.
This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
Friedberg's work represented in this collection spans many genres, including comedy review sketches, TV dramas, short stories, plays, and musicals. The vast majority of the collection consists of typed scripts, either drafts or "shooting scripts" used for production, which Friedberg wrote or produced. Production files for some of the scripts are the second-largest group of material, including casting ideas, budgets, contracts, advertising records, and intra-staff memos. The collection also contains documents which Friedberg used in his creative process, including typed or handwritten notes and ideas for future works, and newspaper clippings that he used for inspiration. Three sketchbooks of pencil drawings are also present, which may be the work of Friedberg's wife Hope Cameron. Finally, there are a small number of family snapshots and personal papers.
Identification of specific item; Date (if known); William Friedberg papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Single photocopies may be made for research purposes. Permission to publish material from the collection must be requested from the Curator of Manuscripts, Rare Book and Manuscript Library (RBML). The RBML approves permission to publish that which it physically owns; the responsibility to secure copyright permission rests with the patron.
Source of acquisition--Hope Cameron Friedberg. Method of acquisition--Donated by the estate of; Date of acquisition--1999.
William "Billy" Friedberg (1916-1965) was a New York theatre publicity agent who began writing and then producing television during the 1950s and early 1960s. He is best remembered as a television comedy writer, although he also wrote plays, musicals, variety reviews, short stories, and radio programs. Among his best-known works are episodes of "Car 54, Where Are You?""As Time Goes By", and "The Phil Silvers Show". In 1957 and 1958, the Academy of Television Arts and Sciences awarded Friedberg the Emmy for Best Comedy Writing of a Variety or Situation Comedy, for "The Phil Silvers Show"; he was nominated for the same award again in 1959. He collaborated on a few television scripts with writer Neil Simon, worked on various television programs with producers Nat Hiken and Max Liebman, and wrote routines for comedians such as Alan King and Martha Raye. His television work began in the period of review and variety programs sponsored by large corporations, and evolved into the era of the long-running serial drama or sitcom. Later in his career he served as a producer for a few television series, including "Harry's Girls". He was married briefly in 1945 to actress Jane Hoffman, and then from 1950-1965 to actress Hope Cameron. Friedberg died of a heart attack at the age of 49.
This collection was processed by Anne Holt, GSAS 2013.
Finding aid written by Anne Holt in June 2008.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
This series consists of Friedberg's writings, organized by genre, and documents that supported the creative process and production of his dramatic work (drafts, notes, contracts, budgets, etc.). Also included are production documents of the television programs that he produced. Material in this series is arranged alphabetically. When multiple episodes of a program are included, they are arranged in chronological order.
This subseries contains Friedberg's television scripts arranged in alphabetical order by the show's title, together with documents such as Friedberg's notes, intra-staff memos, budgets, and other records of production.
Included in this subseries are the scripts of fifty-one episodes of the radio serial "The Magnificent Montague" in chronological order. These aired in 1950-1951, and several years later (circa 1957) Friedberg wrote a pilot script for an adaptation of the series into a television program, included in Subseries I.1. The series title is also the name of a popular African-American disc jockey of the late 1950s and the 1960s; however, they seem to be unrelated.
This subseries comprises all other genres of writing by Friedberg, including plays, musicals, and short stories, and unidentified writings and fragments, in alphabetical order by genre. Included are writings generated in the creative process: ideas for future projects that either did not come to fruition or are not included here in their finished form, and clippings that he used for inspiration. The subseries contains a group of memos from director Robert Soderberg, who collaborated with Friedberg on the television programs "Peter Loves Mary" and "McKeever and the Colonel." Also present is the text for a course on acting in commercials, titled "TV Commercials University" -- it is unclear whether Friedberg taught this class (and thus, wrote this text) or participated as a student.
This series holds a folder of letters from Neil Simon, written circa 1964 when Simon was in London; most of the contents are personal, chronicling Simon's experience living in England, but he also occasionally touches on various professional projects, both his own and Friedberg's. This series contains a "General" folder of personal papers such as letters, contracts, clippings about Friedberg, and a resume. Series II also includes two unidentified photos, probably of Friedberg, and a caricature of him by an unknown artist. Lastly, it houses three sketchbooks of pencil drawings, artist unknown, although two are marked "Hope" on the cover, suggesting that they may have belonged to Friedberg's wife, Hope Cameron. Items are arranged alphabetically by material type, after the General folder.