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The Juma Sultan papers includes a large collection of performances from the loft era in New York City, a significant but under-documented period of jazz history. The recordings collection of circa 430 items, spanning the period from 1965-1975 (on open reel and cassette) contains unique, unreleased concert recordings, with the exception of a small amount of the collection included in the box set of Aboriginal Music Society recordings, Father of Origin (Eremite records, 2011). The recordings document not only the music of Sultan's own groups, such as the Aboriginal Music Society, but also a wide variety of recordings of other bands at Studio We, at other loft spaces in Lower Manhattan (e.g., Studio Rivbea, Artist House, the Ladies Fort, and Ali's Alley), as well as in Woodstock.

Congressional papers consisting of correspondence memoranda, speeches, reports, photographs and printed materials relating to her terms in Congress. The collection contains general correspondence and administrative files, as well as extensive subject files on a wide variety of topics with which Abzug was involved while in Congress. Also included are Legislative files, being the chronological files of background material for legislation considered on the House floor, and printed versions of legislation by Abzug and others. The Casework Files, relating to Abzug's advocacy on behalf of constituents involved in civil rights, housing, military, employment and related cases, are closed. Among the major correspondents are Carl Albert, Abraham D. Beame, Hugh L. Carey, Gerald R. Ford, Edward I. Koch, John V. Lindsay, Nelson A. Rockefeller, and Gloria Steinem. Materials added in 1981 include: draft transcripts of an oral history, appointment books, speeches and subject files (particularly on privacy and freedom of information) all interfiled in the collection and campaign materials press releases and newspaper clippings.

Correspondence, reports, memoranda, case records, photographs and printed material. The archive include central and district administrative records; cammittee correspondence and minutes; and files on the various programs--such as sheltered workshops, tuberculosis sanitariums and health centers, public baths and employment bureaus--run by the two organizations. The archive also contains hundreds of photographs, including works by Lewis Hine and Jessie Tarbox Beals; extensive casework files from the beginning of social work (originally referred to as "friendly visiting among the poor"); and copies of masters and doctoral theses from the New York School of Sociel Work and other schools. Much of the research for these theses was based on the CSS files