Material is unprocessed. Please contact rbml@columbia.edu for more information.
This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
Correspondence and teaching materials.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
Material is unprocessed. Please contact rbml@columbia.edu for more information.
This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Jonathan D. Kramer Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
accn number: Source of acquisition--[source of acquisition]. Method of acquisition--Gift, Purchase, etc; Date of acquisition--date.
Columbia University Libraries, Rare Book and Manuscript Library
Collection-level record describing unprocessed material made public in summer 2018 as part of the Hidden Collections initiative.
Papers processed mmb 5/2/1999.
Papers appraised appraiser [date].
Jonathan Kramer came to Columbia in 1988, having previously taught at the Oberlin Conservatory, Yale University, and the University of Cincinnati. He has been visiting professor, or visiting composer, at numerous institutions in the USA and abroad. As a scholar of music theory, his research interests include time, meter, and rhythm, in particular complex ratio rhythms, and he has a book in progress on music and postmodernism. As a composer, he works mainly with chamber and orchestral media. Professor Kramer has received fellowships and grants from the NEA (1977, 1984, 1988), the NEH (1976, 1985-86, 1992-93) and other organizations, has won many competitions, and received numerous commissions. Works by him have been selected for performance at the World Music Days of the ISCM (Israel, 1980; Netherlands, 1985; Poland, 1992).