Rare Book and Manuscript Library
Sid Ramin papers
Ramin, Sid
4079249
MS#1045
English
/repositories/2/resources/4873
120 linear feet
66 flat boxes, 5 record cartons, and 12 document boxes; 1 mapcase drawer; 2 CMI boxes
circa 1957-2009
1957-1995
Sid Ramin was a composer, conductor, and arranger for Broadway and Hollywood musicals and for television shows, including All My Children, A Funny Thing Happened on the Way to the Forum, Gypsy, and West Side Story.
Restrictions on Access
The following boxes are located off-site: Boxes 25-85. You will need to request this material from the Rare Book and Manuscript Library at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room. Audiovisual materials are currently closed for digitization.
Restrictions on Access
This collection has no restrictions on access, but see Use Note below prohibiting photography or copying of scores without permission. Audiovisual materials are currently closed for digitization.
Scope and Content
Song copies and the scores of the original orchestrations for the Broadway musicals
Gypsy, A Funny Thing Happened On The Way To The Forum, and I Can Get It For You Wholesale. Also, scores for the movie and stage orchestration and symphonic suite for West Side Story; and the original orchestral scores for the motion picture, Around The World In Eighty Days. The orchestration for this film was the work of Leo Shuken and Sid Cutner.
Scope and Contents
A majority of the contents in this collection are scores (in original, photocopied, and bound formats) for music arranged or composed by Sid Ramin throughout his career. The collection covers his work for Broadway, film, and television. It also includes scores arranged by Ramin for concerts and recording sessions by orchestral groups such as the Boston Pops and individual singers such as Barbra Streisand. Leonard Bernstein features prominently throughout the collection, as his musical West Side Story and its film adaptation are included, as well as several of Bernstein's other writings such as A Quiet Place, Mass, Jubilee Games, Sonata for Clarinet, and the Fanfare for John F. Kennedy.
Scope and Contents
Series I through V are largely composed of musical scores, although some folders also contain notes and brief correspondence between Ramin and his collaborators, and some scores have written annotation from Ramin and his collaborators in the margins. For 1600 Pennsylvania Avenue, there are several folders of newspaper clippings with reviews of the production. The collection also includes a matted photograph of Sid Ramin taken in 2009.Series VI contains musical scores, along with ephemera relating to Ramin's collaborations. Series VIII contains audivisual material (mostly reels and casssettes). Series VII contains programs, awards, and other memorabilia relating to performances.
Preferred Citation
Identification of specific item; Date (if known); Sid Ramin papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Terms Governing Use and Reproduction
Permission is required to copy or photograph musical scores. Single photocopies may be made for research purposes of non-score material. For more information, email rbml@columbia.edu. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Immediate Source of Acquisition
Source of acquisition--Ramin, Sid. Method of acquisition--Gift; Date of acquisition--1968. Accession number--M-68.
Biographical Note
Sidney Ramin (1919-2019) was an Academy Award, Grammy, and Daytime Emmy-winning orchestrator, composer, and arranger. From his long-spanning career, he was best known for his work as orchestrator for several prominent Broadway productions, including West Side Story (1957), Gypsy (1959), and A Funny Thing Happened on the Way to the Forum (1962). He was also well known for composing "Music to Watch Girls By," written as a commercial jingle for Diet Pepsi and first released in 1966 as a single by Bob Crewe. Additionally, he has composed and arranged scores for films and television programs, including Candid Camera, All My Children (for which he won a Daytime Emmy), The Milton Berle Show, and the made-for-television 1973 remake of Miracle on 34th Street.
Processing Information
Cataloged Christina Hilton Fenn 08/--/89.
Boxes 28-51 processed by Callum Blackmore (GSAS) in 2024.
Processing Information
Addition to the collection processed by Emily Hawk (GSAS 2022), 2018-2019.
Arrangement
This collection is arranged into nine series.
Accruals
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
Musicals
Motion picture music -- Scores
Motion picture music, Arranged
Arrangement (Music)
Instrumentation and orchestration
Scores (documents for music)
Composers
Conductors (Music)
Bernstein, Leonard, 1918-1990
Styne, Jule, 1905-1994
Sid Ramin's Orchestra
Series I: West Side Story/repositories/2/archival_objects/9007601957-1993Subseries I.1 Scores for Broadway Production/repositories/2/archival_objects/9007611957Scope and ContentsProduced on Broadway in the fall of 1957. The complete original orchestral score arranged by Leonard Bernstein, Sid Ramin and Irwin Kostal for the Broadway production is contained in five volumes. There are also original orchestral scores for individual songs. The scores have manuscript notes, revisions, additions, and corrections by Bernstein, Ramin, and Kostal. Folio.
Volume 1: "The Prologue", "Cool" and "The Rumble"./repositories/2/archival_objects/900762123 Pages. Blue print scratch copy. Leonard Bernstein - 12 pages of manuscript notes, revisions and additions. Sid Ramin and Irwin Kostal - 73 pages of manuscript notes, revisions and additions.631Volume 2: "Jet Song" - 40 pages; "The Ballet Sequence" -55 pages; "A Boy Like That" - 31 pages; "Taunting Scene" - 11 pages; "Finale" - 9 pages./repositories/2/archival_objects/900763146 Pages Leonard Bernstein - 55 pages of manuscript notes, revisions and additions. Sid Ramin and Irwin Kostal - 66 page of manuscript notes, revisions and additions.632Volume 3: "The Temporary Overture" - 53 pages; "Something's Coming Utility" - 4 pages; "Death Hall Sequence" - 46 pages; "Maria Cha Cha" - 6 pages; "Meeting Scene" - 9 pages; "Meeting Scene A" - 9 pages/repositories/2/archival_objects/900764127 Pages Leonard Bernstein - 10 pages of manuscript notes, revisions and additions. Sid Ramin and Irwin Kostal - 64 pages of manuscript notes, revisions and additions.633Volume 4: "Quintet -Act I, Scene 6" - 37 pages; "I Feel Pretty" - 44 pages; "Gee, Officer Krupke" - 34 pages./repositories/2/archival_objects/900765115 Pages Leonard Bernstein - 9 pages of manuscript notes, revisions and additions. Sid Ramin and Irwin Kostal - 18 pages of manuscript notes, revisions and additions.634Volume 5: "Maria" - 14 pages; "New Balcony Scene" - 42 pages; "America" - 54 pages; "One" -29 pages./repositories/2/archival_objects/900766139 Pages Leonard Bernstein - 9 pages of manuscript notes, revisions and additions. Sid Ramin and Irwin Kostal - 49 pages of manuscript notes, revisions and additions635Volume 6: "Temporary, Overture"; "Something's Coming-Utility"; Dance Hall Sequence"; Meeting Scene (Maria Cha-Cha)"/repositories/2/archival_objects/1528000271Prologue/repositories/2/archival_objects/90076766 Pages 252 Bars66Scope and Contents[With corrections and additions in red, green, and blue pencil by Leonard Bernstein, Sid Ramin, and Irwin Kostal. ]
Prologue/repositories/2/archival_objects/90076866 Pages 252 Bars66Overture/repositories/2/archival_objects/9007693 Pages67Jet Song/repositories/2/archival_objects/90077036 Pages 215 Bars67Something's Coming/repositories/2/archival_objects/90077120 Pages 160, Bars67Something's Coming-Chase/repositories/2/archival_objects/9007724 Pages 26, Bars67Dance Hall Sequence/repositories/2/archival_objects/90077351 Pages 198,Bars67Maria Cha-Cha/repositories/2/archival_objects/90077415 Pages 61, Bars67Maria/repositories/2/archival_objects/90077514 Pages 54, Bars67Balcony Scene/repositories/2/archival_objects/90077642 Pages 160, Bars67America/repositories/2/archival_objects/90077756 Pages 223 Bars With corrections and additions in red, green, and blue pencil by Leonard Bernstein, Sid Ramin, and Irwin Kostal.67America/repositories/2/archival_objects/90077856 Pages 223 Bars67Cool/repositories/2/archival_objects/90077942 Pages 171, Bars67Cha-Cha Insert (Intro to One)/repositories/2/archival_objects/9007803 Pages67One/repositories/2/archival_objects/90078129 Pages 115 Bars67Quintet/repositories/2/archival_objects/90078237 Pages 151 Bars68Rumble/repositories/2/archival_objects/90078336 Pages 152 Bars With corrections and additions in red, green, and blue pencil by Leonard Bernstein, Sid Ramin, and Irwin Kostal.68Rumble/repositories/2/archival_objects/90078436 Pages 152 Bars68I Feel Pretty/repositories/2/archival_objects/90078532 Pages 251 Bars68Intro to Ballet/repositories/2/archival_objects/9007867 Pages 24, Bars68Ballet Sequence/repositories/2/archival_objects/90078752 Pages 209 Bars68Bridge to Somewhere/repositories/2/archival_objects/9007881 Page68Gee, Officer Krupke!/repositories/2/archival_objects/90078931 Pages 232 Bars68After Officer Krupke/repositories/2/archival_objects/9007902 Pages 7 Bars68Taunting Scene/repositories/2/archival_objects/90079111 Pages 40 Bars68Finale/repositories/2/archival_objects/9007927 Pages 34 Bars68Proofs for Print/repositories/2/archival_objects/9007931988484 Pages69Annotated piano-vocal score (Act I)/repositories/2/archival_objects/16085301957-08-2352Scope and ContentsBound ozalid copy of Leonard Bernstein's piano-vocal score dated 1957-08-23. Heavily annotated with notes regarding orchestration, cuts, changes, and additional incidental music. Some additional pages have been interleaved with the original score.
Annotated piano-vocal score (Act II)/repositories/2/archival_objects/16085311957-08-2353Scope and ContentsBound ozalid copy of Leonard Bernstein's piano-vocal score dated 1957-08-23. Heavily annotated with notes regarding orchestration, cuts, changes, and additional incidental music. Some additional pages have been interleaved with the original score.
Subseries I.2: Scores for The Sound of West Side Story by the Ramin-Kostal Orchestra/repositories/2/archival_objects/900794circa 1957Scope and ContentsOriginal orchestral scores arranged and conducted by Sid Ramin and Irwin Kostal for the EP recording The Sound of West Side Story. The record was produced by RCA Victor in 1958.
Cool/repositories/2/archival_objects/900795circa 1957188Cool Fugue (Orig.)/repositories/2/archival_objects/900796circa 1957203Maria (Orig.)/repositories/2/archival_objects/900797circa 1957201Mambo (Orig.)/repositories/2/archival_objects/900798circa 1957202Cool/repositories/2/archival_objects/900799circa 195713 Pages, 98 Bars70Cool Fugue/repositories/2/archival_objects/900800circa 195733 Pages, 128 Bars70Maria/repositories/2/archival_objects/900801circa 19577 Pages 51 Bars70Mambo/repositories/2/archival_objects/900802circa 195720 Pages70RCA Recording/repositories/2/archival_objects/900803circa 195771Subseries I.3: Scores for Motion Picture/repositories/2/archival_objects/9008041961Scope and ContentsScreenplay by Ernest Lehman, based on the Musical Play "West Side Story" (from a conception by Jerome Robbins). Orchestration by Leonard Bernstein, Sid Ramin and Irwin Kostal. Released in 1961.
Set of Film Scores, 1960-1961/repositories/2/archival_objects/900805443 Pages69Prologue - Parts A, 1, 2 (new), 3 - 9./repositories/2/archival_objects/90080699 Pages641aPrologue - Music Breakdown/repositories/2/archival_objects/900807Manuscript Part 1, 4, and 6. Notes and sketches by Leonard Bernstein641bPrologue - Part 6 (Sync points from music editor)/repositories/2/archival_objects/9008085 Pages69Overture/repositories/2/archival_objects/90080937 Pages642Quintet/repositories/2/archival_objects/90081037 Pages643Mambo/repositories/2/archival_objects/90081119 Pages With manuscript notes by Johnny Green.644Mambo/repositories/2/archival_objects/90081219 Pages Insert: 9 Pages70The Dance at the Gym./repositories/2/archival_objects/90081311 Pages With manuscript notes by Johnny Green645The Dance at the Gym "Blues"/repositories/2/archival_objects/90081411 Pages Insert: 3 Pages70Jump/repositories/2/archival_objects/90081512 Pages646Promenade/repositories/2/archival_objects/9008163 Pages647Somewhere/repositories/2/archival_objects/9008179 Pages648Maria Cha Cha/repositories/2/archival_objects/9008186 Pages649Meeting Scene/repositories/2/archival_objects/9008193 Pages6410Promenade Reprise/repositories/2/archival_objects/9008206 Pages6411The Rumble/repositories/2/archival_objects/90082119 Pages and Insert: 4 Pages6412One Hand One Heart/repositories/2/archival_objects/90082218 Pages6413Balcony Scene/repositories/2/archival_objects/900823Part I: 24 Pages Part II: 4 Pages6414Tonight, Part One. - Extension/repositories/2/archival_objects/90082412 Pages Reel 8 Part 3: 6 pages. Alternative Version: 6 pages.6415End Title/repositories/2/archival_objects/90082519 Pages6516I Feel Pretty - Entr'acte/repositories/2/archival_objects/90082648 Pages6517Roof Top/repositories/2/archival_objects/90082710 Pages Reel 15, Part Two. A long "accordion" print which contains items 19-23 ff. They are attached in sequence.6518He Killed Your Brother/repositories/2/archival_objects/9008283 Pages See folder 18 above.6519Killer, Killer/repositories/2/archival_objects/9008295 Pages See folder 18 above.6520Arab-Shadows/repositories/2/archival_objects/9008307 Pages See folder 18 above.6521Dig It Good/repositories/2/archival_objects/9008312 Pages See folder 18 above.6522Thanks, Daddy-O/repositories/2/archival_objects/90083210 Pages See folder 18 above.6523Maria Drops Gun/repositories/2/archival_objects/9008337 Pages6524Tony Dies/repositories/2/archival_objects/9008342 Pages6525Maria (Coat Over Shoulder)/repositories/2/archival_objects/9008352 Pages and Revised: 2 Pages6526Taunting Scene/repositories/2/archival_objects/90083611 Pages6527Maria/repositories/2/archival_objects/900837137First Impressions: West Side Story Prologue/repositories/2/archival_objects/900838813Important: West Side Story movie/repositories/2/archival_objects/9008395 folders814-18Prologue, Part V/repositories/2/archival_objects/16085201961403Scope and ContentsIncludes an annotated typewritten cue sheet and a page of pencil sketch sheet music.
Subseries I.4: Symphonic Dances from West Side Story/repositories/2/archival_objects/9008401961, 1977, 1993Scope and ContentsSubseries contains printed and revised scores (dated 1967-1993) of Leonard Bernstein's symphonic arrangement of music from West Side Story, which first debuted in 1961.
Bernstein – Symphonic Dances from West Side Story/repositories/2/archival_objects/900841116Symphonic Suite/repositories/2/archival_objects/900842202 Pages651Scope and ContentsWest Side Story Symphonic Suite, later called "Symphonic Dances". Composed by Leonard Bernstein, Orchestrated by Sid Rarain and Irwin Kostal, Folio. The original working copy. Two lines of manuscript notes by Leonard Bernstein on the front cover. With 77 pages of copious manuscript notes, additions, revisions and deletions in the hand of Leonard Bernstein. Also extensive manuscript comments and questions regarding the Suite in the hand of Leonard Bernstein. 29 pages of manuscript revisions, additions and deletions in the hands of Sid Ramin and Irwin Kostal
Notes: Symphonic Dances, West Side Story/repositories/2/archival_objects/9008434 folders1977 June131-4Symphonic Dances from "West Side Story," Revised Edition/repositories/2/archival_objects/9008441993119Spiral-bound Symphonic Dances from West Side Story/repositories/2/archival_objects/9008451993 August1110Subseries I.5: Other/repositories/2/archival_objects/900846undatedScope and ContentsScores relating to West Side Story that cannot be identified with a particular production or version of the show.
"Maria," from Jack Gottlieb/repositories/2/archival_objects/9008472 folders138-9"Maria," from Jack Gottlieb/repositories/2/archival_objects/900848146Subseries I.6: Miscellaneous/repositories/2/archival_objects/900849circa 1957-1961Piano Score for Seven Songs/repositories/2/archival_objects/90085078 Pages652Scope and ContentsThe Manuscript Piano Copies. Early versions used for rehearsals: 1 OPENING. - 30 pages. This song was not used in this form. After many changes and deletions it appeared as ""Jet Song"". 2 PROLOGUE. - 16 pages. Leonard Bernstein's manuscript notes on page 12 and insert page 12a. 3 JET SONG. - 17 pages. Leonard Bernstein's manuscript notes on pages 8 and 11. 4 COOL. - 13 pages. Leonard Bernstein's manuscript notes on page 5. 5 I FEEL PRETTY. - 10 pages. 6 A BOY LIKE THAT. - 13 pages. 7 FINALE. - 2 pages. With 35 pages of manuscript notes by orchestrators and others. Parts of the lyrics were revised or deleted in later versions.
Motion Picture Music Breakdown, Reels 1 - 21/repositories/2/archival_objects/90085187 Pages653Scope and ContentsMusic Breakdown Sheets for the entire motion Picture. Manuscript notes throughout by Sid Ramin.
"Cool" vocal part/repositories/2/archival_objects/1608528circa 19574412Scope and ContentsOzalid copy. From
West Side Story.Series II: Gypsy/repositories/2/archival_objects/9008521959Scope and Contents"Gypsy." A Musical Fable. Book by Arthur Laurents, Music by Jule Styne, Lyrics by Stephen Sondheim. Produced, directed and choreographed by Jerome Robbins. Starring Ethel Merman. Orchestration by Sid Ramin and Robert Ginzler. Produced in Spring 1959.
Subseries II.1: Songs Used for Orchestration/repositories/2/archival_objects/900853Scope and ContentsThe original song copies used for the orchestration of the show by Sld Ramin with Robert Ginzler. The song copies have the original marking by Sid Ramin. Quarto, (9 3/4" x 12 1/2").
You'll Never Get Away From Me./repositories/2/archival_objects/90085411 Pages541Together Wherever We Go./repositories/2/archival_objects/9008559 Pages542Small World./repositories/2/archival_objects/9008567 Pages543Mama's Talkin' Soft./repositories/2/archival_objects/9008573 Pages544All I Need Is The Girl./repositories/2/archival_objects/90085810 Pages545Some People./repositories/2/archival_objects/90085911 Pages546If Mamma Was Married./repositories/2/archival_objects/90086013 Pages547The Cow Song./repositories/2/archival_objects/9008613 Pages548Let Me Entertain You./repositories/2/archival_objects/9008624 Pages549Mr. Goldstone./repositories/2/archival_objects/90086322 Pages5410You Gotta Get A Gimmick./repositories/2/archival_objects/90086416 Pages5411Broadway./repositories/2/archival_objects/90086511 Pages5412Mother's Day./repositories/2/archival_objects/9008663 Pages5413Little Lamb, Little Lamb./repositories/2/archival_objects/9008674 Pages5414Ev'rything's Coming Up Roses./repositories/2/archival_objects/90086810 Pages5415Smile Girls./repositories/2/archival_objects/90086911 Pages5416Subseries II.2: Songs Not Used for Orchestration/repositories/2/archival_objects/900870Scope and ContentsThe song copies were written for the show but were never orchestrated or used.
Nice She Ain't./repositories/2/archival_objects/9008713 Pages541Surprise./repositories/2/archival_objects/900872542Scope and ContentsOriginal 3 page manuscript in the hand of Jule Styne.
Subseries II.3 Scores for Pre-recording/repositories/2/archival_objects/900873Scope and ContentsThe scores of the original orchestrations for pre-recording used a "source" music in the show.
June is a Jew, So Change It to Clare./repositories/2/archival_objects/9008746 Pages 44 Bars541Zip My Stripper./repositories/2/archival_objects/9008759 Pages 45 Bars542The Bloozy Cool./repositories/2/archival_objects/9008768 Pages 47 Bars543Presto Bing Flip./repositories/2/archival_objects/90087712 Pages 92 Bars544Figure 8 Waltz ./repositories/2/archival_objects/90087813 Pages 96 Bars545The Exotic./repositories/2/archival_objects/9008796 Pages546Subseries II.4 Scores of Original Orchestrations/repositories/2/archival_objects/900880Subseries II.4.1: 1st Set/repositories/2/archival_objects/900881Scope and ContentsOriginal orchestrations by Sid Ramin with Robert Ginzler. With original corrections, markings and notes in the hand of Sid Ramin. Folio, (11" x 17").
The Gypsy Overture./repositories/2/archival_objects/90088240 Pages 286 Bars551Ethel's Entrance./repositories/2/archival_objects/90088323 Pages 180 Bars552Some People./repositories/2/archival_objects/90088432 Pages 244 Bars Supplement: 3, Pages 20 Bars553Seattle To Los Angeles./repositories/2/archival_objects/90088516 Pages 94 Bars554Small World/repositories/2/archival_objects/90088631 Pages 64 Bars555Baby June and Newsboys (Part One and Two)/repositories/2/archival_objects/90088716 Pages 123 Bars556Recitation and Military:/repositories/2/archival_objects/90088811 Pages 81 Bars557Children's Military Routine./repositories/2/archival_objects/9008896 Pages 42 Bars558Mr. Goldstone. Part One./repositories/2/archival_objects/90089019 Pages 151 Bars559a.Mr. Goldstone. Part Two/repositories/2/archival_objects/9008917 Pages 39 Bars559b.Mr. Goldstone. Part Three/repositories/2/archival_objects/9008929 Pages 71 Bars559c.Goldstone To Lamb./repositories/2/archival_objects/9008932 Pages 12 Bars5510Little Lamb./repositories/2/archival_objects/90089419 Pages 124 Bars5511Little Lamb To Restaurant./repositories/2/archival_objects/9008953 Pages 16 Bars5512You'll Never ,Get Away From Me./repositories/2/archival_objects/90089615 Pages 99 Bars5513Broadway./repositories/2/archival_objects/90089731 Pages 211 Bars5514If Mama Was Married/repositories/2/archival_objects/90089828 Pages 218 Bars5515Montage I./repositories/2/archival_objects/9008997 Pages 37 Bars5516All I Need Is The Girl./repositories/2/archival_objects/90090010 Pages 68 Bars5517Ev'rything's Coming Up Roses./repositories/2/archival_objects/90090128 Pages 220 Bars5618Entr'Acte New./repositories/2/archival_objects/90090213 Pages 77 Bars5619Entr'Acte Old./repositories/2/archival_objects/90090320 Pages 132 Bars5620Toreadorables./repositories/2/archival_objects/90090417 Pages 101 Bars5621Together./repositories/2/archival_objects/90090523 Pages 168 Bars5622a.Additional Material/repositories/2/archival_objects/9009069 Pages 81 Bars5622b.Together Tag/repositories/2/archival_objects/9009077 Pages 52 Bars5623Montage II./repositories/2/archival_objects/9009085 Pages 38 Bars5624Rose Underscore, Act II.Scene IV/repositories/2/archival_objects/90090910 Pages 73 Bars5625You Gotta Get A Gimmick./repositories/2/archival_objects/90091026 Pages 167 Bars. Additional Material 7 Pages5626Small World Reprise./repositories/2/archival_objects/9009115 Pages 28 Bars. Additional Material 5 Pages 27 Bars5627Gypsy Strip./repositories/2/archival_objects/90091215 Pages 108 Bars. Additional Material 20 Pages 150 Bars5628After Bathroom./repositories/2/archival_objects/9009133 Pages 19 Bars5629Curtain - Act II./repositories/2/archival_objects/9009142 Pages 14 Bars5630Bows./repositories/2/archival_objects/9009152 Pages 16 Bars5631Mama' s Turn./repositories/2/archival_objects/90091622 Pages 144 Bars5632Exit March./repositories/2/archival_objects/90091721 Pages 125 Bars5633If Mama Was Married. Utility/repositories/2/archival_objects/90091811 Pages 86 Bars5634All I Need. Utility./repositories/2/archival_objects/90091910 Pages 38 Bars5635You'll Never Get Away/repositories/2/archival_objects/90092010 Pages 32 Bars5636Small World./repositories/2/archival_objects/90092110 Pages 38 Bars5637Some People./repositories/2/archival_objects/90092218 Pages 72 Bars5638Extra. Utility./repositories/2/archival_objects/90092310 Pages 40 Bars5639Cow Recitation/repositories/2/archival_objects/90092413 Pages5640Subseries II.4.2: 2nd Set/repositories/2/archival_objects/900925Scope and ContentsSubseries contains scores used in the original musical production of Gypsy, which premiered in 1959. Each score is clearly labeled with the song title. This set of scores does not duplicate the scores in Subseries II.4.1 and was received by the Rare Book & Manuscript Library at a different date.
Overture/repositories/2/archival_objects/90092622Ethel's Entrance/repositories/2/archival_objects/90092723Some People/repositories/2/archival_objects/90092824Seattle to L.A. (Crossover)/repositories/2/archival_objects/90092925Small World/repositories/2/archival_objects/90093026Recording Scores/repositories/2/archival_objects/90093127Cast Album Pre-Recording Scores/repositories/2/archival_objects/90093228Baby June I/repositories/2/archival_objects/90093329Baby June II/repositories/2/archival_objects/900934210Recitation & Military/repositories/2/archival_objects/900935211Children's Mil. Routine II/repositories/2/archival_objects/900936212Goldstone I/repositories/2/archival_objects/900937213Goldstone III/repositories/2/archival_objects/900938214Goldstone to Lamb/repositories/2/archival_objects/900939215Little Lamb (Goldstone II)/repositories/2/archival_objects/900940216Lamb to Restaurant/repositories/2/archival_objects/900941217You'll Never Get Away/repositories/2/archival_objects/900942218Broadway/repositories/2/archival_objects/900943219If Mama Was Married/repositories/2/archival_objects/900944220Montage I/repositories/2/archival_objects/900945221All I Need is the Girl I/repositories/2/archival_objects/90094631All I Need is the Girl II/repositories/2/archival_objects/90094732Everything's Coming Up Roses/repositories/2/archival_objects/90094833Entr'acte/repositories/2/archival_objects/90094934Toreadorables/repositories/2/archival_objects/90095035Together/repositories/2/archival_objects/90095136Together Tag/repositories/2/archival_objects/90095237Montage II/repositories/2/archival_objects/90095338Rose Underscore/repositories/2/archival_objects/90095439Gimmick/repositories/2/archival_objects/900955310Small World Repr./repositories/2/archival_objects/900956311Gypsy Strip/repositories/2/archival_objects/900957312After Bathroom/repositories/2/archival_objects/900958313Curtain Act II/repositories/2/archival_objects/900959314Bows –Some People/repositories/2/archival_objects/900960315Mama's Turn/repositories/2/archival_objects/900961316Exit March/repositories/2/archival_objects/900962317Utilities/repositories/2/archival_objects/900963318Baby June III/repositories/2/archival_objects/900964319Farm Seq. I (Cow)/repositories/2/archival_objects/900965320Misc./repositories/2/archival_objects/900966321Daisies (out)/repositories/2/archival_objects/900967322Barnyard Hoedown/repositories/2/archival_objects/90096841All I Need Tag/repositories/2/archival_objects/90096942Goldstone Pt. 4/repositories/2/archival_objects/90097043Goldstone Pt. IV/repositories/2/archival_objects/90097144Children's Mil. Routine I/repositories/2/archival_objects/90097245Overture New (Out)/repositories/2/archival_objects/90097346Farm – Cow/repositories/2/archival_objects/90097447Smile Girls/repositories/2/archival_objects/900975483 Wishes for Xmas/repositories/2/archival_objects/90097649Photocopy, Gypsy Overture/repositories/2/archival_objects/9009773 folders147-9Series III: Broadway Musicials/repositories/2/archival_objects/9019181962-1993Subseries III.1: 1600 Pennsylvania Avenue/repositories/2/archival_objects/9019191976Scope and Contents"1600 Pennsylvania Avenue" was entitled "A Musical About the Problems of Housekeeping." The book and lyrics were by Alan Jay Laurens with music by Leonard Bernstein. The show was produced by Roger L. Stevens and Robert Whithead by an arrangement with Saint Subber at the Mark Hellinger Theatre. It was directed and choreographed by Gilbert Moses and George Faison with Roland Gagnon serving as musical director. The music was orchestrated by Sid Ramin and Hershy Kay. Produced in Spring 1976.
Subseries III.1.1 Songs Used for Orchestration/repositories/2/archival_objects/901920Scope and ContentsThe original song copies used for the orchestration of the show by Sid Ramin and Hershy Kay. The song copies have corrections and notations by Ramin and Kay. The final two songs do not appear to have been used in the Broadway production. Quarto.
Prelude to Act I [2 copies]/repositories/2/archival_objects/9019215 Pages72Middle "C"/repositories/2/archival_objects/9019222 Pages72Rehearsing/repositories/2/archival_objects/90192311 Pages72Opening - 10 Square Miles and Dove [3 copies]/repositories/2/archival_objects/90192417 Pages72Potomac Reprise and Nation (Before Welcome Home) [2 copies]/repositories/2/archival_objects/9019255 Pages73Welcome Home, Miz Adams [2 copies]/repositories/2/archival_objects/9019264 Pages73Take Care of This House [2 copies]/repositories/2/archival_objects/9019277 Pages73Nation 1st Reprise (Before Jefferson March) [2 copies]/repositories/2/archival_objects/9019283 Pages73The President Jefferson March [2 copies]/repositories/2/archival_objects/90192912 Pages73The President Jefferson March [4 copies]/repositories/2/archival_objects/9019301976 January 2315 Pages73Jefferson Dance Outline/repositories/2/archival_objects/9019311976 February 52 Pages73Jefferson Dance/repositories/2/archival_objects/9019321976 February 74 Pages73Seena [2 copies]/repositories/2/archival_objects/9019334 Pages73Musketry (The British Are Coming) [5 copies]/repositories/2/archival_objects/9019343 Pages73Sonatina (The British) [2 copies]/repositories/2/archival_objects/90193520 Pages73Sonatina (The British)/repositories/2/archival_objects/9019361976 January 2823 Pages73Rondo (Sonatina Finale) [5 copies]/repositories/2/archival_objects/9019377 Pages73Nation 2nd Reprise (After the Burning) [2 copies]/repositories/2/archival_objects/9019383 Pages73Lud's Wedding [5 copies]/repositories/2/archival_objects/90193914 Pages74Lud's Wedding (Version II) [2 copies]/repositories/2/archival_objects/90194014 Pages74Wedding Dance [4 copies]/repositories/2/archival_objects/9019418 Pages74Auction I and II [3 copies]/repositories/2/archival_objects/9019423 Pages74The Monroviad ("The Mark of a Man") [2 copies]/repositories/2/archival_objects/90194321 Pages74This Time [2 copies]/repositories/2/archival_objects/90194412 Pages74We Must Have a Ball [2 copies]/repositories/2/archival_objects/9019456 Pages74We Must Have a Ball [4 copies]/repositories/2/archival_objects/9019461976 January 2316 Pages75We Must Have a Ball [3 copies]/repositories/2/archival_objects/9019471976 January 2822 Pages75Forty Acres/repositories/2/archival_objects/9019486 Pages75Uncle Tom's Funeral "Bright and Black" [4 copies]/repositories/2/archival_objects/90194914 Pages75First Lady Sequence (and New "Hail") [2 copies]/repositories/2/archival_objects/90195026 Pages75Hail! [2 copies]/repositories/2/archival_objects/9019519 Pages75Minstrel Parade [3 copies]/repositories/2/archival_objects/9019522 Pages75The Grand Old Party (Minstrel Show) [3 copies]/repositories/2/archival_objects/9019536 Pages75Pity the Poor [3 copies]/repositories/2/archival_objects/9019542 Pages75Red, White and Blues [2 copies]/repositories/2/archival_objects/9019552 Pages75To Make Us Proud/repositories/2/archival_objects/9019566 Pages75American Dreaming [3 copies]/repositories/2/archival_objects/90195711 Pages76It's My Country (Mr. Lincoln) [3 copies]/repositories/2/archival_objects/9019583 Pages76Subseries III.1.2 Songs Not Used for Orchestration/repositories/2/archival_objects/901959Scope and ContentsThe original song copies were written for the show but do not appear to have been orchestrated or used.
Me (New Opening) [2 copies]/repositories/2/archival_objects/90196018 Pages76Reclamation Scene ("Can You Love") [2 copies]/repositories/2/archival_objects/9019615 Pages76A Star at Noon [2 copies]/repositories/2/archival_objects/9019623 Pages76The Switch [2 copies]/repositories/2/archival_objects/90196331 Pages76We [2 copies]/repositories/2/archival_objects/9019643 Pages76What Happened [2 copies]/repositories/2/archival_objects/9019653 Pages76Subseries III.1.3 Bernstein's Fair Copies/repositories/2/archival_objects/901966Scope and ContentsCopies of Leonard Bernstein's songs for the musical. Stamped Property of Amberson Productions.
Fair Copies: "Middle C"; "Opening (10 Square Miles and Dove)"; "Welcome Home Miz Adams"; "Take Care of This House"; "The President Jefferson Sunday Luncheon Party March"; "Seena"; "Sonatina (The British)"; "Lud's Wedding"; "Auction I and II"; "The Monroviad (The Mark of a Man"; "This Time"; "We Must Have a Ball"; "Uncle Tom's Funeral (Bright and Black)"; "Hail!"; "The Grand Old Party (Minstrel Show)"; "Philadephia"; "It's My Country"; "Another Kind of Man (Interlude before Breakout)"; "The Breakout"; "The Switch"; "Reclamation Scene (Can You Love)"; "Freedom Song"/repositories/2/archival_objects/901967156 Pages76Subseries III.1.4 Sketches and Dialogue/repositories/2/archival_objects/901968Scope and ContentsOriginal manuscript sketches by Leonard Berstein and Sid Ramin in preparation of the score. Typed manuscript pages of dialogue from Act I and Act II of the show.
Sketches in Leonard Bernstein's Hand: "President's Entrance (Wedding Act I); "Cakewalk Extension and President's Exit (Wedding Act I)"; "I Love This Land (Act II Finale)"/repositories/2/archival_objects/9019697 Pages76Sketches: "Opening Continuation"; "Take Care of This House"; "Forty Acres and a Mule"; Unidentifed/repositories/2/archival_objects/9019707 Pages76Script Pages: Act I and Act II/repositories/2/archival_objects/9019711976 April8 Pages76Subseries III.1.5 Scores of Original Orchestrations/repositories/2/archival_objects/901972Scope and ContentsOriginal orchestrations by Sid Ramin and Hershy Kay with corrections, markings, and notations. The final six scores do not appear to have been used in the Broadway production. Folio.
Overture/repositories/2/archival_objects/90197332 Pages 145 Bars77Prelude (Act I) [2 copies]/repositories/2/archival_objects/90197410 Pages 75 Bars77Middle C (Prelude Act I)/repositories/2/archival_objects/90197510 Pages 75 Bars77Coach Entrance/repositories/2/archival_objects/9019762 Pages 8 Bars77Opening/repositories/2/archival_objects/90197734 Pages 142 Bars77Opening - 10 Sq. Miles and Dove/repositories/2/archival_objects/90197853 Pages 203 Bars77Opening - Dove/repositories/2/archival_objects/90197914 Pages 44 Bars77Potomac Reprise and Nation [2 copies]/repositories/2/archival_objects/90198016 Pages 51 Bars77Potomac - Horses/repositories/2/archival_objects/9019811 Page 6 Bars77Nation Underscore/repositories/2/archival_objects/90198212 Pages 47 Bars77Welcome Home Miz Adams [2 copies]/repositories/2/archival_objects/90198316 Pages 51 Bars77Take Care of This House/repositories/2/archival_objects/90198423 Pages 67 Bars77House to Scene/repositories/2/archival_objects/9019851 Page 5 Bars77Nation 1st Reprise (Before Jefferson March)/repositories/2/archival_objects/9019869 Pages 37 Bars77Nation 1st Reprise (After Jefferson March)/repositories/2/archival_objects/9019879 Pages 37 Bars77Nation 1st Reprise - Revised [2 copies]/repositories/2/archival_objects/9019881976 February 207 Pages 23 Bars77Jefferson to R.S.V.P. [2 copies]/repositories/2/archival_objects/9019891 Page 4 Bars77R.S.V.P. Utility [3 copies]/repositories/2/archival_objects/9019906 Pages 18 Bars77The President Jefferson March/repositories/2/archival_objects/90199161 Pages 250 Bars77Seena [2 copies]/repositories/2/archival_objects/90199213 Pages 47 Bars77Musketry/repositories/2/archival_objects/9019939 Pages 36 Bars77Sonatina (The British)/repositories/2/archival_objects/90199475 Pages 235 Bars78Sonatina (The British) [incomplete]/repositories/2/archival_objects/9019951976 April28 Pages78Rondo (Sonatina Finale) [2 copies]/repositories/2/archival_objects/90199620 Pages 73 Bars78Rondo (Sonatina Finale) Recap - Revised/repositories/2/archival_objects/9019979 Pages 43 Bars78Intro to 2nd Nation/repositories/2/archival_objects/9019981 Page 5 Bars78Nation 2nd Reprise [2 copies]/repositories/2/archival_objects/90199912 Pages 47 Bars78Lud's Wedding [2 copies]/repositories/2/archival_objects/90200044 Pages 156 Bars78Wedding Dance [2 copies]/repositories/2/archival_objects/90200127 Pages 97 Bars78Auction I and II [2 copies]/repositories/2/archival_objects/90200210 Pages 32 Bars78The Monroviad [3 copies]/repositories/2/archival_objects/90200368 Pages 222 Bars78Mark of a Man - Reprise/repositories/2/archival_objects/9020049 Pages 33 Bars79This Time [2 copies]/repositories/2/archival_objects/90200544 Pages 174 Bars79We Must Have a Ball [2 copies]/repositories/2/archival_objects/90200678 Pages 293 Bars79We Must Have a Ball - Revised/repositories/2/archival_objects/90200756 Pages 265 Bars79Uncle Tom's Funeral "Bright and Black"/repositories/2/archival_objects/90200842 Pages 126 Bars79Uncle Tom's Funeral "Bright and Black" - Revised/repositories/2/archival_objects/90200939 Pages 80 Bars79Bright and Black (New)/repositories/2/archival_objects/90201042 Pages 90 Bars79First Lady [2 copies]/repositories/2/archival_objects/90201190 Pages 348 Bars79Minstrel Parade [2 copies]/repositories/2/archival_objects/9020129 Pages 27 Bars80Minstrel Parade - Reprise/repositories/2/archival_objects/9020137 Pages 21 Bars80The Grand Old Party (Minstrel Show) [2 copies]/repositories/2/archival_objects/90201421 Pages 102 Bars80Pity the Poor [2 copies]/repositories/2/archival_objects/9020155 Pages 20 Bars80Red, White and Blues [2 copies]/repositories/2/archival_objects/9020168 Pages 25 Bars80Minstrel Exit/repositories/2/archival_objects/9020171 Page 4 Bars80Intro to Proud/repositories/2/archival_objects/9020185 Pages 14 Bars80To Make Us Proud - Revised/repositories/2/archival_objects/90201917 Pages 50 Bars80Proud - Arthur Revised/repositories/2/archival_objects/9020201976 April 278 Pages 25 Bars80Rehearsal - Closing [incomplete]/repositories/2/archival_objects/90202120 Pages 89 Bars Contains pages 14-34.80Closing - Revised [incomplete]/repositories/2/archival_objects/90202229 Pages 125 Bars80Exit Music/repositories/2/archival_objects/90202350 Pages 205 Bars80American Dreaming [2 copies]/repositories/2/archival_objects/90202444 Pages 127 Bars80Impeachment [incomplete]/repositories/2/archival_objects/9020255 Pages 38 Bars Missing page 1.80Lesson Scene/repositories/2/archival_objects/90202617 Pages 64 Bars80Mr. Lincoln/repositories/2/archival_objects/90202713 Pages 41 Bars80Noodling Before Philadelphia [3 copies]/repositories/2/archival_objects/9020281 Page80Philadelphia [2 copies]/repositories/2/archival_objects/90202924 Pages 68 Bars80Subseries III.1.6: Other Scores/repositories/2/archival_objects/902030Scope and ContentsSubseries contains scores from the original production of 1600 Pennsylvania Avenue, which ran for only seven days in May 1976. Some scores include notes and commentary from Leonard Bernstein.
1600 Pennsylvania Avenue with Bernstein Markings/repositories/2/archival_objects/9020314 folderscirca 1976121-41600 Pennsylvania Avenue with Bernstein Markings/repositories/2/archival_objects/9020321976 March-April244Subseries III.1.7: Reviews/repositories/2/archival_objects/902033Scope and ContentsSubseries includes newspaper clippings of numerous reviews of 1600 Pennsylvania Avenue, from The Washington Post, The New York Times, Newsweek, The New York Post, The Hollywood Reporter, and Women's Wear Daily.
Reviews/repositories/2/archival_objects/9020343 folders1976241-3Subseries III.2: A Funny Thing Happened on the Way to the Forum/repositories/2/archival_objects/9020351962Scope and Contents"A Funny Thing Happened On The Way To The Forum.-" Book by Burt Schevelove and Larry Gelbart, Music and Lyrics by Stephen Sondheim. Directed by George Abbott. Choreography by Jack Cole. Starring Zero Mostel. Orchestration by Sid Ramin and Irwin Kostal. Produced in Spring 1962.
Subseries III.2.1 Songs Used for Orchestration/repositories/2/archival_objects/902036Scope and ContentsThe original song copies used for the orchestration of the show by Sid Ramin and Irwin Kostal. The following song copies have the original marking by the orchestrators Sid Ramin and Irwin Kostal. Quarto, (9 3/4" x 12 1/2").
Once Upon a Time./repositories/2/archival_objects/9020378 Pages571Free./repositories/2/archival_objects/90203815 Pages572Free./repositories/2/archival_objects/90203916 Pages66Love I Hear./repositories/2/archival_objects/9020406Pages573Love I Hear/repositories/2/archival_objects/9020417 Pages66Pretty Little Picture/repositories/2/archival_objects/90204212 Pages574Love Is Going Around./repositories/2/archival_objects/9020433 Pages575Love Is Going Around/repositories/2/archival_objects/9020443 Pages66That Dirty Old Man./repositories/2/archival_objects/9020455 Pages576That Dirty Old Man/repositories/2/archival_objects/9020465 Pages66Lovely./repositories/2/archival_objects/9020474 Pages576a.Bring Me My Bride/repositories/2/archival_objects/90204811 Pages577Bring Me My Bride/repositories/2/archival_objects/90204911 Pages66The House Of Marcus Lycus./repositories/2/archival_objects/9020509 Pages578The House of Marcus Lycus/repositories/2/archival_objects/9020519 Pages66The House Of Marcus Lycus. (Revised Copy)/repositories/2/archival_objects/9020529 Pages579Bring Me My Bride Reprise./repositories/2/archival_objects/9020532 Pages5710Bring Me My Bride Reprise/repositories/2/archival_objects/9020542 Pages66Funeral Sequence./repositories/2/archival_objects/90205511 Pages5711Funeral Sequence/repositories/2/archival_objects/90205611 Pages66That'll Show Him/repositories/2/archival_objects/9020576 Pages66Comedy Tonight/repositories/2/archival_objects/16085191962402Scope and ContentsAnnotated photocopy of the published piano-vocal score.
Subseries III.2.2: Songs with notes by Sondheim/repositories/2/archival_objects/902058Scope and ContentsSong copies have notes and original music in the hand of the composer Stephen Sondheim. (Quarto, 9 3/4" x 12 1/2").
Lovely./repositories/2/archival_objects/9020593 Pages571I Do Like You./repositories/2/archival_objects/90206012 Pages572That'll Show Him./repositories/2/archival_objects/9020613 Pages573Everybody Ought To Have A Maid./repositories/2/archival_objects/90206220 Pages574Chase./repositories/2/archival_objects/9020633 Pages575Subseries III.2.3 Scores of Original Orchestrations/repositories/2/archival_objects/902064Scope and ContentsThe scores with the original corrections, markings and notes by the orchestrators Sid Ramin and Irwin Kostal. Folio, (11" x 17").
Overture. Used only in New Haven opening./repositories/2/archival_objects/90206510 Pages 39 Bars571a.Overture. New/repositories/2/archival_objects/90206622 Pages 169 Bars571b.Love Is Golng Around./repositories/2/archival_objects/90206714 Pages 78 Bars572Comedy Tonight./repositories/2/archival_objects/90206874 Pages 422 Bars573Set The Scene./repositories/2/archival_objects/9020691 Pages 4 Bars574Love I Hear (Used Prior to New York opening)/repositories/2/archival_objects/90207021 Pages 82 Bars575a.Love I Hear/repositories/2/archival_objects/90207116 Pages 94 Bars575b.Free./repositories/2/archival_objects/90207226 Pages 182 Bars576The House Of Marcus Lycus./repositories/2/archival_objects/90207328 Pages 154 Bars577Courtesans Exit./repositories/2/archival_objects/9020742 Pages 10 Bars578Lovely./repositories/2/archival_objects/90207517 Pages 92 Bars579Pretty Little Picture./repositories/2/archival_objects/90207624 Pages 130 Bars5710Everybody Ought To Have A Maid./repositories/2/archival_objects/90207721 Pages 119 Bars5811Everybody Ought To Have A Maid. Encore./repositories/2/archival_objects/9020789 Pages 50 Bars5812Mornpipe/repositories/2/archival_objects/9020793 Pages 14 Bars5813Courtesans Entrance./repositories/2/archival_objects/9020802 Pages 10 Bars5814I'm Calm./repositories/2/archival_objects/90208115 Pages 88 Bars5815Impossible./repositories/2/archival_objects/90208219 Pages 99 Bars5816Fanfare I/repositories/2/archival_objects/9020832 Pages 4 Bars5817Bring Me My Bride./repositories/2/archival_objects/90208416 Pages 92 Bars5818Fanfare.II./repositories/2/archival_objects/9020851 Page 1, Bar5819End Act I/repositories/2/archival_objects/9020862 Pages 9 Bars5820Entr'acte./repositories/2/archival_objects/90208719 Pages 134 Bars5821Opening. Act II./repositories/2/archival_objects/9020881 Page 5 Bars5822Love Is Going Around. Underscore/repositories/2/archival_objects/9020893 Pages 28 Bars5823Back to the Plot/repositories/2/archival_objects/9020901 Page 2 Bars5824Soldiers' Free./repositories/2/archival_objects/9020919 Pages 52 Bars5825That Dirty Old Man./repositories/2/archival_objects/90209215 Pages 58 Bars5826That'll Show Him./repositories/2/archival_objects/90209313 Pages 73 Bars5827a.That'll Show Him. New (replaced a)/repositories/2/archival_objects/90209416 Pages 89 Bars5827b.Lovely. Reprise./repositories/2/archival_objects/90209513 Pages 75 Bars5828Funeral Sequence./repositories/2/archival_objects/90209623 Pages 98 Bars5829Zero./repositories/2/archival_objects/9020971 Page 4 Bars5830Pre-Echo Song. Chase/repositories/2/archival_objects/9020987 Pages 29 Bars5831Echo Song./repositories/2/archival_objects/9020999 Pages 36 Bars5832a.Echo Song. New (replaced a)./repositories/2/archival_objects/90210013 Pages 49 Bars5832b.Chase./repositories/2/archival_objects/90210132 Pages 151 Bars5833Chase. Part Two./repositories/2/archival_objects/90210211 Pages 50 Bars5834Finale Act II./repositories/2/archival_objects/90210313 Pages 73 Bars5835Bows./repositories/2/archival_objects/9021046 Pages 36 Bars5836Subseries III.2.4: Additional Scores/repositories/2/archival_objects/902105Scope and ContentsSubseries contain scores used in the original musical production of Forum, which premiered in 1962. Each score is clearly labeled with the song title.
Forum Song Copies/repositories/2/archival_objects/9021065 folders1962 Feburary-March61-5Impossible/repositories/2/archival_objects/902107circa 1962511Funeral Sequence/repositories/2/archival_objects/9021081962 April716Finale – Act II/repositories/2/archival_objects/902109circa 1959-196281Comedy Tonight, Love I Hear/repositories/2/archival_objects/902110circa 1959-196282The House of Marcus Lycus, End of Act I/repositories/2/archival_objects/902111circa 1959-196283Pretty Little Picture/repositories/2/archival_objects/902112circa 1959-196284Bring Me My Bride/repositories/2/archival_objects/902113circa 1959-196285Love is Going Around, I Do Like You/repositories/2/archival_objects/902114circa 1959-196286Funeral Sequence, Lovely/repositories/2/archival_objects/902115circa 1959-196287That Dirty Old Man, Echo Song/repositories/2/archival_objects/902116circa 1959-196288Everybody Ought to Have A Maid, That'll Show Him/repositories/2/archival_objects/902117circa 1959-196289I'm Calm, Impossible/repositories/2/archival_objects/902118circa 1959-1962810Once Upon a Time/repositories/2/archival_objects/9021191962 March811Maid/repositories/2/archival_objects/9021201962 March812Bows (Pretty Little Picture)/repositories/2/archival_objects/902121circa 196291That Dirty Old Man/repositories/2/archival_objects/9021221962 May92That'll Show Him/repositories/2/archival_objects/9021231962 April93I'm Calm (Revised)/repositories/2/archival_objects/9021241962 April94Lovely Reprise/repositories/2/archival_objects/9021251962 April95Curtain Act II/repositories/2/archival_objects/9021261962 March96Lycus New/repositories/2/archival_objects/9021271962 April97Lovely (Boy + Girl)/repositories/2/archival_objects/902128circa 196298Love I Hear (New)/repositories/2/archival_objects/902129circa 196299Pretty Little Picture New Intro/repositories/2/archival_objects/9021301962 April141Everybody Ought to Have a Maid/repositories/2/archival_objects/9021311962 April142Subseries III:3 I Can Get It For You Wholesale/repositories/2/archival_objects/9021321962Scope and Contents"I Can Got It For You Wholesale." Book by Jerome Weidman. Music and Lyrics by Harold Rome, directed by Arthur Laurents, musical directions by Lehman Engel, choreography by Herbert Ross, Orchestration by Sid Ramin and Arthur Beck. Starring Barbra Streisand. This subseries contains the complete scores of the original orchestrations with notes by Sid Ramin and Arthur Beck. Folio, (11" x 17"). Produced in Spring 1962.
The Way Things Are./repositories/2/archival_objects/90213311 Pages 31 Bars591Train Music./repositories/2/archival_objects/9021341 Page 4 Bars592Who Knows. Utility./repositories/2/archival_objects/9021356 Pages 36 Bars593When Gemini Meets Capricorn./repositories/2/archival_objects/90213617 Pages 119 Bars594I'm Not A Well Man./repositories/2/archival_objects/90213713 Pages 98 Bars595Into Money Scene./repositories/2/archival_objects/9021382 Pages 17 Bars596Lead into Money Scene./repositories/2/archival_objects/9021391 Page 5 Bars597The Sound Of Money./repositories/2/archival_objects/90214015 Pages 118 Bars598The Sound Of Money. Dance./repositories/2/archival_objects/90214119 Pages 115 Bars599The Family Way./repositories/2/archival_objects/90214224 Pages 186 Bars5910Too Soon./repositories/2/archival_objects/90214317 Pages 132 Bars5911When Gemini Meets Capricorn. Utility./repositories/2/archival_objects/9021447 Pages 52 Bars5912Who Knows./repositories/2/archival_objects/90214518 Pages 142 Bars5913Into Scene X./repositories/2/archival_objects/9021469 Pages 65 Bars5914Have I Told You lately./repositories/2/archival_objects/90214718 Pages 136 Bars5915Ballad Of The Garment Trade/repositories/2/archival_objects/90214835 Pages 271 Bars5916Fashion Show./repositories/2/archival_objects/90214915 Pages 130 Bars5917Ballad Of The Garment Trade. Utility/repositories/2/archival_objects/9021505 Pages 36 Bars5918Entr'acte./repositories/2/archival_objects/90215118 Pages 100 Bars5919Into Scene I Act II./repositories/2/archival_objects/9021521 Page 8 Bars5920A Gift Today./repositories/2/archival_objects/90215324 Pages 174 Bars5921Bar Mitzbah To Marmelstein./repositories/2/archival_objects/9021548 Pages 60 Bars5922Miss Marmelstein./repositories/2/archival_objects/90215511 Pages 85 Bars5923Sound Of Money. Underscore./repositories/2/archival_objects/9021563 Pages 19 Bars5924Lead Into Money Scene./repositories/2/archival_objects/9021571 Page 5 Bars5925What's In It For Me/repositories/2/archival_objects/90215824 Pages 158 Bars5926Into Scene II.IV./repositories/2/archival_objects/9021593 Pages 22 Bars5927A Funny Thing Happened./repositories/2/archival_objects/90216018 Pages5928A Funny Thing Happened. Utility./repositories/2/archival_objects/9021618 Pages 68 Bars5929After A Funny Thing Happened./repositories/2/archival_objects/9021623 Pages 24 Bars5930What Are They Doing To Us Now./repositories/2/archival_objects/90216318 Pages 136 Bars5931What Are They Doing. Dance/repositories/2/archival_objects/90216424 Pages 142 Bars5932After Doing To Us Now./repositories/2/archival_objects/9021651 Page 8 Bars5933Eat A Little Something./repositories/2/archival_objects/90216616 Pages 125 Bars5934After Eat./repositories/2/archival_objects/9021671 Page 9 Bars5935End Of Show Sequence./repositories/2/archival_objects/9021684 Pages 30 Bars5936The Sound Of Money. Utility./repositories/2/archival_objects/9021695 Pages 38 Bars5937Subseries III.4: Jerome Robbins' Broadway/repositories/2/archival_objects/9021701989Scope and ContentsOriginal orchestral scores by Sid Ramin and William D. Brohn with corrections, markings, and notations. "Jerome Robbins Broadway" was directed and choreographed by Jerome Robbins. The show was produced by The Shubert Organization, Roger Berlind, Suntory International Corporation, Byron Goldman, and Emanuel Azenberg at the Imperial Theatre. It was co-directed by Grover Dave, co-choreographer by Peter Gennaro, and produced in association with PACE Theatrical Group, Inc. Paul Gemignani served as musical director and Scott Frankel handled music continuity.
Overture - Dance/repositories/2/archival_objects/9021711989 January 2632 Pages 126 Bars81Dance Overture (New) [2 copies]/repositories/2/archival_objects/90217248 Pages 192 Bars81Overture - Extension/repositories/2/archival_objects/9021731988 December 2782 Pages 351 Bars81High Button Shoes/repositories/2/archival_objects/902174133 Pages81It's Comedy Tonight/repositories/2/archival_objects/90217560 Pages 422 Bars81Mister Monotony [2 copies]/repositories/2/archival_objects/9021761989 January 920 Pages 80 Bars81On The Town - Opening/repositories/2/archival_objects/90217781 Pages 346 Bars81West Side Story Suite - Prologue/repositories/2/archival_objects/90217863 Pages 274 Bars81West Side Story Suite - Transition Prologue/Dance Hall [2 copies]/repositories/2/archival_objects/9021793 Pages 11 Bars82West Side Story Suite - Dance Hall/repositories/2/archival_objects/90218053 Pages 206 Bars82West Side Story Suite - America/repositories/2/archival_objects/90218156 Pages 223 Bars82West Side Story Suite - Cool/repositories/2/archival_objects/90218242 Pages 170 Bars82West Side Story Suite - Rumble/repositories/2/archival_objects/90218331 Pages 134 Bars82West Side Story Suite - Ballet Sequence/repositories/2/archival_objects/90218439 Pages 154 Bars82Ya Got Me/repositories/2/archival_objects/90218545 Pages 178 Bars82Ya Got Me - Bows/repositories/2/archival_objects/9021867 Pages 18 Bars82You Gotta Get a Gimmick [2 copies]/repositories/2/archival_objects/90218734 Pages 126 Bars82Gimmick Playoff/repositories/2/archival_objects/9021883 Pages 8 Bars82Robbins B'way – from Sharon Petro, Bozell, Jacobs, Kenyon, & Eckhardt/repositories/2/archival_objects/90218952Pops – Robbins Broadway/repositories/2/archival_objects/9021903 folders182-4Subseries III.5: The Red Shoes/repositories/2/archival_objects/9021911993Scope and Contents"The Red Shoes" was adapted from the 1948 film "The Red Shoes" by Michael Powell and Emeric Pressburger. The book was by Marsha Norman and music by Jule Styne with lyrics by Marsha Norman and Paul Stryker. The show was produced by Martin Starger, in association with MCA/UNIVERSAL and James M. Nederlander at the George Gershwin Theatre. It was directed by Stanley Donen, choreographed by Lar Lubovitch, and featured musical directions and vocal arrangements by Donald Pippin. The music by orchestrated by Sid Ramin and William D. Brohn. Produced in Winter 1993.
Subseries III.5.1 Lead Sheets/repositories/2/archival_objects/902192Scope and ContentsPrinted lead sheets with music by Jule Styne and lyrics by Marsha Norman. These lead sheets may have been used for the orchestration of the show by Sid Ramin and William D. Brohn.
The Rag (I-2-16)/repositories/2/archival_objects/9021936 Pages82Audition Dance (Act I) I Forgot My Music (I-3-24)/repositories/2/archival_objects/9021946 Pages82It's Always Like the First Time - Revised (I-3-27)/repositories/2/archival_objects/9021951992 December 289 Pages82La Valse - Solo Dance for Helen (I-5-37) [2 copies]/repositories/2/archival_objects/9021962 Pages82Little Kitten (I-6-41)/repositories/2/archival_objects/9021977 Pages82Red Shoes Story/repositories/2/archival_objects/9021984 Pages82Red Shoes Story (I-9-51)/repositories/2/archival_objects/9021991992 December 17 Pages82One - Two (I-11-61)/repositories/2/archival_objects/9022003 Pages82I'll Never Know (I-12-65)/repositories/2/archival_objects/9022015 Pages82Dos Vedanya (II-4-12)/repositories/2/archival_objects/9022026 Pages82In Ultimo Sospira (II-7-25)/repositories/2/archival_objects/9022031 Page82I'm Home (II-9-34)/repositories/2/archival_objects/9022042 Pages82Pas De Deux (Act II) - Revised [2 copies]/repositories/2/archival_objects/9022051989 April 2816 Pages82Red Shoes Ballet - Insert (Fighting R.S. Spell)/repositories/2/archival_objects/9022063 Pages82The Red Shoes Fit (Dance) - Revised [3 copies]/repositories/2/archival_objects/9022071989 April 289 Pages82[Untitled]/repositories/2/archival_objects/9022086 Pages82Subseries III.5.2 Sketches/repositories/2/archival_objects/902209Scope and ContentsOriginal manuscript sketches used in preparation of the score with notations and corrections.
Sketches from Act I: Swan Lake Opening; The Impressario; To Lermontov's Office-I; Julian's Audition; To Lady Neston's; Nostrovya, Nostrovya; Class Before Audition-I; Class Before Audition-II; Three Girls Audition; To Craster's Flat; To Lermontov's Office-II; Swan Lake Pas de Deux; Top of the Sky; A Little Chopin; Montage [2 versions]; It's a Fairytale; When It Happens to You (Reprise); Be Somewhere; Am I to Wish Her Love, September-October 1993/repositories/2/archival_objects/90221075 Pages83Sketches from Act II: Do Svedanya; Am I to Wish Her Love Reprise (Miss Page); Miss Page; Tribute to Victoria Page; Alone in the Light; Come Home; When You Dance For a King; Ballet of the Red Shoes; Bows, September-October 1993/repositories/2/archival_objects/902211104 Pages83Jule's Sketch for "Red Shoes"/repositories/2/archival_objects/902212115The Dance of the Red Shoes/repositories/2/archival_objects/1608524circa 1993405Scope and ContentsPencil sketch orchestral score. 33 pages. For the American Ballet Theater.
Forget (pas de deux)/repositories/2/archival_objects/1608525circa 1993406Scope and ContentsPencil sketch orchestral score. 25 pages. For the American Ballet Theater.
Sid Ramin working notes, sketches, script/repositories/2/archival_objects/16085081993292Scope and ContentsPhotocopied piano-vocal sheet music; annotated song list; annotated orchestration list; annotated photocopy of the conductor score; photocopied script.
Subseries III.5.3 Scores of Original Orchestrations/repositories/2/archival_objects/902213Scope and ContentsThe scores of the original orchestrations arranged by Sid Ramin and William D. Brohn.
Overture Intro/repositories/2/archival_objects/9022141993 November 2470 Pages 279 Bars83Overture (Original Version)/repositories/2/archival_objects/90221578 Pages 304 Bars83Overture (Revised Version)/repositories/2/archival_objects/9022161993 November 870 Pages 279 Bars83Overture (Proposed Ending)/repositories/2/archival_objects/9022174 Pages83Swan Lake Opening/repositories/2/archival_objects/90221818 Pages 74 Bars83The Impressario/repositories/2/archival_objects/90221919 Pages 75 Bars83Vicky's Audition/repositories/2/archival_objects/90222017 Pages 66 Bars83Corps de Ballet - Part I/repositories/2/archival_objects/90222133 Pages 132 Bars83Corps de Ballet - Part II/repositories/2/archival_objects/90222275 Pages 299 Bars83When It Happens To You/repositories/2/archival_objects/90222317 Pages 67 Bars83When It Happens To You - Utility/repositories/2/archival_objects/90222410 Pages 38 Bars83Top of the Sky - New/repositories/2/archival_objects/90222518 Pages 75 Bars83Top of the Sky - New (11/17 Version)/repositories/2/archival_objects/90222624 Pages 75 Bars83Montage/repositories/2/archival_objects/90222736 Pages 242 Bars84It's a Fairytale/repositories/2/archival_objects/90222827 Pages 102 Bars84Apres Cafe/repositories/2/archival_objects/9022298 Pages 48 Bars84The Dress Rehearsal/repositories/2/archival_objects/90223017 Pages 63 Bars84Be Somewhere/repositories/2/archival_objects/9022311993 November 1015 Pages 60 Bars84Be Somewhere - Utility/repositories/2/archival_objects/90223211 Pages 43 Bars84Grisha's Party Rag/repositories/2/archival_objects/90223347 Pages 188 Bars84Grisha's Rag - 151 to the end/repositories/2/archival_objects/90223411 Pages. Pages 37 to 47.84Am I to Wish Her Love/repositories/2/archival_objects/9022351993 November 1033 Pages 104 Bars84Do Svedanya/repositories/2/archival_objects/90223612 Pages 48 Bars84Who Knows Where It Goes/repositories/2/archival_objects/90223711 Pages 44 Bars84Tribute to Victoria Page/repositories/2/archival_objects/90223816 Pages 64 Bars84Alone in the Light/repositories/2/archival_objects/90223915 Pages 58 Bars84Come Home/repositories/2/archival_objects/90224024 Pages 93 Bars84Come Home - New/repositories/2/archival_objects/90224121 Pages 82 Bars84When You Dance For a King/repositories/2/archival_objects/90224218 Pages 82 Bars84Vicky's Exit/repositories/2/archival_objects/9022432 Pages 7 Bars84Heart of Fire/repositories/2/archival_objects/90224416 Pages 66 Bars84In the Dressing Room/repositories/2/archival_objects/9022458 Pages 31 Bars84Vicky Goes Mad/repositories/2/archival_objects/9022463 Pages 10 Bars84Vicky's Finale/repositories/2/archival_objects/90224711 Pages 52 Bars84The Ballet of the Red Shoes - Opening/repositories/2/archival_objects/90224819 Pages 77 Bars84The Ballet of the Red Shoes - Soliloquy [2 copies]/repositories/2/archival_objects/9022495 Pages 35 Bars84The Ballet of the Red Shoes - Shoemaker's Dance/repositories/2/archival_objects/9022501993 October 1127 Pages 97 Bars84The Ballet of the Red Shoes - In the Shoeshop/repositories/2/archival_objects/90225115 Pages 62 Bars84The Ballet of the Red Shoes - Village/repositories/2/archival_objects/90225210 Pages 39 Bars85The Ballet of the Red Shoes - Village II/repositories/2/archival_objects/9022531993 October 1110 Pages 39 Bars85The Ballet of the Red Shoes - The Dance of the Red Shoes/repositories/2/archival_objects/90225433 Pages 133 Bars85The Ballet of the Red Shoes - Forest (Pas de Deux)/repositories/2/archival_objects/90225538 Pages 149 Bars85The Ballet of the Red Shoes - Crazed Shoes/repositories/2/archival_objects/90225613 Pages 50 Bars85The Ballet of the Red Shoes - Gypsies/repositories/2/archival_objects/90225718 Pages 144 Bars85The Ballet of the Red Shoes - Cemetary/repositories/2/archival_objects/90225819 Pages 73 Bars85The Ballet of the Red Shoes - Finale/repositories/2/archival_objects/90225915 Pages 59 Bars85Bows, 9 November 1993/repositories/2/archival_objects/90226030 Pages 116 Bars85Exit Music/repositories/2/archival_objects/90226123 Pages85Script/repositories/2/archival_objects/16085071992-circa 1993291Scope and ContentsTypewritten script by Marsha Norman.
Subseries III.6: Say, Darling/repositories/2/archival_objects/9022621958Scope and ContentsSubseries contains scores from Say, Darling, a comic play with music by Jule Styne that ran at the ANTA Playhouse and Martin Beck Theatre in 1958.
Overture/repositories/2/archival_objects/9022631412Series IV: Television and Film/repositories/2/archival_objects/9013241950s-1980sScope and ContentsSeries features scores from music written or arranged by Sid Ramin for television and film, including television programs, films, and made-for-TV films. Subseries are arranged by title of program or film. Miscellaneous subseries includes single folders with scores for films Destination Moon (undated) and Funny Face (1957), TV movie Mark Dolphin (1965), and television programs The Patty Duke Show (1964-1966) and The Trials of O'Brien (1966).
Subseries IV.1: All My Children/repositories/2/archival_objects/9013251980sScope and ContentsSubseries contains scores of music written and arranged by Ramin for the soap opera All My Children, mostly from the early 1980s. Many scores are titled. Some folders include set lists from recording sessions, which are dated. Series also contains audio reels from these recording sessions for All My Children. Ramin won a Daytime Emmy for this work in the Outstanding Achievement in Design Excellence for a Daytime Drama Series category.
All My Children, Conductor #20/repositories/2/archival_objects/9013263 folders1980 July 29214-6All My Children (Folder 1 of 3)/repositories/2/archival_objects/9013271980 August 81611All My Children (Folders 2-3, of 3)/repositories/2/archival_objects/9013282 folders1980 August 8191-2All My Children/repositories/2/archival_objects/9013292 folders1980 October 9212-3All My Children--Conductor's Folder (Folder 1 of 2)/repositories/2/archival_objects/9013301981 January 151910All My Children--Conductor's Folder (Folder 2 of 2)/repositories/2/archival_objects/9013311981 January 15211ABC All My Children/repositories/2/archival_objects/9013323 folders1981 May 20165-7All My Children Sound Mixers/repositories/2/archival_objects/9013334 folders1982 April 13228-11All My Children/repositories/2/archival_objects/9013343 folders1982 November 10193-5All My Children/repositories/2/archival_objects/9013353 folders1983 March 15225-7All My Children Scene III Corrections/repositories/2/archival_objects/9013364 folders1983221-4All My Children – Mark/Pamela/repositories/2/archival_objects/9013371980s168All My Children – Tension, Comedy/repositories/2/archival_objects/9013381980s169All My Children – Phrases, Curtain/repositories/2/archival_objects/9013391980s1610All My Children – Mozart/repositories/2/archival_objects/9013401980s196All My Children – Scores/repositories/2/archival_objects/9013412 folders1980s197-8All My Children scores and photocopy/repositories/2/archival_objects/9013421980s199All My Children--Sessions #21-29/repositories/2/archival_objects/90134320 reels1980-198220 7" audio reels25Scope and ContentsIncludes audio reels and lists of the contents on individual reels.
All My Children--Session #30/repositories/2/archival_objects/9013442 reelscirca 19822 7" audio reels26Scope and ContentsIncludes audio reels and lists of the contents on individual reels.
Session #31 and Source Reel #34 content lists/repositories/2/archival_objects/16085101983294Scope and ContentsLists of musical cues.
Subseries IV.2: Around the World in 80 Days/repositories/2/archival_objects/9013451957Scope and Contents"Around The World In Eighty Days." Screenplay by S. J. Perelman based on the Jules Verne novel. Music by. Victor Young. Choreography by Paul Godkln. Directed by Michael Andersen, produced by Michael Todd, 1957. This subseries contains the original orchestral scores used in the scoring of the motion picture. The orchestration was done by Leo Shuken and Sid Cutner. Manuscript music of the scores in hands of the orchestrators Leo Shuken and Sid Cutner, (with corrections and notes by the orchestrators).
Introduction To Sky Symphony./repositories/2/archival_objects/9013462 Pages 7 Bars601A New Introduction To Sky Symphony./repositories/2/archival_objects/90134716 Pages 62 Bars602Sky Symphony. II/repositories/2/archival_objects/90134827 Pages 108 Bars603Sky Symphony. III/repositories/2/archival_objects/9013498 Pages 31 Bars604Prairie Sail Car./repositories/2/archival_objects/90135041 Pages 161 Bars605Interlude./repositories/2/archival_objects/90135123 Pages 89 Bars606Chinese Misterioso./repositories/2/archival_objects/9013528 Pages 30 Bars607Fujiyama Liquid Music./repositories/2/archival_objects/9013531 Page 4 Bars608Yokohama Children./repositories/2/archival_objects/9013543 Pages 12 Bars609Hong Kong Chinese Dive./repositories/2/archival_objects/90135515 Pages 58 Bars6010Passepartout Bicycle./repositories/2/archival_objects/90135633 Pages 131 Bars6011Epilogue./repositories/2/archival_objects/90135731 Pages 124 Bars6012Epilogue. Part I New./repositories/2/archival_objects/90135825 Pages 98 Bars6013Epilogue. Part II./repositories/2/archival_objects/90135925 Pages 99 Bars6014Epilogue. Part II. Supplement./repositories/2/archival_objects/90136040 Pages 160 Bars6015Epilogue. Part III./repositories/2/archival_objects/90136128 Pages 110 Bars6016Epilogue. Part IV./repositories/2/archival_objects/90136235 Pages 138 Bars6017Subseries IV.3: Miracle on 34th Street/repositories/2/archival_objects/9013631973Scope and ContentsSubseries contains scores for music written by Sid Ramin for Miracle on 34th Street, a 1973 made-for-television remake of the original 1947 film. This version was produced by 20th Century Fox and distributed by CBS. Ramin composed the film's theme, "Miracles."
M12 Main Title - Temp Track/repositories/2/archival_objects/90136455Main Title (from Harry Taylor, MGM Music Library)/repositories/2/archival_objects/90136566M12 (Main Title – Temp. Track)/repositories/2/archival_objects/90136667Miracles (From Ben Ginsberg)/repositories/2/archival_objects/90136768End Credits (from Ben Ginsberg)/repositories/2/archival_objects/90136869End Credits/repositories/2/archival_objects/901369176Script/repositories/2/archival_objects/16085111973-08-02295Scope and ContentsJeb Rosebrook's typewritten script, based on a screenplay by George Seaton. Annotated.
Miracle, M-12 (Main Title)/repositories/2/archival_objects/1608518circa 1973475Scope and ContentsPencil sketch orchestra reduction (4 staves). 15 pages. 175 measures.
Subseries IV.4: Stiletto/repositories/2/archival_objects/9013701969Scope and ContentsBy Harold Bobbins, Music by Sid Ramin, Produced in 1969.
Subseries IV.4.1 Sketches/repositories/2/archival_objects/901371Scope and ContentsOriginal manuscript sketches by Sid Ramin in preparation for the score.
Sketches/repositories/2/archival_objects/90137268 Pages611Subseries IV.4.2 Scores of Original Orchestrations/repositories/2/archival_objects/901373Scope and ContentsThe complete original orchestral score in manuscript. Folio, 393 sheets. Composed and arranged by Sid Ramin.
Reel 1 Part A: "Rape in the Barn"/repositories/2/archival_objects/9013746 Pages 21 Bars611Reel 1 Part 1/repositories/2/archival_objects/90137521 Pages 82 Bars612Reel 1 Part 2: "Main Title"/repositories/2/archival_objects/90137627 Pages 204 Bars613Reel 1 Parts 3-4/repositories/2/archival_objects/90137710 Pages 37 Bars614Reel 2 Part 2/repositories/2/archival_objects/90137816 Pages 62 Bars615Reel 2 Part 3/repositories/2/archival_objects/9013797 Pages 27 Bars616Reel 3 Part 1/repositories/2/archival_objects/9013809 Pages 35 Bars617Reel 4 Part 3A: "Flashback."/repositories/2/archival_objects/90138115 Pages 58 Bars618Reel 4 Part 4/repositories/2/archival_objects/9013823 Pages 9 Bars619Reel 4 Part 5/repositories/2/archival_objects/9013835 Pages 17 Bars6110Reel 4 Part 6/repositories/2/archival_objects/90138413 Pages 49 Bars6111Reel 5 Part 1/repositories/2/archival_objects/9013857 Pages 51 Bars6112Reel 5 Part 3/repositories/2/archival_objects/90138611 Pages 41 Bars6113Reel 5 Part 3/repositories/2/archival_objects/9013875 Pages 53 Bars6114Scope and ContentsRevised for album "Goat Island."
Reel 5 Part 4/repositories/2/archival_objects/9013886 Pages 21 Bars6115Reel 6 Part 1/repositories/2/archival_objects/9013899 Pages 35 Bars6216Reel 6 Part 2/repositories/2/archival_objects/9013909 Pages 33 Bars6217Reel 6 Part 3: Overlap./repositories/2/archival_objects/9013914 Pages 16 Bars6218Reel 6 Part 4/repositories/2/archival_objects/9013922 Pages 5 Bars6219Reel 7 Part 1/repositories/2/archival_objects/9013937 Pages 26 Bars6220aReel 7 Part 2/repositories/2/archival_objects/9013943 Pages 10 Bars6220bReel 7 Part 4/repositories/2/archival_objects/90139518 Pages 140 Bars "Source": 12 pages, 101 bars. "Vocal Insert": 6 pages, 39 bars6221Reel 8 Part 2 - part I: "Northwest Corner Facing East." Overlap./repositories/2/archival_objects/90139617 Pages 66 Bars6222Reel 8 Part 2 - parts II - III. Overlap./repositories/2/archival_objects/9013977 Pages 25 Bars "Skylight": 2 pages, 6 bars. "Tension, Anyone?": 5 pages, 19 bars6223Reel 8 Part 2 - part IV: "Underwater Fight." Overlap./repositories/2/archival_objects/90139832 Pages 127 Bars6224Reel 8 Part 3: "Motorcycle Waiting."/repositories/2/archival_objects/90139916 Pages 61 Bars6225Reel 9 Part A: "You're Lying."/repositories/2/archival_objects/9014007 Pages 25 Bars6226Reel 9 Part 1/repositories/2/archival_objects/90140116 Pages 63 Bars6227Reel 10 Part 2: "Illeanna's Dilemma."/repositories/2/archival_objects/9014022 Pages 8 Bars6228Reel 10 Part 3: "The Tram."/repositories/2/archival_objects/90140314 Pages 54 Bars6229Reel 11 Part 1: "Confrontation."/repositories/2/archival_objects/90140436 Pages 102 Bars6230Reel 11 Part 2: "In the Tunnel."/repositories/2/archival_objects/90140510 Pages 38 Bars6231Reel 11 Part 3: "End Titles."/repositories/2/archival_objects/9014063 Pages 12 Bars6232Sugar In the Rain (Vocal)/repositories/2/archival_objects/90140719 Pages 72 Bars6233Illeanna's Theme/repositories/2/archival_objects/90140820 Pages 76 Bars6234Subseries IV.4.3: Conductor's Book/repositories/2/archival_objects/901409Conductor's Book/repositories/2/archival_objects/9014106 folders610-15Screenplay/repositories/2/archival_objects/16085121968-09-27296Scope and ContentsAnnotated, typewritten screenplay by A.J. Russell.
Subseries IV.5: Other/repositories/2/archival_objects/901411Destination Moon/repositories/2/archival_objects/901412circa 1958518Funny Face/repositories/2/archival_objects/901413circa 1957S'Wonderful/repositories/2/archival_objects/9014141311S'Wonderful/repositories/2/archival_objects/901415151Mark Dophin--Main Title and End Title/repositories/2/archival_objects/9014161965516Patty Duke Show/repositories/2/archival_objects/901417circa 1964-1966Main Title, Cousins/repositories/2/archival_objects/90141877Hurry #1/repositories/2/archival_objects/90141978Chronicle #1/repositories/2/archival_objects/90142079The Trials of O'Brien--Main Title, End Title, #5 Score Masters/repositories/2/archival_objects/901421circa 19661413Main Title - S. Ramin, Orch. Hazard/repositories/2/archival_objects/901422undated44 page, 175 bars103Scope and ContentsTitle of show is unidentified.
When Love Has Gone, Cousins/repositories/2/archival_objects/1608505circa 1964-1966507Scope and ContentsFor Patty Duke. Additional folder annotation: "P.D. 86-90." Three scores: an onion-skin "utility part" for an unnamed number (featuring a reduction and chords); two annotated vocal parts for "Cousins."
Nancy (original sketches)/repositories/2/archival_objects/1608506circa 19702819Scope and ContentsAn ozalid lead sheet (1 page, titled "Nancy"), 2 ozalid piano-vocal scores (4 pages each, titled "Theme from Nancy"), and a typewritten lyric sheet (for "Nancy," by Sidney Sheldon). Likely for the sitcom
Nancy."Mark Dolphin" pilot script by N. Richard Nash/repositories/2/archival_objects/16085131963-07-08297Scope and ContentsTypewritten.
"Nancy" script by Sidney Sheldon/repositories/2/archival_objects/16085141969-12-05298Scope and ContentsTypewritten, annotated.
Themes from "Nancy"/repositories/2/archival_objects/16085151970299Scope and ContentsCopies of the lead sheet and piano-vocal score for the theme song. Some are annotated.
"Trials of O'Brien" scripts, programs #3 and #16/repositories/2/archival_objects/160851619652910Scope and ContentsTypewritten scripts by Harold Gast and Don M. Mankiewicz. Annotated.
"Why Anna?"/repositories/2/archival_objects/16085171969301Scope and ContentsOzalid copy of a lead sheet.
Trials of O'Brien (theme from the T.V. series)/repositories/2/archival_objects/1608526circa 19664014Scope and ContentsOzalid copy of the piano lead sheet. 4 pages.
Trials of O'Brien (assorted sheet music)/repositories/2/archival_objects/160852719654422Scope and Contents"Katie's Theme" (ozalid lead sheet); "Trials of O'Brien" (pencil sketch lead sheet); "Trials of O'Brien: Theme from the TV Series" (ozalid piano score, multiple copies); "O'Brien Theme" (ozalid piano score); "O'Brien Theme" (pencil sketch piano score); "Tales of O'Brien" (ozalid lead sheet, multiple copies).
Series V: Commercials/repositories/2/archival_objects/901423Scope and ContentsSeries contains scores for music composed by Sid Ramin for television commercials, spanning chronologically from the 1960s to the 1990s. Companies featured in this collection include Diet Pepsi, Amtrak, Revlon, General Motors (GM), New York Telephone, and Exxon.
Skelly Oil – Sid Ramin Session, January 23, 1985/repositories/2/archival_objects/9014241985 January 2318Revlon – Charlie/ Mel Torme / TV 30/repositories/2/archival_objects/901425undated19Charlie Voices – Revlon – 10:00 AM Monday A&R/repositories/2/archival_objects/9014261985110One (GM)/repositories/2/archival_objects/901427undated410Nobody Does it Better (GM)/repositories/2/archival_objects/9014281995411Amtrak/repositories/2/archival_objects/901429undated412Monopoly/repositories/2/archival_objects/9014301994413NY Telephone/repositories/2/archival_objects/9014311980414Diet Pepsi/repositories/2/archival_objects/9014321977415Grey Adut. Inc. – Exxon – Wrights Bros., July 15, 1987/repositories/2/archival_objects/9014331987 July 1551British Airways Radio – National Studios – Edison Hotel – August 10, 1988/repositories/2/archival_objects/9014341988 August 1053Music to Watch Girls By/repositories/2/archival_objects/901435undated56Music to Watch Girls By/repositories/2/archival_objects/9014362 reelsundated2 7" audio reels26Music to Watch Girls By/repositories/2/archival_objects/9014373 reelsundated3 7" audio reels26Pepsi – Come Alive/repositories/2/archival_objects/9014382 foldersundated57-8M.J.B. Coffee/repositories/2/archival_objects/901439undated59Mennen/repositories/2/archival_objects/901440undated510Revlon commercial "Charlie" – Bobby Short edition/repositories/2/archival_objects/9014411976711Red Lobster/repositories/2/archival_objects/16080771986281Scope and ContentsChoral score (SATB). Annotated. 3 pages. 26 measures. "Red Lobster Presents: Lobster Fest."
Brut (TV:15)/repositories/2/archival_objects/16080781989282Scope and ContentsProduction score (reduction of strings, synth, piano, and tenor saxophone). 1 page. 6 measures.
Cracker Jack (TV:30)/repositories/2/archival_objects/16080791982283Scope and ContentsConductor score (reduction of woodwinds, percussion, and voices). Annotated. 2 pages. 25 measures. Also includes the vocal part (1 page).
Downy "Home for Rags" (TV:60)/repositories/2/archival_objects/1608080circa 1989284Scope and ContentsConductor score (reduction of woodwinds, strings, and percussion). Annotated. 3 pages. 37 measures.
Downy "All Dogs" (TV:30)/repositories/2/archival_objects/1608081circa 1989285Scope and ContentsVocal group score (reduction of piano, woodwinds, percussion, and voices). 2 pages. 23 measures.
Downy "Dorothy" (:60)/repositories/2/archival_objects/16080821989286Scope and ContentsConductor score (reduction of harp, piano, woodwinds, percussion, flugelhorn and voices). 3 pages. 62 measures.
Downy "Doorman" (TV:30)/repositories/2/archival_objects/16080831989287Scope and ContentsConductor score (reduction of harp, woodwinds, percussion, trumpets and voices). 2 pages. 31 measures.
Duncan Hines "Dunk 'em" (:60)/repositories/2/archival_objects/16080841983288Scope and ContentsVocal group score (including one-stave orchestral reduction). 4 pages. 47 measures.
Fruit of the Loom "Garden of Eden" (TV:30)/repositories/2/archival_objects/16080851989289Scope and ContentsConductor score (reduction of woodwinds, strings, horn, and voices). 2 pages. 28 measures.
Kool-Aid "Pitcher's Worth" (TV:30)/repositories/2/archival_objects/1608086undated2810Scope and ContentsVocal, production, piano score (piano-vocal score with additional reduction). Annotated. 3 pages. 24 measures.
Olive Garden/repositories/2/archival_objects/160808719882811Scope and ContentsProduction score (orchestral reduction). 2 pages. 16 measures.
Oprah (TV:30)/repositories/2/archival_objects/160808819892812Scope and ContentsLead sheet with bass line. Annotated. 2 pages. 25 measures.
Post Natural Raisin Bran "The Bigger the Raisin" (TV:30)/repositories/2/archival_objects/160808919872813Scope and ContentsTwo copies of the same score, one stamped as the vocal group score, the other stamped as the conductor score. Both copies contain a choral score with a stave of orchestral reduction. 3 pages, 28 measures.
Sentry (TV:60)/repositories/2/archival_objects/1608090undated2814Scope and ContentsVocal group score (vocal parts with orchestral reduction). 3 pages. 31 measures.
Paul Masson (TV:30)/repositories/2/archival_objects/160809119822815Scope and ContentsProduction score (orchestral reduction with vocal parts). 2 pages. 16 measures.
Legends (TV:30)/repositories/2/archival_objects/160809219862816Scope and ContentsConductor score (2 pages; single-stave orchestral reduction and vocal part) and vocal score (1 page). 20 measures.
Hess "Christmas" (TV:30)/repositories/2/archival_objects/160809319872817Scope and ContentsConductor score (single-stave orchestral reduction and vocal part). Annotated. 2 pages. 28 measures.
Hoops (TV:30)/repositories/2/archival_objects/160809419862818Scope and ContentsVocal group score (vocal parts with reduction of woodwinds and percussion). 2 pages. 25 measures.
Gypsy (TV:50)/repositories/2/archival_objects/1608095undated505Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 6 pages. 18 measures. An abridged version of "Roses Turn."
Chevrolet "Hollywood Caprice" (2 minutes)/repositories/2/archival_objects/1608096undated512Scope and ContentsConcert score. Pencil sketch. 16 pages. 62 measures. Includes a list of shots.
Tide: "Armstrong: Accidents" and "Surf"/repositories/2/archival_objects/1608097undated513Scope and Contents2 pencil-sketch concert scores: "Armstrong: Accidents" (60 seconds. 10 pages. 37 measures); "Surf" (58 seconds. 8 pages. 32 measures). Includes a list of shots.
Pepsi Generation "Come Alive"/repositories/2/archival_objects/1608098undated515Scope and ContentsConcert score. Pencil sketch. 10 pages. 50 measures.
Amtrak/repositories/2/archival_objects/16080991979302Scope and ContentsVocal part, 3 pages, 47 measures.
Arby's Xmas '85/repositories/2/archival_objects/16081001985303Scope and ContentsVocal part, 3 pages, 39 measures, annotated.
AT&T, "Putting It Together"/repositories/2/archival_objects/16081011988304Scope and ContentsTwo piano-vocal scores, annotated: 60-second version (5 pages, 66 measures); 30-second version (3 pages, 34 measures). Arrangement of music on Stephen Sondheim.
Bermuda, "Are You Ready?"/repositories/2/archival_objects/1608102undated305Scope and ContentsLead sheet, 3 pages.
GM, "Better"/repositories/2/archival_objects/16081031996306Scope and ContentsVocal part, 3 pages, 28 measures. 2 copies, one of which is annotated.
"Bite of Life"/repositories/2/archival_objects/16081041974307Scope and ContentsPiano-vocal score, 2 pages, 28 measures, annotated.
Bloomingdale's, "That's Entertainment"/repositories/2/archival_objects/16081051975308Scope and ContentsProduction score, 8 pages, 120 measures, 2 copies.
B.K. Beach/repositories/2/archival_objects/16081061976309Scope and ContentsProduction score, 2 pages, 22 measures, annotated.
Breck, "Beautiful Hair"/repositories/2/archival_objects/160810719773010Scope and ContentsProduction score, 2 pages, 22 measures. Vocal part, 1 page, 22 measures.
Breck, "Crumple"/repositories/2/archival_objects/160810819773011Scope and ContentsProduction score, 2 pages, 20 measures.
British Airways/repositories/2/archival_objects/160810919813012Scope and ContentsProduction score, 3 pages, 24 measures. Vocal part (Morley, man, woman, tall Texan), 2 pages, 24 measures. Arrangement of music by Lionel Bart.
British Sterling/repositories/2/archival_objects/1608110undated3013Scope and ContentsVocal part, 1 page, 23 measures.
Campbell's, "Grandparents"/repositories/2/archival_objects/160811119763014Scope and ContentsProduction score, 2 pages, 16 measures.
Canada Dry/repositories/2/archival_objects/160811219783015Scope and ContentsProduction score, 5 pages, 75 measures, annotated.
Chameleon, "Sunsensor"/repositories/2/archival_objects/160811319843016Scope and ContentsLead sheet, 2 pages.
Chiclets, "Centipede"/repositories/2/archival_objects/160811419743017Scope and ContentsVocal part, 1 page, 16 measures.
Clairol/repositories/2/archival_objects/160811519783018Scope and ContentsProduction score, "Should Have Done It," 2 pages, 12 measures; production score, "Swear," 3 pages, 31 measures, annotated; vocal part, "Swear," 2 pages, 31 measures, annotated.
Chewels, "Magic"/repositories/2/archival_objects/160811619813019Scope and ContentsProduction score, 3 pages, 28 measures, annotated.
Congoleum/repositories/2/archival_objects/1608117circa 1970s3020Scope and ContentsProduction score, 2 pages, 24 measures, annotated.
Colgate, "Beauty and the Beast"/repositories/2/archival_objects/1608118undated3021Scope and ContentsVocal part, 1 page, 12 measures.
Coral Springs; Crisco/repositories/2/archival_objects/160811919893022Scope and ContentsCoral Springs, vocal part, 3 pages, 44 measures; Crisco, vocal part, 2 pages, 27 measures, annotated.
Crisco, "Symphony"/repositories/2/archival_objects/160812019823023Scope and ContentsPiano part, 2 pages, 41 measures, annotated.
Datril/repositories/2/archival_objects/160812119763024Scope and ContentsProduction score, 1 page, 11 measures, annotated.
Denta-Fresh/repositories/2/archival_objects/160812219733025Scope and ContentsVocal part, 2 pages, 22 measures, annotated.
Diet Pepsi/repositories/2/archival_objects/16081231977-19783026Scope and ContentsVocal part, 2 pages, 53 measures, annotated; production score, "Country Rock," 2 pages, 28 measures; vocal part, "Country Rock," 1 page, 28 measures; vocal part, "Country Rock," 2 pages, 56 measures; production score, "Disco," 5 pages, 51 measures; vocal part, "Disco," 3 pages, 51 measures; production score, "International, Pool" 3 pages, 37 measures; production score, "International, Smorgasbord," 2 pages, 19 measures.
Downey, "Shocking Problem"/repositories/2/archival_objects/1608124undated3027Scope and ContentsProduction score, 3 pages, 33 measures.
Duncan Hines/repositories/2/archival_objects/1608125undated3028Scope and ContentsPiano part, "School," 2 pages, 29 measures, annotated; piano part, "Dunk 'em," 3 pages, 47 measures, annotated.
Endust/repositories/2/archival_objects/160812619773029Scope and ContentsProduction score, 2 pages, 15 measures.
Eastern Airlines/repositories/2/archival_objects/16081271974-1975, 19783030Scope and ContentsVocal part, "Look Up," 3 pages, 53 measures; production score, "Look Up," 4 pages, 53 measures, annotated; reduction, "Spring," 2 pages, 30 measures; production score, "Work Song," 4 pages, 51 measures.
Equitable Life/repositories/2/archival_objects/160812819773031Scope and ContentsProduction score, 4 pages, 33 measures, annotated.
Exxon, "Alexander Graham Bell"/repositories/2/archival_objects/160812919753032Scope and ContentsProduction score, 2 pages, 31 measures.
Fab Detergent/repositories/2/archival_objects/16081301977, 19813033Scope and ContentsCopy of a storyboard; production score, "Barrier Monster," 3 pages, 34 measures; production score, "Clothline," 2 pages, 27 measures; vocal part, "Tumbling," 2 pages, 36 measures; production score, "Bigger Laundry," 2 pages, 29 measures.
Ford, "Tour"/repositories/2/archival_objects/1608131circa 1960s3034Scope and ContentsProduction score, 4 pages, 42 measures.
Fruit and Fibre/repositories/2/archival_objects/1608132circa 1970s3035Scope and ContentsProduction score, 3 pages, 17 measures, annotated.
G.E./repositories/2/archival_objects/160813319793036Scope and ContentsProduction score, "Energy Saver," 4 pages, 36 measures, annotated; production score, "Ultra Sonics," 3 pages, 33 measures, annotated.
General Foods, "Dream Frosting"/repositories/2/archival_objects/160813419813037Scope and ContentsProduction score, 3 pages, 27 measures, annotated.
G.F./repositories/2/archival_objects/16081351977-19783038Scope and ContentsProduction score, "Campfire," 3 pages; vocal part, "Taxi Driver," 2 pages, 18 measures.
GMC, "One"/repositories/2/archival_objects/160813619913039Scope and ContentsPiano part, 5 pages, 101 measures; vocal part, 3 pages, 101 measures. Arrangement of music by Marvin Hamlisch.
Goodyear, "Montage"/repositories/2/archival_objects/160813719743040Scope and ContentsProduction score, 2 pages, 13 measures.
Grease/repositories/2/archival_objects/160813819783041Scope and ContentsProduction score, 3 pages, 46 measures.
Great Day/repositories/2/archival_objects/1608139undated3042Scope and ContentsVocal part, 6 pages, 108 measures. 2 copies, one of which is annotated. Advertisement for A.M.C.
Granola, "Ain't No Way"/repositories/2/archival_objects/1608140undated3043Scope and ContentsVocal part, 2 pages, 24 measures, annotated.
Handi-Wipes/repositories/2/archival_objects/160814119743044Scope and ContentsProduction score, 2 pages.
"If It Don't Go Crunch" (Nestle Crunch)/repositories/2/archival_objects/160814219953045Scope and ContentsVocal part, 1 page, 10 measures (2 versions, annotated); production score, 1 page, 10 measures, annotated; guitar part, 1 page, 10 measures, annotated.
"If You Knew Jersey"/repositories/2/archival_objects/160814319823046Scope and ContentsVocal part, 4 pages, 98 measures, annotated.
"I'm So Excited" (G.M.)/repositories/2/archival_objects/1608144undated3047Scope and ContentsVocal part, 4 pages, 106 measures, annotated.
Ina, "Mind"/repositories/2/archival_objects/160814519753048Scope and ContentsProduction score, 3 pages, 40 measures.
Jello, "Kids"/repositories/2/archival_objects/160814619773049Scope and ContentsProduction score, 2 pages, 24 measures.
Jergen's, "Fairytale"/repositories/2/archival_objects/160814719773050Scope and ContentsProduction score, 3 pages, 18 measures.
Kentucky Fried Chicken/repositories/2/archival_objects/160814819813051Scope and ContentsProduction score, 5 pages, 42 measures.
Kool-Aid, "Is the One"/repositories/2/archival_objects/160814919813052Scope and ContentsProduction score, 2 pages, 22 measures, annotated.
LA Yogurt, "Frere Jacques"/repositories/2/archival_objects/1608150undated3053Scope and ContentsProduction score, 2 pages, 20 measures; vocal part, 1 page, 20 measures.
Land o' Lakes/repositories/2/archival_objects/16081511986311Scope and ContentsWomen's vocal part, "Hallelujah," 2 pages, 20 measures.
Lemon Pepsi Demo/repositories/2/archival_objects/16081521974312Scope and ContentsVocal production score, 4 pages, 60 measures.
Lipton, "Hide and Seek"/repositories/2/archival_objects/16081531977313Scope and ContentsProduction score, 2 pages.
Lux, "Dishwashing"/repositories/2/archival_objects/1608154undated314Scope and ContentsProduction score, 3 pages, 34 measures.
"Medley"/repositories/2/archival_objects/16081551979315Scope and ContentsReduction, 2 pages, 32 measures, annotated.
Mellon Bank/repositories/2/archival_objects/1608156circa 1970s316Scope and ContentsProduction score, 2 pages, 19 measures, annotated.
Mellow Roast/repositories/2/archival_objects/16081571978317Scope and ContentsVocal part, "Heritage," 1 page, 37 measures.
Memories Magazine/repositories/2/archival_objects/16081581988318Scope and ContentsPiano part, 3 pages, 38 measures, annotated. Also includes an annotated copy of a typed description of the advertisement.
Milk Bone/repositories/2/archival_objects/16081591979319Scope and ContentsVocal part, "Crunch," 2 pages, 31 measures.
Minute Maid/repositories/2/archival_objects/160816019753110Scope and ContentsVocal part, 2 pages, 23 measures, annotated.
M.J.B. Coffee/repositories/2/archival_objects/1608161circa 1960s3111Scope and ContentsProduction score, 3 pages, 38 measures, 2 copies.
M.L./repositories/2/archival_objects/160816219863112Scope and ContentsVocal part, 4 pages, 44 measures, annotated.
Mocafa/repositories/2/archival_objects/160816319793113Scope and ContentsProduction score, 4 pages, 24 measures, annotated; vocal part, 2 pages, 24 measures.
Montgomery Mall/repositories/2/archival_objects/1608164circa 1960s3114Scope and ContentsProduction score, 3 pages, 40 measures, annotated.
National Commission on Productivity/repositories/2/archival_objects/160816519733115Scope and ContentsVocal part, 2 pages, 44 measures, annotated; Johnny Mann Singers, 2 pages, 44 measures, annotated.
"New Attitude" (G.M.)/repositories/2/archival_objects/160816619933116Scope and ContentsVocal part, 5 pages, 107 measures, annotated. Includes a lyric sheet.
Northwest Orient/repositories/2/archival_objects/160816719823117Scope and ContentsVocal part, "Band," 2 pages, 72 measures, annotated; production score, 2 pages, 17 measures; vocal part, 1 page, 36 measures.
Omni No. 2/repositories/2/archival_objects/1608168undated3118Scope and ContentsProduction score, 2 pages, 27 measures.
Old Milwaukee/repositories/2/archival_objects/160816919683119Scope and ContentsProduction score, 4 pages, 58 measures; orchestral reduction, 3 pages, 92 measures, annotated.
Pan-Am/repositories/2/archival_objects/160817019783120Scope and ContentsProduction score, 2 pages, 27 measures.
Pepsi/repositories/2/archival_objects/16081711972-19733121Scope and ContentsProduction score, "Come Alive," 4 pages, 54 measures; lead sheet, "Make To-Day the Time of Your Life," 3 pages, 35 measures, annotated; vocal and rhythm part, "Pepsi is To-Day," 2 pages, 35 measures, annotated; typewritten lyric sheet, "Pepsi is Today... Make Today the Time of Your Life."
Pillsbury/repositories/2/archival_objects/16081721977-19783122Scope and ContentsReduction, "House," 6 pages, 98 measures, annotated; vocal part, 3 pages, 127 measures, annotated.
Pinto, "Split Screen"/repositories/2/archival_objects/1608173undated3123Scope and ContentsProduction score, 3 pages, 21 measures.
Playtex/repositories/2/archival_objects/160817419793124Scope and ContentsProduction score, 2 pages, 22 measures, annotated; vocal part, 1 page, 22 measures; production score, 3 pages, 23 pages, annotated.
Polident Green/repositories/2/archival_objects/1608175undated3125Scope and ContentsPart for Ms. Martha Raye, 1 page, 28 measures.
Ponderosa/repositories/2/archival_objects/1608176circa 1970s3126Scope and ContentsVocal part, "Soul," 2 pages, 34 measures; vocal part, "Full Vocal," 2 pages, 34 measures; vocal part, 2 pages, 34 measures, annotated.
Pond's, "All You Need"/repositories/2/archival_objects/160817719773127Scope and ContentsProduction score, 2 pages, 16 measures.
Pond's, "Light Girl"/repositories/2/archival_objects/160817819773128Scope and ContentsProduction score, 2 pages, 19 measures.
Postal Service, "Ichabod"/repositories/2/archival_objects/160817919743129Scope and ContentsProduction score, 2 pages, 18 measures.
Project Crest/repositories/2/archival_objects/160818019783130Scope and ContentsProduction score, 2 pages, 12 measures, annotated; piano part, 1 pages, 12 measures.
Quaker/repositories/2/archival_objects/160818119903131Scope and ContentsReduction, "Dueling Oat Squares," 1 page, 10 measures.
Quicksilver/repositories/2/archival_objects/160818219783132Scope and ContentsProduction score, "Tiresome," 3 pages, 31 measures, annotated.
"Reach For the Sun"/repositories/2/archival_objects/1608183undated3133Scope and ContentsPiano vocal, 4 pages, 38 measures. Advertisement for Sunkist Light.
Revlon/repositories/2/archival_objects/16081841974, 19773134Scope and ContentsVocal part, "Charlie," 1 page, 29 measures; production score, "Charlie, London," 3 pages, 21 measures, 2 copies; reduction, "Charlie, Spring Wrap," 2 pages, 19 measures, annotated; production score, 3 pages, 31 measures; production, "Moon Drops," 2 pages, 15 measures.
"Say It With Fruit"/repositories/2/archival_objects/1608185undated3135Scope and ContentsProduction score, 2 pages, 19 measures, annotated.
Sealand/repositories/2/archival_objects/160818619813136Scope and ContentsProduction score, "Opening and Closing," 2 pages, 13 measures; vocal part, "Opening and Closing," 1 page, 13 measures.
Sears/repositories/2/archival_objects/16081871976-19783137Scope and ContentsVocal part, "The Fashion Place," 1 page, 31 measures, annotated; production score, "The Fashion Place, Nautical," 3 pages, 28 measures; production score, "Four Girls," 3 pages, 29 measures, annotated; vocal part, "Four Girls," 1 page, 29 measures, 2 copies, 1 annotated; production score, "Hi Steve," 3 pages, 36 measures; production score, "It's a," 3 pages, 30 measures, 2 copies; production score, "Peel Off," 3 pages, 38 measures.
Schlitz/repositories/2/archival_objects/160818819783138Scope and ContentsProduction score, 2 pages, 28 measures; vocal part, 1 page, 28 measures.
Sheraton/repositories/2/archival_objects/160818919783139Scope and ContentsProduction score, 2 pages, 19 measures.
Short and Sassy/repositories/2/archival_objects/160819019773140Scope and ContentsProduction score, "Baby," 2 pages, 28 measures.
Spanada/repositories/2/archival_objects/160819119773141Scope and ContentsProduction score, 2 pages; vocal part, 3 pages, 15 measures.
Speidel Symphony/repositories/2/archival_objects/160819219793142Scope and ContentsVocal part, 1 page, 49 measures, 2 copies.
Sperry Rand, "TR 70"/repositories/2/archival_objects/160819319773143Scope and ContentsProduction score, 3 pages, 34 measures.
St. Regis/repositories/2/archival_objects/1608194undated3144Scope and ContentsPiano parts 1 and 2, "Four Pianos," 3 pages, 32 measures.
Start TV/repositories/2/archival_objects/1608195circa 1970s3145Scope and ContentsProduction score, 4 pages, 58 measures; vocal part, 2 pages, 58 measures. Also includes an annotated lead sheet for Sunkist Light, "Grew Up," 1 page.
"Strike Up the Band" (G.M.)/repositories/2/archival_objects/1608196undated3146Scope and ContentsVocal part, 5 pages, 206 measures.
Taylor Wine, "Sherry"/repositories/2/archival_objects/160819719773147Scope and ContentsProduction score, 2 pages, 14 measures.
TCC Champagne/repositories/2/archival_objects/160819819823148Scope and ContentsProduction score, 3 pages, 32 measures; vocal part, 2 pages, 32 measures.
Tegrin/repositories/2/archival_objects/160819919763149Scope and ContentsProduction score, 2 pages, 18 measures, annotated.
Wesson/repositories/2/archival_objects/1608200undated3150Scope and ContentsPart for two voices, harmonica, guitar, and bass, "Turns to Gold," 2 pages, 27 measures; part for voice flute, percussion, guitar, and bass, "Fry Light," 2 pages, 17 measures.
Windex/repositories/2/archival_objects/160820119853151Scope and ContentsVocal part, "Bouncing Lemon," 2 pages, 26 measures, 2 copies, 1 annotated; vocal part, "Bouncing Lemon" (different version), 2 pages, 26 measures, annotated; vocal part, "S-S-Shine," 2 pages, 26 measures.
Woman's Day/repositories/2/archival_objects/1608202undated3152Scope and ContentsVocal part, 3 pages, 38 measures.
Woolite/repositories/2/archival_objects/16082031978-19793153Scope and ContentsProduction score, "Second Look," 2 pages, 24 measures; vocal part, "Second Look," 1 page, 24 measures; production score, "Resort," 2 pages, 12 measures.
Xerox, "Billboard"/repositories/2/archival_objects/160820419793154Scope and ContentsProduction score, 2 pages, 13 measures.
"You Couldn't Buy a Beer Better Than Falstaff"/repositories/2/archival_objects/16082051965-19663155Scope and ContentsProduction score, 2 pages, 28 measures; vocal part, 1 page, 28 measures.
Revlon, Charlie, voices, TV30, No. 2/repositories/2/archival_objects/1608206undated451Scope and ContentsPencil sketch concert score. 5 pages. 17 measures.
Montgomery Mall, 60/repositories/2/archival_objects/1608207undated452Scope and ContentsPencil sketch concert score. 10 pages. 40 measures.
Girl Watchers Big Band, 60/repositories/2/archival_objects/1608208undated453Scope and ContentsPencil sketch concert score. 5 pages. 35 measures.
Schaefer, Card Tricks, 60/repositories/2/archival_objects/1608209undated454Scope and ContentsPencil sketch concert score. 5 pages. 33 measures.
Eastern, Look Up, TV60/repositories/2/archival_objects/1608210undated455Scope and ContentsPencil sketch concert score. 14 pages. 53 measures.
Revlon, Charlie, London, TV30/repositories/2/archival_objects/1608211undated456Scope and ContentsPencil sketch concert score. 6 pages. 21 measures. Contains a handwritten insert of vocal parts.
Revlon, Charlie, voices, TV30, No. 1/repositories/2/archival_objects/1608212undated457Scope and ContentsPencil sketch concert score. 5 pages. 21 measures.
Kool-Aid, Haunted House, 60/repositories/2/archival_objects/1608213undated458Scope and ContentsPencil sketch concert score. 12 pages. 48 measures.
Aztec, 60/repositories/2/archival_objects/1608214undated459Scope and ContentsPencil sketch concert score. 11 pages. 46 measures.
Kool-Aid, Sailboat, 60/repositories/2/archival_objects/1608215undated4510Scope and ContentsPencil sketch concert score. 13 pages. 45 measures.
Girl Watchers, '69, No. 1, 60/repositories/2/archival_objects/160821619694511Scope and ContentsPencil sketch concert score. 9 pages. 36 measures.
Tide, XK, Stain, Barrier/repositories/2/archival_objects/1608217undated4512Scope and ContentsPencil sketch concert score. 10 pages. 39 measures.
Girl Watchers, '69, No. 3, 60/repositories/2/archival_objects/160821819694513Scope and ContentsPencil sketch concert score. 8 pages. 34 measures.
Sinclair, Bride and Groom, 60/repositories/2/archival_objects/1608219undated4514Scope and ContentsPencil sketch concert score. 11 pages. 42 measures.
Canada Dry, Radio, 60/repositories/2/archival_objects/1608220undated4515Scope and ContentsPencil sketch concert score. 9 pages. 62 measures.
Diet Pepsi, Radio, 60/repositories/2/archival_objects/1608221undated4516Scope and ContentsPencil sketch concert score. 12 pages. 53 measures.
Lincoln, Versailles, TV30/repositories/2/archival_objects/1608222undated4517Scope and ContentsPencil sketch concert score. 8 pages. 30 measures.
Diet Pepsi, Radio, 30/repositories/2/archival_objects/1608223undated4518Scope and ContentsPencil sketch concert score. 8 pages. 25 measures.
See the U.S.A./repositories/2/archival_objects/1608224undated4519Scope and ContentsPencil sketch concert score. 16 pages. 64 measures.
That's Entertainment (Bloomingdales)/repositories/2/archival_objects/16082251975461Scope and ContentsPencil sketch concert score. 19 pages. 120 measures. Ozalid copy of the production score. 8 pages. 120 measures.
Kodak, Great Day, 90/repositories/2/archival_objects/1608226undated462Scope and ContentsPencil sketch concert score. 12 pages. 44 measures.
Eastern, Animation, No. 1, TV60/repositories/2/archival_objects/1608227undated463Scope and ContentsPencil sketch concert score. 15 pages. 57 measures.
General Promo/repositories/2/archival_objects/16082281966464Scope and ContentsPencil sketch concert score. 9 pages. 63 measures.
National Steel/repositories/2/archival_objects/1608229undated465Scope and ContentsPencil sketch concert score. 10 pages. 38 measures.
Top Job, All Over Amercia, 60/repositories/2/archival_objects/1608230undated466Scope and ContentsPencil sketch concert score. 8 pages. 59 measures.
Top Job, All Over Amercia, 30/repositories/2/archival_objects/1608231undated467Scope and ContentsPencil sketch concert score. 2 pages. 29 measures.
Top Job, All Over Amercia, 45/repositories/2/archival_objects/1608232undated468Scope and ContentsPencil sketch concert score. 3 pages. 43 measures.
CitGo, Four Neighbours, TV60/repositories/2/archival_objects/1608233undated469Scope and ContentsPencil sketch concert score. 7 pages. 42 measures. Ozalid copy of the production score. 4 pages. 42 measures.
Eastern, intro/repositories/2/archival_objects/1608234undated4610Scope and ContentsPencil sketch concert score. 12 pages. 47 measures.
ACME Boots, Rider, 50/repositories/2/archival_objects/1608235undated4611Scope and ContentsPencil sketch concert score. 11 pages. 43 measures.
Eastern, In Flight/repositories/2/archival_objects/1608236undated4612Scope and ContentsPencil sketch concert score. 17 pages, plus additional pages of changes and additions. 67 measures.
Gulf, Travel Agency Car and Boat, 60/repositories/2/archival_objects/1608237undated4613Scope and ContentsPencil sketch concert score. 7 pages. 51 measures.
ABC, 2.00/repositories/2/archival_objects/1608238undated4614Scope and ContentsPencil sketch concert score. 20 pages. 75 measures.
Scott Towels, Boat, 60/repositories/2/archival_objects/1608239undated4615Scope and ContentsPencil sketch concert score. 14 pages. 56 measures.
Ford, Tour, 60/repositories/2/archival_objects/1608240undated4716Scope and ContentsPencil sketch concert score. 11 pages. 42 measures.
National Steel, No. 2/repositories/2/archival_objects/1608241undated4717Scope and ContentsPencil sketch concert score. 7 pages. 28 measures.
Ford, Testing/repositories/2/archival_objects/1608242undated4718Scope and ContentsPencil sketch concert score. 12 pages. 42 measures. Two handwritten cue sheets are taped to the back of the manuscript.
Ford, Corporate, 60/repositories/2/archival_objects/1608243undated4719Scope and ContentsPencil sketch concert score. 8 pages. 31 measures. A handwritten cue sheet is taped to the back of the manuscript.
Ford Mustang II, Ghia, TV60/repositories/2/archival_objects/1608244undated471Scope and ContentsPencil sketch concert score. 8 pages. 30 measures.
Ford Mustang II, "Features," TV60/repositories/2/archival_objects/1608245undated472Scope and ContentsPencil sketch concert score. 7 pages. 28 measures.
Eastern, Tony Award Overture/repositories/2/archival_objects/1608246undated473Scope and ContentsPencil sketch concert score. 22 pages. 87 measures.
Music to Watch Girls By, Al Hirt (trumpet) version/repositories/2/archival_objects/1608247undated474Scope and ContentsPencil sketch concert score. 8 pages. 68 measures.
Bloomingdale's Overture (script)/repositories/2/archival_objects/1608248undated401Scope and ContentsTypewritten script.
Lincoln, Versailles, TV60/repositories/2/archival_objects/16082491977411Scope and ContentsProduction score. 4 pages. 30 measures.
Mark V, "Museum," TV-60/repositories/2/archival_objects/1608250undated412Scope and ContentsProduction score. 2 pages. 12 measures.
Mark V, "Museum," TV-30/repositories/2/archival_objects/1608251undated413Scope and ContentsProduction score. 1 page. 6 measures.
Play Boy/repositories/2/archival_objects/1608252undated414Scope and ContentsPencil sketch concert score. 12 pages.
"Come Alive!: You're In the Pepsi Generation!"/repositories/2/archival_objects/16082531964409Scope and ContentsPublished piano score for the commercial jingle, as sung by Joanie Sommers. Written and produced by B.B.D.O. (New York: S.C.P. Music Corp.). 2 pages.
Feeling Good, Pepsi/repositories/2/archival_objects/1608254undated4030Scope and ContentsPencil sketch piano lead sheet. 2 pages.
Sears advertisement storyboards/repositories/2/archival_objects/1608255undated4042Scope and Contents6 pages of storyboards, annotated.
Wall Street Journal/repositories/2/archival_objects/1608256undated423Scope and ContentsPencil sketch reduction. 2 pages. 31 measures.
Series VI: Other Works and Collaborations/repositories/2/archival_objects/9014421960-1990sScope and ContentsSeries contains scores arranged or reviewed by Sid Ramin that involve other musical artists or groups, as well as several audio reels for The Big Band Sound of Sid Ramin album and miscellaneous recording sessions. Most of the foldered scores pertain to works by composer Leonard Bernstein, including his fanfare for John F. Kennedy, Mass, Jubilee Games, Sonata for Clarinet, and orchestral suite from A Quiet Place. Other artists or groups included in the collection are the Boston Pops, the Cleveland Pops, the Hollywood Bowl Orchestra, Robert Goulet, Sinéad O'Connor, Sidney Sheldon, and Barbra Streisand. There are several untitled and undated scores in this series that could not be identified with a specific work or production.
Subseries VI.1: Leonard Bernstein/repositories/2/archival_objects/9014431960-1995Fanfare for L.B./repositories/2/archival_objects/9014441960117Jubilee Games w/ Bernstein markings/repositories/2/archival_objects/901445circa 198676Jubilee Games/repositories/2/archival_objects/901446circa 1986125Boosey & Hawkes: Leonard Bernstein, Jubilee Games/repositories/2/archival_objects/9014471986710Bernstein on Broadway/repositories/2/archival_objects/901448circa 1990136Leonard Bernstein – Orchestra Suite From A Quiet Place/repositories/2/archival_objects/901449circa 1991714A Quiet Place (suite) - paperclipped score/repositories/2/archival_objects/901450undated715A Quiet Place: Scene I, Set 22/repositories/2/archival_objects/1528001272A Quiet Place: Scene II, Set 22/repositories/2/archival_objects/1528002272A Quiet Place: Scene III, Set 22/repositories/2/archival_objects/1528003273A Quiet Place: Scene IV, Set 22/repositories/2/archival_objects/1528004273A Quiet Place & Trouble in Tahiti. Houston On Stage [magazine]/repositories/2/archival_objects/15280231981275JFK Fanfare, Kennedy Fanfare/repositories/2/archival_objects/9014511992118Leonard Bernstein – Dream With Me/repositories/2/archival_objects/9014521990-19921312Dream with Me/repositories/2/archival_objects/901453undated204Leonard Bernstein: Sonata for Clarinet/repositories/2/archival_objects/901454circa 1993135Silhouette – Leonard Bernstein/repositories/2/archival_objects/9014551995114Two Love Songs, Piccola Serenata, So Pretty – Leonard Bernstein/repositories/2/archival_objects/9014561995115CBS Ode (On Themes of Leonard Bernstein)/repositories/2/archival_objects/901457undated143Photograph of holograph note from Bernstein to Ramin and 2 pages of score ("Fanfare") annotated with "For Sid with affection and admiration and Thanks Lenny"/repositories/2/archival_objects/152824715-L-1A Quiet Place (Tag #2, Interlude #1, Interlude #3)/repositories/2/archival_objects/1608504circa 1983506Scope and ContentsThree orchestral scores grouped together (one bound, one stapled, one loose-leaf). Xeroxed pencil sketches. Annotated.
Correspondence regarding "Bernstein at 70" at Tanglewood/repositories/2/archival_objects/16085211988408Scope and ContentsFrom Kitty Carlisle Hart and Seiji Ozawa. Includes an invitation to a black-tie event.
Prelude, Fugue, and Riffs/repositories/2/archival_objects/160852219924056Scope and ContentsMagazine for friends of Leonard Bernstein, featuring an article by Sid Ramin.
Typeset Bernstein orchestrations/repositories/2/archival_objects/1608523undated4411Scope and ContentsIncludes typeset scores of orchestrations of "Ain't Got No Tears Yet," "Big Stuff," "Lonely Me," "Screwed On Wrong," and "Spring Will Come Again."
prelude, fugue & riffs. News for friends of Leonard Bernstein /repositories/2/archival_objects/1528007Winter 19992713Subseries VI.2: Boston Pops/repositories/2/archival_objects/9014581990, undatedPops – Bernstein on Broadway/repositories/2/archival_objects/901459circa 1990175Astaire Medley/repositories/2/archival_objects/9014602 foldersundated156-7Pops- Love is Sweeping the Country/repositories/2/archival_objects/901461undated1511Luck Be a Lady (Sketch)/repositories/2/archival_objects/9014622 foldersundated712-13Luck Be A Lady, Boston Pops/repositories/2/archival_objects/901463undated232One for My Baby/repositories/2/archival_objects/901464undated517Boston Pops: Roses/repositories/2/archival_objects/901465undated515Star Wars--"The Cantina Band" Score/repositories/2/archival_objects/901466undated159Pops – Swing Time/repositories/2/archival_objects/901467undated152-3Subseries VI.3: Disney Arrangements/repositories/2/archival_objects/9014681990s, undatedAladdin--A Whole New World/repositories/2/archival_objects/9014691990s181Beauty and the Beast/repositories/2/archival_objects/9014702 folders1990s154-5Disney Medley/repositories/2/archival_objects/9014713 foldersundated1512-14The Little Mermaid/repositories/2/archival_objects/9014722 folders1990s186-7Subseries VI.4: Mass/repositories/2/archival_objects/9014731972Scope and ContentsOrchestral and vocal scores for Leonard Bernstein's Mass, A Theatre Piece for Singers, Players and Dancers. These scores appear to be from a chamber version of Mass with orchestrations by Sid Ramin was produced in 1972. Mass was originally commissioned by Jacqueline Kennedy Onassis for the Opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. on September 8, 1971. It featured text from the Liturgy of the Roman Mass, additional texts by Stephen Schwartz and Leonard Bernstein, and orchestrations by Jonathan Tunick, Hershy Kay, and Leonard Bernstein.
I. Devotions Before Mass/repositories/2/archival_objects/90147446 PagesII. First Introit (Rondo)/repositories/2/archival_objects/90147549 Pages 260 BarsIII. Second Introit/repositories/2/archival_objects/9014769 PagesIV. Confession/repositories/2/archival_objects/90147741 Pages 318 BarsV. Meditation No. 1 (Orchestra)/repositories/2/archival_objects/9014786 Pages 59 BarsVI. Gloria/repositories/2/archival_objects/90147933 Pages 263 BarsVII. Meditation No. 2 (Orchestra)/repositories/2/archival_objects/9014806 Pages 55 BarsVIII. Epistle: "The Word of the Lord"/repositories/2/archival_objects/90148123 Pages 91 BarsGospel-Sermon: "God Said"/repositories/2/archival_objects/90148232 Pages 186 BarsX. Credo/repositories/2/archival_objects/90148342 Pages 96 BarsXI. Meditation No. 3 (De Profundis, Part 1) and XII. Offertory (De Profundis, Part 2)/repositories/2/archival_objects/901484XI. 7 Pages 57 Bars XII. 14 Pages 59 BarsXIII. The Lord's Prayer/repositories/2/archival_objects/9014856 Pages 44 BarsXVI. Sanctus/repositories/2/archival_objects/90148630 Pages 159 BarsXV. Angus Dei/repositories/2/archival_objects/90148737 Pages 248 BarsXVI. Fraction: "Things Get Broken"/repositories/2/archival_objects/90148854 Pages 322 BarsXVII. Pax: Communion ("Secret Songs")/repositories/2/archival_objects/90148916 Pages 140 BarsPsalm: De Profundis/repositories/2/archival_objects/901490circa 197211The Lord's Prayer/repositories/2/archival_objects/901491circa 197212Gloria Tibi/repositories/2/archival_objects/901492circa 197213Gloria in Excelsis/repositories/2/archival_objects/901493circa 197214Confiteor/repositories/2/archival_objects/901494circa 197215Credo/repositories/2/archival_objects/901495circa 1972164 Part Kyrie, Hymn, and Pslam/repositories/2/archival_objects/901496circa 197221Subseries VI.5: Kennedy Inaugural Anniversary Celebration/repositories/2/archival_objects/9014971963Scope and ContentsOriginal orchestral scores arranged for the inaugural anniversary celebration for President John F. Kennedy, 1963.
Overture/repositories/2/archival_objects/90149834 Pages 265 Bars70Play-Ons/repositories/2/archival_objects/9014997 Pages 24 Bars70Cast Finale/repositories/2/archival_objects/9015006 Pages 45 Bars70Subseries VI.6: President Johnson Overtures/repositories/2/archival_objects/9015011965Scope and ContentsOriginal orchestral scores and piano-conductor music arranged for the inaugural celebration for President Lyndon B. Johnson, 1965.
Inaugural Overture [2 copies]/repositories/2/archival_objects/90150216 Pages 193 Bars70Overture [2 copies]/repositories/2/archival_objects/90150334 Pages 266 Bars70Overture Piano-Conductor Music/repositories/2/archival_objects/90150419 Pages 266 Bars72Subseries VI.7: Sid Ramin Albums/repositories/2/archival_objects/901505Subseries VI.7.1: The Big Band Sound of Sid Ramin/repositories/2/archival_objects/9015061963Scope and ContentsOriginal orchestral scores arranged and conducted by Sid Ramin at Webster Hall, New York City for the record. The recording was produced by Jack A. Somer at RCA Victor in 1963 using the Dynagroove system.
Blue Tango/repositories/2/archival_objects/90150712 Pages 89 Bars70Never on Sunday/repositories/2/archival_objects/90150811 Pages 85 Bars70In the Mood/repositories/2/archival_objects/90150915 Pages 117 Bars70The Syncopated Clock/repositories/2/archival_objects/90151013 Pages 102 Bars70Holiday for Strings/repositories/2/archival_objects/90151130 Pages 235 Bars70April in Portugal/repositories/2/archival_objects/90151210 Pages 75 Bars70The Poor People of Paris/repositories/2/archival_objects/90151317 Pages 131 Bars70Ruby/repositories/2/archival_objects/90151411 Pages 86 Bars70And the Angels Sing/repositories/2/archival_objects/90151512 Pages 94 Bars70The River Kwai March/repositories/2/archival_objects/90151611 Pages 85 Bars70RCA Recording/repositories/2/archival_objects/90151771Scope and ContentsOriginal orchestral scores arranged and conducted by Sid Ramin at Webster Hall, New York City for the record. The recording was produced by Jack A. Somer at RCA Victor in 1963 using the Dynagroove system.
The Big Band Sound of Sid Ramin/repositories/2/archival_objects/9015181 reels19631 7" audio reel26Scope and Contents2 copies of the RCA release of the album. Both copies of the reel are unopened.
Subseries VI.7.2: New Thresholds in Sound/repositories/2/archival_objects/9015191963Strike Up the Band/repositories/2/archival_objects/90152021 Pages 167 Bars70Granada/repositories/2/archival_objects/90152112 Pages 93 Bars70The Sweetest Sounds/repositories/2/archival_objects/90152212 Pages 95 Bars70April In Paris/repositories/2/archival_objects/90152317 Pages 66 Bars70Varsity Drag/repositories/2/archival_objects/90152422 Pages 172 Bars70Embraceable You/repositories/2/archival_objects/90152515 Pages 58 Bars70Spring Is Here/repositories/2/archival_objects/9015267 Pages 51 Bars70I Believe In You/repositories/2/archival_objects/90152714 Pages 107 Bars70Life Is Just a Bowl of Cherries/repositories/2/archival_objects/90152820 Pages 74 Bars70Hernando's Hideaway/repositories/2/archival_objects/90152913 Pages 95 Bars70Bewitched/repositories/2/archival_objects/90153018 Pages 72 Bars70RCA Recording/repositories/2/archival_objects/90153171New Thresholds in Sound/repositories/2/archival_objects/9015321 reels19631 7" audio reel26Scope and Contents1 copy of the original RCA release of the album. Item is unopened.
Subseries VI.7.3: Sketches/repositories/2/archival_objects/901533Sketches, Various Albums/repositories/2/archival_objects/901534undated111Subseries VI.7.4: Love Without Tears and Love Is A Swingin' Word/repositories/2/archival_objects/1608024circa 1959Scope and ContentsScores from both albums that were found mixed together. The finding aid retains the original ordering of these materials.
The Lady's in Love With You/repositories/2/archival_objects/1608025circa 1959481Scope and ContentsConcert score. Pencil sketch. 28 single-sided leaves. 123 measures. Likely from the album
Love Is A Swingin' Word.I'll Buy You A Star/repositories/2/archival_objects/1608026circa 1959482Scope and ContentsConcert score. Pencil sketch. 13 single-sided leaves. 51 measures. Likely from the album
Love Without Tears.Love is the Sweetest Thing/repositories/2/archival_objects/1608027circa 1959483Scope and ContentsConcert score. Pencil sketch. 24 single-sided leaves. 94 measures. Likely from the album
Love Is A Swingin' Word.Love/repositories/2/archival_objects/1608028circa 1959484Scope and ContentsConcert score. Pencil sketch. 50 single-sided leaves. 209 measures. Likely from the album
Love Is A Swingin' Word.Bye Bye Baby/repositories/2/archival_objects/1608029circa 1959485Scope and ContentsConcert score. Pencil sketch. 15 single-sided leaves. 61 measures. Likely from the album
Love Without Tears.Love is Just Around the Corner/repositories/2/archival_objects/1608030circa 1959486Scope and ContentsConcert score. Pencil sketch. 24 single-sided leaves. 94 measures. Likely from the album
Love Is A Swingin' Word.Love is a Simple Thing/repositories/2/archival_objects/1608031circa 1959487Scope and ContentsConcert score. Pencil sketch. 22 single-sided leaves. 89 measures. Likely from the album
Love Is A Swingin' Word.I Wish I Were in Love Again/repositories/2/archival_objects/1608032circa 1959488Scope and ContentsConcert score. Pencil sketch. 22 single-sided leaves. 85 measures. Likely from the album
Love Is A Swingin' Word.Mine/repositories/2/archival_objects/1608033circa 1959489Scope and ContentsConcert score. Pencil sketch. 20 single-sided leaves. 79 measures. Likely from the album
Love Without Tears.It's Good to Be Alive/repositories/2/archival_objects/1608034circa 19594810Scope and ContentsConcert score. Pencil sketch. 16 single-sided leaves. 64 measures. Likely from the album
Love Without Tears.Glory of Love/repositories/2/archival_objects/1608035circa 19594811Scope and ContentsConcert score. Pencil sketch. 22 single-sided leaves. 88 measures. Likely from the album
Love Is A Swingin' Word.My Ship/repositories/2/archival_objects/1608036circa 1959491Scope and ContentsConcert score. Pencil sketch. 15 single-sided leaves. 57 measures. Likely from the album
Love Without Tears.Violets For Your Furs/repositories/2/archival_objects/1608037circa 1959492Scope and ContentsConcert score. Pencil sketch. 12 single-sided leaves. 46 measures. Likely from the album
Love Without Tears.When I Fall in Love/repositories/2/archival_objects/1608038circa 1959493Scope and ContentsConcert score. Pencil sketch. 21 single-sided leaves. 82 measures. Likely from the album
Love Is A Swingin' Word.Love is Here to Stay/repositories/2/archival_objects/1608039circa 1959494Scope and ContentsConcert score. Pencil sketch. 14 single-sided leaves. 55 measures. Likely from the album
Love Is A Swingin' Word.It's Love/repositories/2/archival_objects/1608040circa 1959495Scope and ContentsConcert score. Pencil sketch. 22 single-sided leaves. 86 measures. Likely from the album
Love Without Tears.Nina Never Knew/repositories/2/archival_objects/1608041circa 1959496Scope and ContentsConcert score. Pencil sketch. 20 single-sided leaves. 78 measures. Likely from the album
Love Without Tears.I Can't Give You Anything But Love/repositories/2/archival_objects/1608042circa 1959497Scope and ContentsConcert score. Pencil sketch. 19 single-sided leaves. 76 measures. Likely from the album
Love Is A Swingin' Word.Ohio/repositories/2/archival_objects/1608043circa 1959498Scope and ContentsConcert score. Pencil sketch. 11 single-sided leaves. 42 measures. Likely from the album
Love Without Tears.Quiet Night/repositories/2/archival_objects/1608044circa 1959499Scope and ContentsConcert score. Pencil sketch. 14 single-sided leaves. 54 measures. Likely from the album
Love Without Tears.Love Letters/repositories/2/archival_objects/1608045circa 19594910Scope and ContentsConcert score. Pencil sketch. 24 single-sided leaves. 93 measures. Likely from the album
Love Is A Swingin' Word.You're So Right for Me/repositories/2/archival_objects/1608046circa 19594911Scope and ContentsConcert score. Pencil sketch. 21 single-sided leaves. 81 measures. Likely from the album
Love Without Tears.Lady's in Love With You (parts)/repositories/2/archival_objects/16085291959321Scope and ContentsIncludes production score and annotated parts for: violins; alto saxes; tenor saxes; baritone sax; trumpets; trombones; piano; bass; guitar; drums.
Subseries VI.7.5: The Big Band Sound of Sid Ramin and New Thresholds in Sound/repositories/2/archival_objects/1608047circa 1963Scope and ContentsScores from both albums that were found mixed together. The finding aid retains the original ordering of these materials.
The River Kwai March/repositories/2/archival_objects/1608048circa 1963371Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 20 single-sided leaves. 150 measures.
Never on Sunday/repositories/2/archival_objects/1608049circa 1963372Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 11 single-sided leaves. 85 measures.
Spring is Here/repositories/2/archival_objects/1608050circa 1963373Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 7 single-sided leaves. 51 measures.
Swanee/repositories/2/archival_objects/1608051circa 1963374Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 20 single-sided leaves. 147 measures.
Holiday for Strings/repositories/2/archival_objects/1608052circa 1963375Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 30 single-sided leaves. 235 measures.
Strike Up the Band/repositories/2/archival_objects/1608053circa 1963376Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 21 single-sided leaves. 168 measures. Includes a note from Sid Ramin to the music's copyist.
I Believe in You/repositories/2/archival_objects/1608054circa 1963377Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 14 single-sided leaves. 107 measures.
Hernando's Hideaway/repositories/2/archival_objects/1608055circa 1963378Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 13 single-sided leaves. 95 measures.
April in Portugal/repositories/2/archival_objects/1608056circa 1963379Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 10 single-sided leaves. 75 measures.
Nola/repositories/2/archival_objects/1608057circa 19633710Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 13 single-sided leaves. 102 measures.
The Poor People of Paris/repositories/2/archival_objects/1608058circa 1963381Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 17 single-sided leaves. 131 measures.
Granada/repositories/2/archival_objects/1608059circa 1963382Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 12 single-sided leaves. 93 measures.
Blue Tango/repositories/2/archival_objects/1608060circa 1963383Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 12 single-sided leaves. 89 measures.
The Sweetest Sounds/repositories/2/archival_objects/1608061circa 1963384Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 12 single-sided leaves. 95 measures.
Life is Just a Bowl of Cherries/repositories/2/archival_objects/1608062circa 1963385Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 20 single-sided leaves. 74 measures.
Bewitched/repositories/2/archival_objects/1608063circa 1963386Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 18 single-sided leaves. 72 measures.
And the Angels Sing/repositories/2/archival_objects/1608064circa 1963387Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 13 single-sided leaves. 96 measures.
Embraceable You/repositories/2/archival_objects/1608065circa 1963388Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 15 single-sided leaves. 58 measures.
Ruby/repositories/2/archival_objects/1608066circa 1963389Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 11 single-sided leaves. 86 measures.
In the Mood/repositories/2/archival_objects/1608067circa 1963391Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 15 single-sided leaves. 117 measures.
April in Paris/repositories/2/archival_objects/1608068circa 1963392Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 17 single-sided leaves. 66 measures.
Life is Just a Bowl of Cherries/repositories/2/archival_objects/1608069circa 1963393Scope and ContentsConcert score. Xeroxed pencil sketch. Possibly lightly annotated. 20 single-sided leaves. 74 measures.
Varsity Drag/repositories/2/archival_objects/1608070circa 1963394Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 22 single-sided leaves. 172 measures.
The Syncopated Clock/repositories/2/archival_objects/1608071circa 1963395Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 13 single-sided leaves. 102 measures.
Bewitched/repositories/2/archival_objects/1608072circa 1963396Scope and ContentsConcert score. Xeroxed pencil sketch. Possibly lightly annotated. 18 single-sided leaves. 72 measures.
I'm Looking Over a Four-Leaf Clover/repositories/2/archival_objects/1608073circa 1963397Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 26 single-sided leaves. 205 measures.
April in Paris/repositories/2/archival_objects/1608074circa 1963398Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 17 single-sided leaves. 66 measures.
Swanee/repositories/2/archival_objects/1608075circa 1963421Scope and ContentsConcert score. Pencil sketch. 20 pages. 147 measures.
I'm Looking Over a Four-Leaf Clover/repositories/2/archival_objects/1608076circa 1963422Scope and ContentsConcert score. Pencil sketch. 26 pages. 205 measures.
Subseries VI.8: Other/repositories/2/archival_objects/901535The Anatomy of Love. Words by Tony Velona. Music by Sid Ramin/repositories/2/archival_objects/152800619692712Brace Yourself (Piano Solo) by Sid Ramin/repositories/2/archival_objects/15280201967277California Summer (People Moving West). by Sid Ramin/repositories/2/archival_objects/15280161967277Carmichael Suite/repositories/2/archival_objects/901536undated172CBS Ode/repositories/2/archival_objects/901537undated144-5Cleveland Pops--Christmas Medley/repositories/2/archival_objects/901538undated514Come Alive. Written and Produced by Batten, Barton, Durstein & Osborn, Inc. Music by Sid Ramin./repositories/2/archival_objects/15280151964277Comes Love. Holograph score/repositories/2/archival_objects/152802515-L-1Gershwin--Unknown Gershwin/repositories/2/archival_objects/9015394 foldersundated161-4Robert Goulet Movie--Hollywood Hotel/repositories/2/archival_objects/9015403 folders1963 December111-3Hollywood Bowl Orchestra--A Little Night Music (The Night Waltzes)/repositories/2/archival_objects/9015411993101Irving Berlin Patriotic Overture/repositories/2/archival_objects/901542undatedIrving Berlin Patriotic Overture/repositories/2/archival_objects/9015434 folders72-5Irving Berlin Patriotic Overture/repositories/2/archival_objects/901544114Interlude From a Pops Arrangement/repositories/2/archival_objects/901545undated1410John Kennedy: An Orchestral Tune-Poem/repositories/2/archival_objects/9015461984102Love in the Afternoon / Easy to Say, Hard to Do/repositories/2/archival_objects/901547undated17Meadow Serenade/repositories/2/archival_objects/901548undated1510Music To Watch Girls By. Lyrics by Tony Velona. Music by Sid Ramin/repositories/2/archival_objects/15280211966277Al Nevin's Orch./repositories/2/archival_objects/901549undated173No Man Gets Me Right Away. World by Fred Ward. Music by Sid Ramin/repositories/2/archival_objects/15280191959277Nola score/repositories/2/archival_objects/901550circa 1963231One Land (Out of Many). Words and music by Sid Ramin/repositories/2/archival_objects/15280171976277Sinéad O'Connor Session (5/13/92)/repositories/2/archival_objects/9015511992 May 13205Simon Says. Music by Hugo Taiani and Sid Ramin. Lysics by Sylvia Dee/repositories/2/archival_objects/15280241947274Piano – Various Sketches/repositories/2/archival_objects/901552undated116Pretty People. Words by Tony Velona. Music by Sid Ramin/repositories/2/archival_objects/152800519692711Riddle (World on A String), Williams (The Cowboys)/repositories/2/archival_objects/901553undated1310Rilke Songs (L8) – Charlie Harmon/repositories/2/archival_objects/9015541995113Sidney Sheldon Songs/repositories/2/archival_objects/901555undatedSidney Sheldon Songs (arr. SR)/repositories/2/archival_objects/901556112Sidney Sheldon Songs (arr. SR)/repositories/2/archival_objects/90155754Can't Do. Words by Sidney Sheldon.. Music by Sid Ramin/repositories/2/archival_objects/15280112710Ever Have A Day? Words by Sidney Sheldon.. Music by Sid Ramin/repositories/2/archival_objects/15280102710When Love Has Gone. Words by Sidney Sheldon.. Music by Sid Ramin/repositories/2/archival_objects/15280122710State Fair Overture/repositories/2/archival_objects/901558undated185Stella By Starlight/repositories/2/archival_objects/901559undated71Barbara Streisand/repositories/2/archival_objects/901560undatedDraw Me a Circle/repositories/2/archival_objects/901561512Just in Time/repositories/2/archival_objects/901562513Strike Up the Band/repositories/2/archival_objects/901563undated158Scope and ContentsSee Also: Subseries VI.7.2: New Thresholds in Sound
Sugar in the Rain (Theme from the Avco Embassy Film - Stiletto). Lyrics by Alan and Marilyn Bergman. Music by Sid Ramin/repositories/2/archival_objects/15280181969277Subtle Samba – Orch. For Southern Music Publishers/repositories/2/archival_objects/901564undated1411D. 6. B. – White Christmas/repositories/2/archival_objects/901565undated171The Wrong Note Rag/repositories/2/archival_objects/901566undated1414Victor Young Tribute/repositories/2/archival_objects/901567undated174The Anatomy of Love/repositories/2/archival_objects/1608257circa 1969501Scope and ContentsConcert score. Pencil sketch. Stamped: "RPM Associates Inc. Demo. Sid Ramin." 10 pages. 45 measures.
Candy Castle/repositories/2/archival_objects/1608258circa 1967502Scope and ContentsConcert score. Arranged by Ramin. Pencil sketch. 11 pages. 85 measures.
Brace Yourself/repositories/2/archival_objects/1608259circa 1967503Scope and ContentsConcert score. Arranged by Ramin. Pencil sketch. 11 pages. 100 measures.
Untitled score composed and arranged by Ramin/repositories/2/archival_objects/1608260undated504Scope and ContentsConcert score. Xeroxed pencil sketch. Annotated. 27 pages. 106 measures.
Goulet singles: The Seventh Dawn, Too Good, All I Do Is Dream of You/repositories/2/archival_objects/1608261circa 1964508Scope and ContentsFor Robert Goulet. Three onion-skin concert scores in pencil: "The Seventh Dawn" (15 pages. 61 measures); "Too Good" (9 pages. 62 measures); "All I Do Is Dream of You" (13 pages. 77 measures).
From the Robert Goulet Album/repositories/2/archival_objects/1608262circa 1965509Scope and Contents9 onion-skin concert scores in pencil: "Then I'll Be Happy (8 pages. 58 measures); "Mean to Me" (10 pages. 74 measures); "No Moon At All" (11 pages. 70 measures); "Do It Again" (9 pages. 54 measures); "All of Me" (13 pages. 73 measures); "'Sposing" (10 pages. 58 measures); "Out of This World" (14 pages. 83 measures); "I'll Take Romance" (8 pages. 62 measures); "Wonderful World of Love" arranged by Joe Lipman (22 pages. 86 measures).
Hooray for Love (ABC)/repositories/2/archival_objects/1608263undated511Scope and Contents1 xeroxed pencil sketch of the concert score for "Hooray for Love (:30)" (annotated. 6 pages. 19 measures), including an extra manuscript page in pencil. 8 pencil-sketch concert scores: "Hooray for Love (:18)" (6 pages. 15 measures. Includes 1 xeroxed page); "Hooray for Love (:05)" (2 pages. 6 measures); "Egyptian"/"The Sphinx" (4 pages. 13 measures); "Macho" (4 pages. 13 measures); "Escape"/"Tension No. 4" (4 pages. 13 measures); "Up Romantic"/"Love Me" (4 pages. 13 measures); "Confrontation No. 2"/"Fight" (4 pages. 13 measures); "Tension No. 3" (4 pages. 13 measures)
Robert Goulet recording/repositories/2/archival_objects/16082641964-03-23514Scope and Contents6 onion-skin concert scores in pencil: "If Ever I Would Leave You" (11 pages. 65 measures); "You're Nobody 'Til Somebody Loves You" (13 pages. 76 measures); "Life is Just a Bowl of Cherries" (9 pages. 51 measures); "Makin' Whoopee" (15 pages. 58 measures); "Name of the Game" (20 pages. 80 measures); "The Fall of Love" (17 pages. 66 measures).
Barbra Streisand, "I Had Myself a True Love"/repositories/2/archival_objects/1608265circa 1964516Scope and ContentsConcert score. Pencil sketch. 16 pages. 62 measures.
John Williams, "Longhair Traildogging"/repositories/2/archival_objects/1608266circa 19722820Scope and ContentsFrom the film
The Cowboys. Xerox of a pencil sketch (7-stave reduction)."Ain't Gonna Have the Blues No More"/repositories/2/archival_objects/1608267undated322Scope and ContentsLead sheets.
"Any Man Can Be Hand" (with Mel Mandel)/repositories/2/archival_objects/1608268undated323Scope and ContentsLead sheet, lyric sheet, and a letter from Mel Mandel to Ramin.
"Big Billy Bee"/repositories/2/archival_objects/1608269undated324Scope and ContentsLead sheets.
"The Big Sound"/repositories/2/archival_objects/1608270undated325Scope and ContentsPencil sketch piano score.
"Candy Castle"/repositories/2/archival_objects/1608271undated326Scope and ContentsProduction score, 5 pages, 85 measures, 2 copies.
"Cha-Cha-Charleston"/repositories/2/archival_objects/1608272undated327Scope and ContentsLyric sheet.
"The Duke's Desire"/repositories/2/archival_objects/1608273undated328Scope and ContentsLead sheets and ink sketch piano score.
"Goo-Ahm-Bah"/repositories/2/archival_objects/1608274undated329Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee and Elizabeth Moore. Annotated lead sheets.
"Grey Dawn Over Cool City"/repositories/2/archival_objects/1608275undated3210Scope and ContentsPencil sketch piano score.
"Happy-Face Baby"/repositories/2/archival_objects/1608276undated3211Scope and ContentsLyrics by Jack Brooks. Lead sheets, accordion and piano parts.
"I Don't Want The Love Tomorrow (The Love I'm Crying For Today)"/repositories/2/archival_objects/1608277undated3212Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Bartley. Lead sheet.
"I Would Like For To Know You More Better"/repositories/2/archival_objects/1608278undated3213Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated piano part.
"I'd Like To Be a Baby Sitter"/repositories/2/archival_objects/1608279undated3214Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
"The June Wedding Polka"/repositories/2/archival_objects/160828019483215Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
"Kiss, Kiss, Kissin' You Goodnight"/repositories/2/archival_objects/1608281undated3216Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
"Lady of Shangri-La"/repositories/2/archival_objects/1608282undated3217Scope and ContentsWith Marty Gold. Lead sheets.
"Lament"/repositories/2/archival_objects/1608283undated3218Scope and ContentsBy Allen Roth and Gloria Bright. Lead sheet.
"A Lot You Care"/repositories/2/archival_objects/1608284undated3219Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
"Lotsa Rock"/repositories/2/archival_objects/160828519703220Scope and ContentsPublished parts and conductor score (San Antonio: Southern Music Company).
"Midnite for Two"/repositories/2/archival_objects/1608286undated3221Scope and ContentsAnnotated parts: accordion; piano; solo guitar.
"My Wild Irish Rose Is Getting Too Wild For Me"/repositories/2/archival_objects/1608287undated3222Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
"My Winter Romance"/repositories/2/archival_objects/160828819483223Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheet, annotated. Includes a lyric sheet.
"No Good To Me"/repositories/2/archival_objects/1608289undated3224Scope and ContentsLyrics by Jack Brooks. Lead sheets, annotated.
"Samba Sid"/repositories/2/archival_objects/1608290undated3225Scope and ContentsAnnotated conductor score.
"Scotch Coola"/repositories/2/archival_objects/1608291undated3226Scope and ContentsLead sheets.
"Simon Says"/repositories/2/archival_objects/160829219473227Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Annotated lead sheet and a published piano-vocal score.
"There's a Cobblestone Street"/repositories/2/archival_objects/1608293undated3228Scope and ContentsLead sheet and lyric sheet.
"The Trolley of Tralee"/repositories/2/archival_objects/1608294undated3229Scope and ContentsWith Hugo Taiani, lyrics by Sylvia Dee. Lead sheets, annotated.
Unidentified sheet music and lyrics/repositories/2/archival_objects/16082951954-19553230Scope and ContentsHandwritten lyric sheets, pencil sketch sheet music, administrative documents (with details about payment), typed lyrics to "Inny-Ke Nicky."
"A Velvet Affair" (lyrics by Fred Reynolds)/repositories/2/archival_objects/16082961959-1960, 1962, 19713231Scope and ContentsAnnotated magazine clipping, correspondence (regarding publication), rights certifications, contracts, lyric sheet, piano-vocal score, pencil sketch draft.
"Where There's A Man (That's Where I Am)," with Mel Mandel/repositories/2/archival_objects/1608297undated3232Scope and ContentsAnnotated piano score, pencil sketch, piano-vocal score.
"You've Never Been In Love," lyrics by Jack Brooks/repositories/2/archival_objects/1608298undated3233Scope and ContentsPiano-vocal scores, annotated.
Music to Watch Girls By (original lead sheet with new lyric)/repositories/2/archival_objects/1608299undated404Scope and ContentsHandwritten lead sheet, printed lead sheet, and printed production score.
Letter from Don Walker/repositories/2/archival_objects/16083001943-08-05407Scope and ContentsTypewritten letter.
Music to Watch Girls By/repositories/2/archival_objects/160830119824010Scope and ContentsTranscribed by Richard Litterst. Published by S.C.P. Music Corporation.
Brace Yourself/repositories/2/archival_objects/160830219674011Scope and ContentsPublished sheet music for piano solo by S.C.P. Music Corporation.
Sugar in the Rain/repositories/2/archival_objects/160830319694012Scope and ContentsTheme from the AVCO Embassy film,
Stiletto. Published piano-vocal sheet music (New York: Joseph E. Levine Music Corp.). Lyrics by Alan and Marilyn Bergman.California Summer (People Moving West)/repositories/2/archival_objects/160830419684013Scope and ContentsPublished sheet music for piano solo by S.C.P. Music Corporation. As recorded by the Marketts and Vincent Bell.
When Love Has Gone/repositories/2/archival_objects/160830519644015Scope and ContentsPencil sketch lead sheet. Lyrics by Sidney Sheldon. 2 pages.
Love in the Afternoon/repositories/2/archival_objects/1608306undated4016Scope and ContentsPiano lead sheet. Lyrics by Lesley S. Gore. 4 pages.
Easy to Say, Hard to Do/repositories/2/archival_objects/1608307undated4017Scope and ContentsPiano-vocal score. With Lesley S. Gore. 4 pages.
A Velvet Affair/repositories/2/archival_objects/160830819604018Scope and ContentsPiano lead sheet. Lyrics by Fred Reynolds. 3 pages.
Pretty People/repositories/2/archival_objects/160830919684019Scope and ContentsLead sheet. Lyrics by Tony Velona. 2 pages. 37 measures. Annotated.
My Wild Irish Rose Is Getting Too Wild For Me/repositories/2/archival_objects/1608310undated4020Scope and ContentsLead sheet. With Sylvia Dee and Hugo Taiani. 1 page.
The Trolley of Tralee/repositories/2/archival_objects/1608311undated4021Scope and ContentsLead sheet. With Sylvia Dee and Hugo Taiani. 1 page.
No Man Gets Me Right Away/repositories/2/archival_objects/160831219594022Scope and ContentsPublished piano-vocal score (New York: Robbins Music Corp.). Words by Fred Ward. 5 pages.
The World of Love/repositories/2/archival_objects/1608313undated4023Scope and ContentsWith Jack Brooks. Pencil sketch piano lead sheet. 2 pages.
Letter from Robert Northshield/repositories/2/archival_objects/16083141945, 19654024Scope and ContentsIncludes photocopied piano-vocal sheet music for Ramin's songs "It's All Yours" (with Corporal Robert Goldmann) and "Jumpin' Off" (lyrics by Philip Ford) sent with the letter.
No Good to Me/repositories/2/archival_objects/1608315undated4026Scope and ContentsLead sheet. Lyrics by Jack Brooks. 1 page.
The New Girl/repositories/2/archival_objects/160831619684027Scope and ContentsLead sheet. Lyrics by Tony Velona. 2 pages. Includes a typewritten, annotated lyric sheet.
California Summer (People Movin' West)/repositories/2/archival_objects/16083174028Scope and ContentsLyrics by Steve Allen. Annotated photocopy of the lead sheet (2 pages). Includes a typewritten, annotated lyric sheet (3 pages).
Love in a Dog-House/repositories/2/archival_objects/1608318undated4029Scope and ContentsArranged for 2 trumpets, 3 saxophones, and a trombone. Pencil sketch. 4 pages.
A Christmas Love/repositories/2/archival_objects/1608319undated4031Scope and ContentsWith Mack Wolfson. Pencil sketch piano lead sheet (2 pages) and a typewritten lyric sheet.
Happy-Face Baby/repositories/2/archival_objects/1608320undated4032Scope and ContentsLyrics by Jack Brooks. Lead sheet. 2 pages.
Open Up the World (And Let the Love Come In)/repositories/2/archival_objects/160832119674033Scope and ContentsLyrics by Tony Velona. Lead sheet. 1 page.
Open Up Your Heart/repositories/2/archival_objects/1608322undated4034Scope and ContentsLyrics by Sidney Sheldon. Lead sheet. 2 pages.
Ginny's Waltz/repositories/2/archival_objects/1608323undated4035Scope and ContentsPiano lead sheet. 2 pages.
The Anatomy of Love/repositories/2/archival_objects/160832419684036Scope and ContentsPiano lead sheet. 2 pages.
Miracles/repositories/2/archival_objects/1608325undated4037Scope and ContentsLyrics by Tony Velona. Piano lead sheet. 3 pages.
Just One More Tarantella/repositories/2/archival_objects/1608326undated4038Scope and ContentsAnnotated printed vocal part. 5 pages. Lyrics by Ron Antmen.
Music To Watch Girls By (international arrangements)/repositories/2/archival_objects/16083271966-19674039Scope and ContentsLyrics by Tony Velona. French version: "Le jeu du téléphone ça s'est arrangé," piano-vocal score, French lyrics by André Salvet and Calude Carrère (Paris: Éditions Maurice). Swedish version: "Vädret," piano-vocal score, Swedish lyrics by Stig Anderson (Stockholm: Sweden Music AB.). Belgian version: arrangement for military band by Jim Derry (Brussels: Editions Buyst Uitgaven). Japanese version: piano-vocal arrangement with chorus (Tokyo: Pacific Music Publishing). French version: "Le jeu du téléphone ça s'est arrangé," lead sheet and parts, French lyrics by André Salvet and Calude Carrère (Paris: Éditions Maurice).
Candy Castle/repositories/2/archival_objects/160832819674040Scope and ContentsPublished parts for an arrangement for rock and roll combo of any size (New York: Kendor Music).
Music to Watch Girls By (dance band arrangement)/repositories/2/archival_objects/160832919664041Scope and ContentsFor small dance band combos, 6-9 players (New York: Kendor Music). Published parts.
Copyright certificate for Gypsy/repositories/2/archival_objects/160833019594043RCA Victor press release/repositories/2/archival_objects/16083311959-04-094047Scope and ContentsRegarding the album "Love is a Swingin' Word."
Variety Magazine/repositories/2/archival_objects/16083321962-04-104049Scope and ContentsWith material regarding
West Side Story at the Oscars.HiFi Stereo Review/repositories/2/archival_objects/16083331960-054052Scope and ContentsFeaturing an article on Sid Ramin.
Music to Watch Girls By (The Diet Pepsi Theme)/repositories/2/archival_objects/160833419674053Scope and ContentsPublished band arrangement. Includes parts and conductor score (Winona MN: Hal Leonard).
Songs written with Sidney Sheldon/repositories/2/archival_objects/160833519944054Scope and ContentsIncludes lead sheets for "If I Could Build Me A Man," "Can't Do," and "Ever Have a Day?"
Simon Says/repositories/2/archival_objects/160833619474055Scope and ContentsWith Hugo Taiani. Lyrics by Sylvia Dee. Published piano-vocal score (New York: Alba Music). Published Johnny Warrington arrangement, including band parts (New York: Alba Music).
The Name of the Game/repositories/2/archival_objects/1608337undated415Scope and ContentsFor Robert Goulet. With Robert Wells and Al Segal. Lead sheet (2 pages). Onionskin piano-vocal score (6 pages, 80 measures).
"Music to Watch Girls By"/repositories/2/archival_objects/160833819674413Scope and ContentsLyrics by Tony Velona. Annotated ozalid copies of lead sheets. Includes a lette from Warner Bros. about the song.
"One Land (Out of Many)"/repositories/2/archival_objects/160833919764414Scope and ContentsWords and music by Sid Ramin. Published version of the piano-vocal score (New York: Ramoria Music). Includes photocopies of the published music.
"Subtle Samba"/repositories/2/archival_objects/160834019724415Scope and ContentsPublished score and parts (San Antonio: Southern Music Company). Conductor's score and instrumental parts.
"Easy to Say, Hard to Do"/repositories/2/archival_objects/1608341undated4416Scope and ContentsWords and music by Lesley S. Gore and Sid Ramin. Pencil sketch of the piano-vocal score.
"Susan, Susan, I Love You"/repositories/2/archival_objects/1608342undated4417Scope and ContentsWith Tony Velona. Pencil sketch of a piano score.
"Jealous Old Thing"/repositories/2/archival_objects/16083431967, 19714418Scope and ContentsWith George Abbott. Onionskin and ozalid copies of the piano score. Lightly annotated. Includes a letter from the music publisher.
"Open Up the World (And Let the Love Come In)"/repositories/2/archival_objects/160834419684419Scope and ContentsLyrics by Tony Velona. Ozalid copies of two different versions of the lead sheet. Lightly annotated.
"The Tender Good Times"/repositories/2/archival_objects/160834519714420Scope and ContentsLyrics by Tony Velona. Ozalid copy of the lead sheet.
Lyric sheets and lead sheets for Sidney Sheldon collaborations/repositories/2/archival_objects/160834619944421Scope and ContentsFor "Can't Do," "Ever Have a Day," "If I Could Build Me a Man."
Thank you note [unidentified]/repositories/2/archival_objects/1528014278Letter from Sidney Sheldon to Sid Ramin/repositories/2/archival_objects/152800918 March 19942710Series VII: Programs, awards, and memorabilia/repositories/2/archival_objects/16084661959-2009Scope and ContentsThis series includes playbills (mostly relating to Broadway shows and out-of-town tryouts), programs (largely relating to orchestral performances of Ramin's arrangements of works by Bernstein), publicity material (relating to conferences relating to Ramin's work), and awards (largely for Ramin's work in TV and commercials).
Daytime Emmy Award Nomination/repositories/2/archival_objects/16084671981-19824025Scope and ContentsFor the ABC show "All My Children."
Gypsy/repositories/2/archival_objects/1608468circa 19594044Scope and ContentsFor the original production starring Ethel Merman.
Happy Birthday Mr. President/repositories/2/archival_objects/1608469circa 1961-19634045Scope and ContentsProgram for a birthday celebration for John F. Kennedy, featuring Ramin's arrangement of the "Birthday Overture."
Washington's Salute to President Johnson/repositories/2/archival_objects/1608470circa 1963-19694046Scope and ContentsProgram for a celebration for Lyndon B. Johnson, featuring Ramin's arrangement of the "Salute Overture."
President Johnson's Inaugural Gala/repositories/2/archival_objects/16084711965-01-184048Scope and ContentsFeaturing Ramin's arrangement of the "Inaugural Overture."
The Sound of Broadway Music: A Symposium on Orchestrators and Orchestrations/repositories/2/archival_objects/160847220094050Scope and ContentsAt the Library of Congress, featuring Ramin as a speaker.
The Pepsi-Cola Advertising History Collections/repositories/2/archival_objects/160847319854051Scope and ContentsAt the National Museum of American History.
Awards for commercials/repositories/2/archival_objects/16084741965, 1972, 1980424Scope and ContentsFor Chevrolet (1965 American TV Commercials Festival), Ford Pinto (1972 CLIO Awards), Flex Extra Body Shampoo (1980 CLIO Awards).
Scrapbook/repositories/2/archival_objects/16084752 folders1959-1960431-2Scope and ContentsIncludes programs, correspondence, press coverage, and other memorabilia relating to performances and albums.
Gypsy/repositories/2/archival_objects/16084762007433Scope and ContentsPlaybill for Patti LuPone in the revival of
Gypsy at New York City CenterGypsy/repositories/2/archival_objects/16084771989-11-16434Scope and ContentsPlaybill for the opening night of Tyne Daly in the revival of
Gypsy at the St. James Theater.Gypsy/repositories/2/archival_objects/16084782003435Scope and ContentsPlaybill for Bernadette Peters in the revival of
Gypsy at the Shubert Theater.Gypsy/repositories/2/archival_objects/16084791974436Scope and ContentsPlaybill for Angela Lansbury in the revival of
Gypsy at the Winter Garden Theater.1600 Pennsylvania Avenue/repositories/2/archival_objects/16084801976437Scope and ContentsTwo different versions of the playbill for the premiere of Bernstein's
1600 Pennsylvania Avenue at the Forrest Theater.A Funny Thing Happened on the Way to the Forum/repositories/2/archival_objects/16084811972438Scope and ContentsPlaybill for the revival of
A Funny Thing Happened on the Way to the Forum at the Lunt-Fontanne Theater.I Can Get It For You Wholesale/repositories/2/archival_objects/16084821962439Scope and ContentsPlaybill for the Boston tryout of
I Can Get It For You Wholesale at the Colonial Theater (starring Barbra Streisand). Playbill for the Broadway production of I Can Get It For You Wholesale at the Shubert Theater (starring Barbra Streisand).Jerome Robbins' Broadway/repositories/2/archival_objects/160848319894310Scope and ContentsPlaybill for
Jerome Robbin's Broadway at the Imperial Theater.The Red Shoes/repositories/2/archival_objects/160848419934311Scope and ContentsPlaybill for
Red Shoes at the Gershwin Theater.West Side Story/repositories/2/archival_objects/160848519804312Scope and ContentsPlaybill for the revival of
West Side Story at the Minskoff Theater.West Side Story/repositories/2/archival_objects/160848619574313Scope and ContentsTwo playbills for the original production of
West Side Story at the National.London Symphony Orchestra at the Avery Fisher Hall/repositories/2/archival_objects/160848719924314Scope and ContentsIncludes the New York premiere of the suite from Bernstein's
A Quiet Place conducted by Michael Tilson Thomas. Multiple copies. Annotated with post-it notes.American Ballet Theater at the Metropolitan Opera/repositories/2/archival_objects/16084881994-05-024315Scope and ContentsIncludes a ballet version of Jules Styne's
The Red Shoes.BBC Proms/repositories/2/archival_objects/16084891995-08-194316Scope and ContentsIncludes the European premiere of Ramin's orchestration of Bernstein's Clarinet Sonata. At the Royal Albert Hall.
Wall to Wall Bernstein at Symphony Space/repositories/2/archival_objects/160849019974317Scope and ContentsIncludes a speech by Sid Ramin.
Tanglewood, Boston Symphony Orchestra/repositories/2/archival_objects/160849119994318Scope and ContentsConducted by Seiji Ozawa.
New York Philharmonic/repositories/2/archival_objects/160849220064319Scope and ContentsIncludes the Symphonic Dances from
West Side Story, conducted by Robert Spano.1600 Pennsylvania Avenue/repositories/2/archival_objects/160849319764320Scope and ContentsAt the National Theatre in Washington DC. 2 copies.
Boston Pops 100th Birthday Season/repositories/2/archival_objects/16084941985441Scope and ContentsIncludes various works by Bernstein. Conducted by John Williams.
The Israel Philharmonic at Carnegie Hall/repositories/2/archival_objects/16084951985-09-22442Scope and ContentsIncludes the Symphonic Dances from
West Side Story, conducted by Leonard Bernstein.The Israel Philharmonic at Avery Fisher Hall/repositories/2/archival_objects/16084961986-09-13443Scope and ContentsIncludes the world premiere of Bernstein's
Jubilee Games, conducted by Leonard Bernstein.Tanglewood Festival, Bernstein at 70/repositories/2/archival_objects/16084971988444Boston Pops/repositories/2/archival_objects/16084981989445Scope and ContentsIncludes various works by Bernstein conducted by John Williams.
Agatha Sue, I Love You/repositories/2/archival_objects/16084991967446Scope and ContentsBroadway playbill.
The Girls Against the Boys/repositories/2/archival_objects/16085001959447Scope and ContentsBroadway playbill.
Smile/repositories/2/archival_objects/16085011986448Scope and ContentsBaltimore tryout and Broadway playbills.
Wildcat/repositories/2/archival_objects/16085021960449Scope and ContentsBroadway playbill.
Programs and publicity material relating to collaborations with Bernstein/repositories/2/archival_objects/16085031992, 1999, 20064410Scope and ContentsIncludes programs, correspondence, publicity, and other ephemera relating to: Eos Orchestra, "Bernstein: The Harvard Years" (1999); and Harvard University, "Leonard Bernstein: Boston to Broadway" (2006). Includes two editions of "Prelude, Fugue, and Riffs," a newsletter about Leonard Bernstein.
Workshop program/repositories/2/archival_objects/16085091993293Scope and ContentsProduced by Mark Starger.
Daytime Emmy Award Certificate/repositories/2/archival_objects/15280221980-1981276Salute to President Johnson (program) and Washington's Salute to President Johnson (invitation)/repositories/2/archival_objects/1528013279Photograph of Sid Ramin/repositories/2/archival_objects/90156920091111"The Sound of Broadway Music: The Craft and Art of Theatrical Orchestration". The New York Public Library for the Performing Arts/repositories/2/archival_objects/152800819 October 20092713Series VIII: Audiovisual Materials/repositories/2/archival_objects/16083471948-2004Scope and ContentsThis series comprises audiovisual materials (reels and cassettes), largely relating to Ramin's music for radio and television commercials. This series also includes some material relating to Ramin's music for television series and albums.
Love is a Swinging Word/repositories/2/archival_objects/16083481 open reel audiotapes (1/4")circa 1959331Scope and ContentsCase is labeled "Reel #2"; additional packaging labeled "Love is a Swinging Word"; tape labeled "Lenny's Concert, Buddha Tea, Love is a Swinging Word." 1/4" x 2400ft.
Patty Duke/repositories/2/archival_objects/16083491 open reel audiotapes (1/4")1963-09-09332Scope and ContentsCase is labeled "S2A, Stereo, Patty Duke, Music, 21811, 9/9/63" and "Patty Duke, Main + End Title" and "12360, Patty Duke, S2A." Includes a track list from Fine Recording Inc.
New Thresholds/repositories/2/archival_objects/16083501 open reel audiotapes (1/4")circa 1963333Scope and ContentsAdditional annotation on the case: "Keep." 1/4" x 2400ft.
Sid Ramin Presentation Reel/repositories/2/archival_objects/16083511 open reel audiotapes (1/4")1979-10-08334Scope and ContentsCase is labeled: "Automated Sound Studios. 1500 Broadway, New York NY 10036. 15ips. 10-8-79. 212-869-8520. Mono. Sid Ramin. Presentation Reel. 1. Diet Pepsi; 2. Diet Pepsi (Disco); 3. Diet Pepsi (Girlwatchers); 4. Eastern Airlines; 5. Omni Magazine*; 6. Revlon "Charlie"*; 7. Ultrabrite; 8. Sears; 9. Sperry Rand; 10. Hellman's; 11. Clairol; 12. Ford Pinto; 13. Ford Corporate; 14. Ford Corporate; 15. Eastern Airlines TONY Awards Overture*. * arrangement. SIDRAY Enterprises Ltd."
Ford/repositories/2/archival_objects/16083521 open reel audiotapes (1/4")1969-11-07335Scope and ContentsCase is labeled "Ford, 1. Space 60TV music, 2. Testing 60TV music" and "1656 - 11.7.69" and "M RPM Ford 3." Includes a tracklist from MediaSound.
Ford/repositories/2/archival_objects/16083531 open reel audiotapes (1/4")1969-11-03336Scope and ContentsCase is labeled "Ford, 1. 60TV Longline" and "M. RPM Ford 4" and "1602 11.3.69." Includes a tracklist.
Ford/repositories/2/archival_objects/16083541 open reel audiotapes (1/4")1969-11-18337Scope and ContentsCase is labeled "Ford, 1. Tour 60TV, Make 35 Xfer from mono machine in St. A" and "M. RPM Ford 7" and "1763 Ford 11-18-69." Includes tracklist.
Patty Duke/repositories/2/archival_objects/16083551 open reel audiotapes (1/4")1964-04-08338Scope and Contents1/4" x 2400ft on 1.5 mil.
Chevrolet/repositories/2/archival_objects/16083561 open reel audiotapes (1/4")1967-12-27339Scope and ContentsCase is labeled "Mono; RPM Associates; Chevrolet." Includes a track list.
Sears/repositories/2/archival_objects/16083571 open reel audiotapes (1/4")1977-06-093310Scope and ContentsCase is labeled "Mono; Wild [illegible]; SidRay; Sears." Includes a lyric sheet. 1/4" x 2400ft on 1.5 mil.
Revlon Lips and Nails/repositories/2/archival_objects/16083581 videocassettes (U-matic)1985-07-173311Scope and ContentsCase is labeled "Power Post Productions; Revlon Lips and Nails; RSVE 2053; "We've Got Your Color" vers. 2; :30 7/17/85." Ten minutes. Fuji videocassette.
Faberge/repositories/2/archival_objects/16083591 videocassettes (U-matic)undated3312Scope and ContentsCase is labeled "Faberge; Brut; RFBT-5303 "It Smells Like a Man" :30; RFBT-5305 "Close/Product" :30." 5 minutes. Fuji videocassette.
Merman - "Roses" (rec)/repositories/2/archival_objects/16083601 open reel audiotapes (1/4")undated341Scope and ContentsCase is numbered "10"
Good!/repositories/2/archival_objects/16083611 open reel audiotapes (1/4")1965-11-09342Scope and ContentsCase is numbered "11." Includes a seperate track list: "1. Come Alive - Pepsi; 2. Chevy - Zing into Spring; 3. Hellman's - Fussy About Flavor; 4. Hellman's - Rock and Roll; 5. Pepsi - Kirby Stone 60; 6. Pepsi - Kirby Stone w/Ann; 7. Pepsi - Kirby Stone 30 - MI; 8. Pepsi - Kirby Stone 30 w/Ann; 9. Pepsi - Kirby Stone; 10. thru 18. Life - Hi Lo's; 17. and 18. - Orchestra Only; 19. Pearl Beer - "Demo"; 20. Campbell's Soup - "Bisque of Tomato"; 21. AT&T - "Kids"; 22. AT&T - "Trimline"; 23. thru 24. Pearl Beer - TV, recorded 11/9/65." The reel itself is labeled "Reel #J1."
Trials of O'Brien: All Print Takes; Per Take Sheets Attached/repositories/2/archival_objects/16083621 open reel audiotapes (1/4")1965-10-26343Scope and ContentsCase is numbered "11." 7.5 ips, mono. Includes a take list, folded inside the case.
Trials of O'Brien: Selected Takes from Session 10/4/65; Take Sheets Enclosed/repositories/2/archival_objects/16083631 open reel audiotapes (1/4")1965-10-04344Scope and ContentsCase is labeled "Reels #1-3" and "Produced by: SidRay Enterprises." Case is numbered "9." 7.5 ips.
Eastern - "Look Up"/repositories/2/archival_objects/16083641 open reel audiotapes (1/4")undated345Scope and ContentsCase is also labeled "Sid Ray."
Eastern - "In Flight"/repositories/2/archival_objects/16083651 open reel audiotapes (1/4")1974-02-15346Scope and ContentsCase is also labeled: "7.5 ips. 1/4 trk. Mono. S-17567." Includes a track list: "1. Fly Eastern - In Flight 2:33; 2. You & Eastern - In Flight 2:43; 3. Fly Eastern - Look Up; 4. Fly Eastern - Unison Tag - Look Up :60; 5. Fly Eastern - Instra Tag - Look Up :60; 6. You & Eastern - Look Up :60; 7. You & Eastern - Unison Tag - Look Up :60; 8. You & Eastern - Unison Tag - Look Up :60."
Good!/repositories/2/archival_objects/16083661 open reel audiotapes (1/4")undated347Scope and ContentsIncludes a track list: "REEL #J2. 1.-7. Union Carbide - Promo, J. Mann; 8. Hellman's - Rock and Roll; 9. M&J Bank Time; 10. Pepsi - Kirby Stone; 11. Pearl Beer; 12. Campbell's - Bisque of Tomato Soup; 13. Pearl Beer; 14. Firestone; 15. Genessee Beer - "Pass It On"; 16. "Genessee Goodness"; 17. Ford - Vic Damone (Dixie); 18. "Everybody Loves a Ford"; 19. Lark - "On Location" #1; 20. Lark - "On Location" version #2."
16/repositories/2/archival_objects/16083671 open reel audiotapes (1/4")undated348Scope and ContentsReel is labeled either "Goorey" or "Godrey" or "Godfrey." Includes a track list: "Original Tunes; Charleton; Falstaff; Yellow Pages; MTWGB- GODFREY; Orig. Instrumental."
Diet Pepsi/repositories/2/archival_objects/16083681 open reel audiotapes (1/4")undated349Ames Bros. Research/repositories/2/archival_objects/16083691 open reel audiotapes (1/4")1935, 19553410Scope and ContentsIncludes a track list: "1. You Made Me Love You (Harry James) Columbia; 2. Solitude (Duke Ellington - 1934) Brunswick; 3. Solitude (Duke Ellington - 1955) Columbia." Includes additional case labeling: "Note: There was no difinitive Ellington recording of "Solitude" as he recorded it 9 times for Victor and Columbia and Brunswick during the '30s and still records it today. For this reason, I've tape the two most representative recording - 1934 and with refinements - 1955! 7.5 single track / 0.5 track with second Tk. blank."
Armstrong - "Egg" and others/repositories/2/archival_objects/16083701 open reel audiotapes (1/4")2001, undated3411Scope and ContentsIncludes a track list: "1. Armonstrong; 2. Gatorade; 3. ?; 4. True Cigarettes; 5. MJB Coffee; 6. Wesson Oil; 7. Winston Cigarettes; 8. Eastern Tony Awards Overture; 9. Orange Juice; 10. Yellow Pages (Original); 11. National Steel; 12. Mennen; 13. Yellow Pages (Ostrich, etc.); 14. ?; 15. Ford (2001); 16. Ford (Better Ideas) (3x); 17. Sweater Girl (3x); 18. Yellow Pages."
Music To Watch Girls By/repositories/2/archival_objects/16083711 open reel audiotapes (1/4")undated3412Scope and ContentsIncludes a track list: "1. Tony Hatch; 2. La Bamba; 3. Los Hnos Castro; 4. Angelica Maria; 5. The Wonders; 6. Pepe Gonzales; 7. Floyd Cramer; 8. Beto Diaz; 9. Peter Nero."
Selected Commercials. Tape 1./repositories/2/archival_objects/16083721 open reel audiotapes (1/4")undated3413Scope and ContentsIncludes a track list: "Chevrolet; Montgomery Mall; Wonderbread; Tide; MTWGB - Flutes and Strings; MTWGB - Harpsichords and Trbs; Sinclair - "Train"; Kool-Aid - "Sailboat"; Kool-Aid - "Haunted House"; Wonderbread - Big Band; Eastern Airlines; Johhn Mann - Radio; Eastern Airlines; Acme Boots; Citgo; National Steel; Top Job; Ford (6 spots); That's Entertainment (Vocal BG); Schaefer Beer - "Cards"; Kodak." Handwritten tracklist is folded up inside the case.
Commercials/repositories/2/archival_objects/16083731 open reel audiotapes (1/4")undated3414Scope and ContentsIncludes a track list: "1. Come Alive (Sommers); 2. Zing into Spring; 3. Hellman's (Fussy About Flavor); 4. Come Alive (Kirby Stone); 5. Life Magazine (6 spots); 6. Kids Are (Wonderbread); 7. Trimline Phone; 8. Pearl Beer; 9. Charleston Style (?); 10. Winston (three spots); 11. Salem (vocal and whistle); 12. Quasi Bye-Bye Blues; 13. Winston; 14. Toy March; 15. Girl Watchers (2x); 16. Misterioso (2x); 17. Come Alive (Amusement Park); 18. Come Alive (Magician); 19. Come Alive (Sprightly); 20. Winston - Spanish (2x); 21. Woolite; 22. Lipton Tea."
Commercials/repositories/2/archival_objects/16083741 open reel audiotapes (1/4")2001, undated3415Scope and ContentsIncludes a track list: "1. Diet Pepsi (Feelin' Good) - Demo, Jazz, Disco, Nashville; 2. 1600 Pennsylvania Avenue; 3. Rex Promo; 4. Wesson Oil (Gloria); 5. Wesson Oil; 6. Yellow Pages (Sitar); 7. Revolon - "Lipstick"; 8. Revolon - "Got Your Color?"; Ford - "2001"; 10. Ford Pinto (2 themes)."
Commercials/repositories/2/archival_objects/16083751 open reel audiotapes (1/4")undated3416Scope and Contents7.5 ips. Mono. Includes a track list: "1. Vizir (5 spots); 2. Brightside; 3. Diet Pepsi "Double Take"; 4. Fab; 5. Eastern Airlines; 6. Greyhound Bus; 7. J&J Baby Oil; 8. Windex (Baroque); 9. Noxema; 10. Girl Watchers; 11. Ultra Brite (Musical Com.); 12. Winston; 13. Orange Juice; 14. Come Alive (Kirby Stone); 15. Wonderbread; 16. Hellman's (Rock); 17. Untitled (2x); 18. Untitled (Caribbean); 19. Lux (A La Fascination); 20. Lemon Pepsi; 21. Mellon Bank; 22. National Productivity; 23. Ponderosa; 24. Eastern Airlines."
Commercials/repositories/2/archival_objects/16083761 open reel audiotapes (1/4")undated3417Scope and ContentsIncludes a track list: "1. Eastern (Look Up); 2. Wright Brothers; 3. Ford Mustang (2x); 4. The 4 A's Presentation; a. Vel (Merman); b. Ford; c. Heinz Pickles; d. Bee Gees; e. Clairol; f. Ultra Brite; g. American Motors; h. Hustle; i. Schlitz; 5. Axion; 6. Diet Pepsi "Double Take"; 7. Mellon Bank; 8. Homelike Tools; 9. J&J "Baby Oil"; 10. Windex "Baroque"; 11. We're Comin' On!; 12. Ponderosa "Soul."
Various commercials/repositories/2/archival_objects/16083771 open reel audiotapes (1/4")undated3418Scope and ContentsIncludes a track list: "1. Lively Companion (Johnny Mann); 2. Fresh Start; 3. Memories Magazine; 4. Speidel (Maestro); 5. Tabby Cat Food; 6. Noxema (David Rosa); 7. Excedrin (Finlandia); 8. G.E. (3 spots); 9. Sperry Rand; 10. Exxon (Geo. M. Cohan); 11. Lufthansa; 12. Everyready; 13. Goodyear; 1. Aurora Cars; 15. Arrow Shirts; 16. Playboy Magazine; 17. NY Telephone; 18. Victoria Magazine (By Strauss); 19. Raisin Bran (Big Stars); 20. AT&T (Putting It Together)."
Various commercials/repositories/2/archival_objects/16083781 open reel audiotapes (1/4")2004-11-093419Scope and Contents7.5 ips. Additional label on case: "Transferred to CD - 11/9/04." Includes track list: "1. Johnson and Johnson (4 spots); 2. Arrow Shirts (Quasi Goodman); 3. U.S. Postal Service; 4. Mellon Bank; 5. British Sterling; 6. Ponderosa; 7. Top Job; 8. Octette Bridge Club; 9. RCA Logo (Selectravision); 10. Chameleon; 11. Stove Top; 12. TAP; 13. Skelly Oil; 14. Equitable Demo; 15. Panty Hose."
Commercials/repositories/2/archival_objects/16083791 open reel audiotapes (1/4")undated3420Scope and ContentsIncludes a track list: "1. Miller Beer; 2. British Airways (BG only); 3. United Artists Logos; 4. American Motors Logos; 5. Exxon (Wright Bros.); 6. NY Telephone (Symphony); 7. Mellon Bank; Coral Springs; 8. Nortwest Orient Airlines; 9. Ponderosa (Soul); 10. Woman's Day Magazine; 11. AT&T Presentation; 12. National Steel; 13. citgo; 14. Red Lobster; 15. Mellon Bank; 16. Eveready; 17. Clairol (Big, Fat, Beautiful); 18. Falstaff (instrumental); 19. AMTRAK (Cottontail)."
Commercials/repositories/2/archival_objects/16083801 open reel audiotapes (1/4")undated3421Scope and ContentsIncludes a track list: "1. Wonderbread (4 spots); 2. Windex - "Put on a Windex Shine"; 3. Lively Companion; a. General Promo; b. Sports Promo; c. News Promo; d. Good Morning Promo; e. Nightime Promo; f. Public Service Promo; g. Jingle Tag; 4. Heinz Pickles; 5. USDA - "Fruit"; 6. Toast Mates; 7. Wilkinson; 8. MJB Coffee (long version); 9. Women's Day (vocal BG); 10. Bloomingdale's That's Entertainment; a. Vocal BG; b. With vocal; 11. Windex (2 versions)."
Commercials/repositories/2/archival_objects/16083811 open reel audiotapes (1/4")undated3422Scope and ContentsIncludes a track list: "1. Kent Cigarettes; 2. Commercial Credit; 3. Omni Magazine; 4. Bermuda - Bobby Short."
Sophie #2/repositories/2/archival_objects/16083821 open reel audiotapes (1/4")undated3423Sophie #1/repositories/2/archival_objects/16083831 open reel audiotapes (1/4")undated3424Trials of O'Brien/repositories/2/archival_objects/16083841 open reel audiotapes (1/4")circa 19653425Scope and ContentsCase is also labeled: "Main + End Title; 3x; O'Brien."
R2 O'Brian Music/repositories/2/archival_objects/16083851 open reel audiotapes (1/4")circa 19653426Scope and ContentsCase is also labeled: "O'Brien 15ips; 37-T-1 Note Use T-37 on Reel 5; 55-T-1 (T-2); 47-T-1 (T-2); 50-T-1-T-2 (T-3); 56-T-1-T-2 false start (T-3); 2x Theme."
R1 O'Brian Music/repositories/2/archival_objects/16083861 open reel audiotapes (1/4")circa 19653427Scope and ContentsCase is also labeled: "T-18 (T-1); T-19 T-1 T-2 (T-3); T-37 (T-1) T-2 T-3 T-4 false start T-5 T-6 T-7 (T-8); Note use T-37 on R-5."
Miracle on 34th #3/repositories/2/archival_objects/16083871 open reel audiotapes (1/4")circa 19733428Scope and ContentsCase is also labeled: "CFi - Rosemont." 7.5 ips. Stereo dual track.
Latin/repositories/2/archival_objects/16083881 open reel audiotapes (1/4")undated3429Scope and ContentsIncludes a track list: "Latin (Winston); Winston; Hellman's (Egg); Falstaff; Winston; ?...?...?....?; Falstaff; Winston; Pepsi Pours It On!; Winston; Salem; "It's a Pleasure" (John Cotton)."
Trials of O'Brien/repositories/2/archival_objects/16083891 open reel audiotapes (1/4")circa 19653430Scope and ContentsA typewritten cue sheet is folded inside the case.
The Patty Duke Show Master/repositories/2/archival_objects/16083901 open reel audiotapes (1/4")undated3431Scope and Contents7.5 ips.
Patty Duke Show ("When Love Has Gone")/repositories/2/archival_objects/16083911 open reel audiotapes (1/4")undated3432Songs/Themes/repositories/2/archival_objects/16083921 open reel audiotapes (1/4")undated3433Scope and ContentsIncludes a track list: "1. Pretty People; 2. Talk is Talk; 3. Stiletto; 4. Pretty People; 5. Anatomy of Love; 6. Talk Is Talk (Instrumental); 7. Miracles - Demo; 8. MJB Coffee; 9. O'Brien Themes (Piano Demo)." There is an additional track list inside the case.
New Voices - Gloria Bright/repositories/2/archival_objects/16083931 open reel audiotapes (1/4")1948-02-223434Scope and Contents15 ips. Mono.
Empty cases/repositories/2/archival_objects/16083943 items1985, 1988-1989351-3Scope and ContentsThree cases with no tape inside. Labeled: "Crisco: The Light One"; "Raisin Bran: Big Stars"; "Brut: It Smells Like a Man."
Trials of O'Brien Theme: Main and End Titles/repositories/2/archival_objects/16083951 open reel audiotapes (1/4")circa 1965354Scope and Contents7.5 ips. Also labeled: "L+R Ch. at -10 DB."
Mark Dolphin/O'Brien/repositories/2/archival_objects/16083961 open reel audiotapes (1/4")circa 1965355Scope and ContentsIncludes a track list: "1. Mark Dolphin Theme; 2. Trials of O'Brien: Katie's Theme, O'Brien Theme; 3. Trials of O'Brien Theme."
A Velvet Affair/repositories/2/archival_objects/16083971 open reel audiotapes (1/4")undated356Johnson and Johnson/repositories/2/archival_objects/16083981 open reel audiotapes (1/4")undated357Scope and Contents7.5 ips.
New Thresholds in Sound/repositories/2/archival_objects/16083991 open reel audiotapes (1/4")1963358Scope and ContentsCommercially released RCA Victor recording (FTP-1180). Still in its plastic wrapping.
West Side Story - Oscar Awards/repositories/2/archival_objects/16084001 open reel audiotapes (1/4")19613594069 - Nancy - Score/repositories/2/archival_objects/16084011 open reel audiotapes (1/4")undated3510ABC-TV Promo Cues/repositories/2/archival_objects/16084021 open reel audiotapes (1/4")undated3511Scope and Contents7.5 ips. Mono. Includes a track list: "Joyus Romantic (string extend :16 to :23); Dramatic Hope (Adventure w/solo); Lt. Sultry Ver. #1; Lt. Sultry ver. #3; Masterioso Ver. #1; Masterioso Ver. #2; Tension Ver. #2; Masterioso Alt.; Travel; Confrontation; Sultry; Lt. Remake (weird noise); Lt. Remake (ABC) Funny; Adventure Remake; Tag."
Stiletto/repositories/2/archival_objects/16084031 open reel audiotapes (1/4")1969-06-193512Scope and Contents7.5 ips. Stereo. Includes a track list: "1. Illeana's Theme; 2. Goat Island; 3. Knifefight on the Hill; 4. Sugar in the Rain; 5. Main Title; 6. Confrontation; 7. Follow That Man; 8. Northwest Corner Facing East; 9. Tram; 10. Stiletto."
The Singers Unlimited Christmas/repositories/2/archival_objects/16084041 open reel audiotapes (1/4")undated3513Scope and Contents7.5 ips. 1/4 track stereo.
Sid Ramin Presentation Reel/repositories/2/archival_objects/16084054 open reel audiotapes (1/4")1979-10-083514-17Scope and Contents7.5 ips. Mono. Includes track list: "1. Diet Pepsi; 2. Diet Pepsi (Disco); 3. Diet Pepsi (Girlwatchers); 4. Eastern Airlines; 5. Omni Magazine*; 6. Revlon "Charlie"*; 7. Ultrabrite; 8. Sears; 9. Sperry Rand; 10. Hellman's; 11. Clairol; 12. Ford Pinto; 13. Ford Corporate; 14. Ford Corporate; 15. Eastern Airlines TONY Awards Overture*. * arrangement. SIDRAY Enterprises Ltd."
Corning: Chameleon T.V. Spots/repositories/2/archival_objects/16084061 videocassettes (U-matic)undated3515Scope and ContentsUCA10S videocassette.
Jerome Robbins' Broadway; Gypsy; Legends/repositories/2/archival_objects/16084071 videocassettes (U-matic)1989-09-083516Superstuffed Potato :30; Taco Potato :30/repositories/2/archival_objects/16084081 videocassettes (U-matic)undated3517Scope and ContentsAlso titled: "Superstuffed Potato QABM 4703 :30; Taco Potato QABM 5043 :30."
BBDO: Pepsi Cola "Come Alive"/repositories/2/archival_objects/16084091 videocassettes (U-matic)undated3518Scope and ContentsUCA-5 videocassette. Includes a track list: "Amusement Park :60; Motor Bike :60; Sand Sailing :60."
Diet Pepsi/repositories/2/archival_objects/16084101 videocassettes (U-matic)1990-06-063519Scope and ContentsAdditional labeling: "PEDX 2220 'Beach' :30 BBD&O." KCA-05 videocassette.
Faberge Brut/repositories/2/archival_objects/16084111 videocassettes (U-matic)1986-07-253520Scope and ContentsAdditional labeling: "RFBT 5303 :30 'It Smells Like a Man'; RFBT 5305 :30; 'Close/Product'; Bozell Jacob Kenyon and Eckhardt." KCA-05 videocassette.
Raisin Bran/repositories/2/archival_objects/16084121 videocassettes (U-matic)1988-08-033521Scope and ContentsAdditional labeling: "Grey Advertising; General Foods; Post Raisin Bran; "Big Stars" :30 GFRB-8013."
Sid Ramin: Not Just Jingles/repositories/2/archival_objects/16084131 videocassettes (VHS)1999-07-16361Scope and ContentsAdditional labeling: "Sid Ramin; Not Just Jingles; Sid Ramin Summer '90; TRT: 6:36."
Charlie-Torme/repositories/2/archival_objects/16084141 open reel audiotapes (1/4")1978-08-11362Scope and ContentsAdditional labeling: "CRESCENDO PRODUCTIONS; REVLON "CHARLIE"; 7.5 IPS Mono Charlie Afloat; 1. With vocal; 2. Instrumental w/sax & trumpet duet; 3. Instrumental with no melody; 4. Piano and rhythm only."
Sid Ramin: Maybe Some Other Time/repositories/2/archival_objects/16084151 open reel audiotapes (1/4")1964-04-08363Scope and Contents15" mono.
Rid Ramin: Composer * Arranger * Conductor/repositories/2/archival_objects/16084161 open reel audiotapes (1/4")1971-1972364Scope and Contents7.5 ips. Includes track list: "1. Ford Pinto '72; 2. Mellon Bank; 3. Homelite Saws; 4. Maxwell House Ice Coffee; 5. Ballantine; 6. Coral springs; 7. Execedrin Animation; 8. Vaseline Bath Beads; 9. Diet Pepsi '71; Esso 'Alps TV'; 11. Ponderosa; 12. MTWG BY '72."
Sears: "Fashion Place" Christmas TV :30/repositories/2/archival_objects/16084171 open reel audiotapes (1/4")1978-09-18365Scope and Contents7.5 ips. Mono. Includes track list: "1. w/o spoken lines; 2. w/spoken lines; 3. w/alt. spoken lines." Additional labeling: "Foote, Cone, & Belding."
"All My Children" Theme (Piano/Renzi)/repositories/2/archival_objects/16084181 open reel audiotapes (1/4")undated366Sid Ramin: Presentation Tape/repositories/2/archival_objects/16084193 open reel audiotapes (1/4")undated367-9Scope and Contents7.5 ips. Includes track list: "1. Diet Pepsi (Girl Watchers); 2. Diet Pepsi; 3. Omni Magazine*; 4. Revlon (Charlie)*; 5. Revlon; 6. Anacin; 7. Clairol; 8. Sperry; 9. Sears; 10. Hellman's; 11. Ford; 12. Eastern Airlines. *arrangement."
Triangle Show/repositories/2/archival_objects/16084201 open reel audiotapes (1/4")undated3610Original Tunes (4)/repositories/2/archival_objects/16084211 open reel audiotapes (1/4")1987-10-133611Scope and Contents7.5 ips. Mono. Includes track list: "1. Talk is Talk (Anatomy of Love); 2. Montgomery Mall; 3. Mennen Theme; 4. ?"
Not Just Jingles/repositories/2/archival_objects/16084221 open reel audiotapes (1")1990-06-193612Scope and ContentsAdditional labeling: "Sid Ramin Summer '90; total running time 6:36; edited master; WO#172614."
Eastern "Smiling Faces"/repositories/2/archival_objects/16084231 open reel audiotapes (1/4")undated3613ABC TV/repositories/2/archival_objects/16084241 open reel audiotapes (1/4")undated3614Scope and Contents7.5 ips. Mono. Includes track list: "1. Romantic; 2. Light; 3. Dramatic; 4. Adventure; 5. Adventure - Alt. take w/Rhodes; 6. Travel; 7. Confrontation; 8. Tension; 9. Sultry; 10. Light remake 1 w/1000 cycle weird noise (ABC); 11. Light remake 2 (ABC) - funny; 12. Adventure remake; 13. Tag; 14. Sting-estends :16 to 23; 15. Adventure remake w/solo male vocal."
Commercials/repositories/2/archival_objects/16084251 open reel audiotapes (1/4")1987-02-133615Scope and Contents7.5 ips. Includes track list: "1. Instrumental?; 2. National Steel (WSS); 3. MJB Coffee; 4. Montgomery Mall; 5. Chevrolet (Big Band); 6. Ford "2001"; 7. Ford "Better Ideas" (3 spots); 8. Sweater Girl (2x); 9. Yellow Pages; 10. Scott Tissues; 11. Bayer Asperin; 12. Campbell's Soup (Bisque); 13. Singer Fashion Show; 14. Diet Nucoa (2x); 15. Tide."
Trials of O'Brien/repositories/2/archival_objects/16084261 open reel audiotapes (1/4")circa 19653616Scope and Contents7.5 ips. Mono. Includes a photocopied track sheet folded inside the case.
Words and Music By Sidney Sheldon, Arranged by Sid Ramin/repositories/2/archival_objects/16084271 open reel audiotapes (1/4")1991-10-033617Scope and Contents7.5 ips. Also titled "Tones at Head." Includes track list: "1. I've Got Just One Heart; 2. Can It Be; 3. I Will If I Want To; 4. Satisfied; 5. My Silent Self."
ABC TV/repositories/2/archival_objects/16084281 open reel audiotapes (1/4")undated3618Scope and Contents7.5 ips. Mono. Includes annotated track list: "1. Lighter Romantic; 2. Dramatic Hope; 3. Lighter Sultry (high class) trum./alto; 4. Lighter Sultry (just alto); 5. Misterioso Version 1; 6. Misterioso Version 2; 7. Snake Tension; 8. Chase; 9. Tension Dramatic; 10. Happy; 11. Romantic; 12. Light; 13. Dramatic; 14. Adventure; 15. Adventure - Alt. take w/Rhodes; 16. Travel; 17. Confrontation; 18. Tension; 19. Sultry; 20 Light remake 1 w/1000cycle weird noise ABC; 21. Light remake 2 ABC (funny); 22. Adventure remake; 23. Tag; 24. String extend :16 to :23; 25. Adven. remake w/solo male vocal."
Music to Watch Girls By: Reel 2/repositories/2/archival_objects/16084291 open reel audiotapes (1/4")undated3619Scope and Contents7.5 ips.
Music to Watch Girls By: Reel 3/repositories/2/archival_objects/16084301 open reel audiotapes (1/4")undated3620Girl Watchers/repositories/2/archival_objects/16084311 open reel audiotapes (1/4")undated3621Scope and ContentsIncludes track list: "1. Music to Watch Girls By (additional Bob Crewe versions); 2. Music to Watch Girls By (Arthur Godfrey Show); 3. Music to Watch Girls By (Andy Williams Show); 4. Girl Watchers (several versions); 5. Wesson Oil; 6. Wesson Oil (Robert Merrill)."
Music to Watch Girls By/repositories/2/archival_objects/16084321 open reel audiotapes (1/4")undated3622Scope and Contents7.5 ips. Includes track list: "10. Kay Perez; 11. Billy Martin; 12. Carlos Campos; 13. Frank Cordell; 14. Mal Vincino; 15. Franck Pourcel; 16. Trudy Pitts; 17. Howard Roberts; 18. Matt Monro."
When Love Has Gone (Sid Ramin)/repositories/2/archival_objects/16084331 open reel audiotapes (1/4")1991-03-203623Scope and Contents7.5 ips. Additional title: "Tones at Head." Includes track list: "1. Take #1 - Choice (Triplet Feel); 2. Take #3 (Eighth-Note Feel); 3. Take #4 - Full (Eighth-Note Feel); 4. Take #4 - Instrumental."
British Airways/repositories/2/archival_objects/16084341 open reel audiotapes (1/4")1981-03-163624Scope and Contents7.5 ips. Additional labeling: "3x Dahls; IKYONE @ OPPM."
Patty Duke Show: Southern Belle/repositories/2/archival_objects/16084351 open reel audiotapes (1/4")1964-12-243625Scope and Contents7.5 ips. Additional labeling: "Reel #6M; Produced by: Patty Duke Productions." Includes a photocopied track sheet folded inside the case.
Windex, "Bouncing Lemon" :30 w/Gloria on lead/repositories/2/archival_objects/16084361 open reel audiotapes (1/4")1985-01-143626Scope and Contents7.5 ips. Mono. Additional labeling: "Grey AD."
Pepsi-Cola Youth Market/repositories/2/archival_objects/16084371 open reel audiotapes (1/4")1966-06-163627Scope and ContentsIncludes track list: "1. The Hondells; 2. Martha and the Vandellas; 3. Del Shannon; 4. Lou Christie; 5. Four Tops." Alternative title: "Come Alive - Youth Market."
Barbra Streisand, "Had Myself a True Love"/repositories/2/archival_objects/16084381 open reel audiotapes (1/4")undated3628Scope and Contents7.5 ips. Mono.
Girl Watchers (Original)/repositories/2/archival_objects/16084391 open reel audiotapes (1/4")undated3629Scope and Contents7.5 ips. Additional labeling: "Pepsi Cola, :58 Girl Watchers, Music Only."
MTWGB - Big Band/repositories/2/archival_objects/16084401 open reel audiotapes (1/4")undated3630Scope and ContentsAdditional labeling: "Tony Overture; Gulf; National Steel."
Windex, 1. "Bouncing Lemon"/repositories/2/archival_objects/16084411 open reel audiotapes (1/4")1985-01-143631Scope and Contents7.5 ips. Mono. Additional labeling "Grey Advertising; Amsoound; jw/6."
"Music to Watch Girls By," The Upper Set; MJB - "Marketts"/repositories/2/archival_objects/16084421 open reel audiotapes (1/4")undated3632Sid Ramin: Presentation Tape/repositories/2/archival_objects/16084431 open reel audiotapes (1/4")undated3633Scope and Contents7.5 ips. Includes track list: "1. Diet Pepsi (Girl Watchers); 2. Diet Pepsi; 3. Omni Magazine*; 4. Revlon (Charlie)*; 5. Revlon; 6. Anacin; 7. Clairol; 8. Sperry; 9. Sears; 10. Hellman's; 11. Ford; 12. Eastern Airlines. *arrangement."
Original Demo of MTWGB/repositories/2/archival_objects/16084441 open reel audiotapes (1/4")undated3634Scope and ContentsAdditional labeling: "Band 1 - Dub 7.5 ips; Band 2 - Orig. 15 ips; DO NOT DESTROY!"
General Motors, "One"/repositories/2/archival_objects/16084451 open reel audiotapes (1/4")1991-05-163635Scope and Contents7.5 ips. Stereo. Additional labeling: "Agency: Stevens Bucksham; Producer: Martin Stevens; Music: SIDRA - Sid Raymond; Recorded at The Edison."
Ford "Tour"/repositories/2/archival_objects/16084461 open reel audiotapes (1/4")1969-11-183636Scope and Contents7.5 ips. Additional labeling: "Woolite."
General Motors, "Strike Up the Band"/repositories/2/archival_objects/16084471 open reel audiotapes (1/4")1993-12-023637Scope and Contents7.5 ips. Stereo.
Starsky and Hutch Theme/repositories/2/archival_objects/16084481 open reel audiotapes (1/4")undated3638Scope and Contents7.5 ips. Stereo.
Triscuits/repositories/2/archival_objects/16084491 open reel audiotapes (1/4")1972-07-283639Scope and ContentsAdditional labeling: "Sunday Brunch T28 Tk 83; Neighbors 12 :28 Tk7; Produced by Wm. ESTY Co.; S-13143."
Sugar in the Rain - Let's Do It/repositories/2/archival_objects/16084501 open reel audiotapes (1/4")undated3640Scope and Contents7.5 ips. Additional labeling: "Sugar in the Rain (without vocal); Sugar in the Rain (with vocal)"
Johnny Williams/repositories/2/archival_objects/16084511 open reel audiotapes (1/4")undated3641Scope and Contents7.5 ips. Stereo.
Oscars 1961/repositories/2/archival_objects/16084521 film reels (16mm)19613642Diet Pepsi, Rome, revised, 60 sec., color/repositories/2/archival_objects/16084531 film reels (16mm)undated3643FAB, "Bouncing Lemon," 30 sec., color/repositories/2/archival_objects/16084541 film reels (16mm)undated3643Drakes, "Little Zero," 30 sec., color/repositories/2/archival_objects/16084551 film reels (16mm)undated3644Scope and ContentsAdditional annotations: "#3. 1 Reel. Includes: 1. Drakes "Little Zero"; 2. Drakes "Zero in Round"; 3. Diet Pepsi "Glass Elevator."
Armstrong, Accidents, 60 sec., color/repositories/2/archival_objects/16084561 film reels (16mm)undated3645Scope and ContentsAdditional annotation: "A9767-26-4B."
BBD&O, Pepsi Cola, Xmas, 60 sec., color/repositories/2/archival_objects/16084571 film reels (16mm)undated3646Mc. Cann Erickson, Coral Springs, Coral Springs #1, 60 seconds/repositories/2/archival_objects/16084581 film reels (16mm)undated3647Mc. Cann Erickson, Coral Springs, Coral Springs #2, 60 seconds/repositories/2/archival_objects/16084591 film reels (16mm)undated3648Mc. Cann Erickson, Mellon Bank, People #2, 60 seconds, color/repositories/2/archival_objects/16084601 film reels (16mm)undated3649Sears/Dresses, "Entrances TMC" :30 CLR. 5400 Kelvin/repositories/2/archival_objects/16084611 film reels (16mm)undated3650Sears/Fashion Place, "Girls" :30 CLR. 5400 Kelvin/repositories/2/archival_objects/16084621 film reels (16mm)undated3651Sears/Fashion Place, "Whites and Brights" :30 CLR. 5400 Kelvin/repositories/2/archival_objects/16084631 film reels (16mm)undated3652Sears/Fashion Country, "Santa" :30 CLR. 5400 Kelvin/repositories/2/archival_objects/16084641 film reels (16mm)undated3653Empty cases/repositories/2/archival_objects/16084652 itemsundated3654-55Scope and ContentsTwo cases with no tape inside. Labeled: "Diet Pepsi, Glass Elevator" and "Drakes, Zero in the Round."
Audio Reel/repositories/2/archival_objects/901570undated1 7" reel26Scope and ContentsItem is not definitively identified. Front label - "Opera - 1 7/8". Back label. Back label - "64-3361 VPI Hostess"
DVD: Family Tribute Film: Sid Ramin: A Life in Music/repositories/2/archival_objects/12232462011245Scope and ContentsThe video gives a full overview of Sid Ramin's life and career, from his eary years as a childhood friend of Leonard Bernstein, to his later life.