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Wan-go H.C. Weng film collection, circa 1938-1991, bulk 1948-1980

50 Linear Feet
Abstract Or Scope

The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.

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Series 3: "Art of China" and "Crafts of China", 1947-1991

Toulouse (France) Gild Hall records, 1270-1450

4 boxes
Abstract Or Scope

Copies of parts of the Archives Municipales de Toulouse, Mss. H.H.1s and H.H.2, which include statutes of craft gilds dating from ca. 1270 A.D. to 1450 A.D. The codices are of the 14th century and contain the earliest known records of the gilds of Toulouse.

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Shadrach Woods architectural records and papers, 1923-2008, bulk 1948-1973

45 manuscript boxes
Abstract Or Scope
An American architect and urban planner, Shadrach Woods was a student of Le Corbusier and worked extensively throughout North Africa, France, Germany and New York City on projects ranging from low-cost housing developments to university campuses. Also highly regarded as a critic and theorist, Woods taught at Harvard and Yale and lectured and published widely. The collection represents the span of Woods' life and career through papers, photographs, architectural drawings, writings, and published materials. A small group of materials documents his childhood and education through personal papers and photographs. However, the bulk of the collections relates to his professional work and collaborations.
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Research Center for Arts and Culture Oral History Collection, 1990-1993

4 linear feet
Abstract Or Scope
The interviews of the Artist Career and Training Project were conducted by the Research Center for Arts and Culture at Columbia University from 1990 to 1993. The project sought to systematically analyze the career paths, training, and job satisfaction of artists, craftspeople, painters, actors, and related professionals, such as museum curators, critics, dealers, managers, directors, producers, and union representatives. The interviews address education, training, preparation to career entry, peers and colleagues, marketplace judgments, critical evaluation and public response, and career satisfaction and maturity. The study strove to include diverse participants in terms of gender, ethnicity, age, and stage of career. Other themes frequently discussed include the use of other jobs to supplement a career in the arts, aging, Actors' Equity, materials used in crafts, and the very meaning of having a career in the arts.
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Press kits collection, 1988-2002

5 linear feet
Abstract Or Scope

Information in press kits includes press releases, credit and cast lists, production information, cast biographies, plot summaries, position papers, photographs, both of the film and of behind-the-scenes, Cds, slides.

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Pavel Nikolaevich Miliukov papers, 1879-1970

4000 items
Abstract Or Scope

There are letters from fellow historians, such as John Franklin Jameson and Aleksandr Lappo-Danilevskiĭ; Kadet Party leaders, including Vladimir D. Nabokov and Nikolaĭ Astrov; and others such as Boris Bakhmeteff, Charles Crane, Vladimir Jabotinsky, Louis Marshall, Thomas Masaryk, and Nikolaĭ Roerich. A large correspondence series consists of letters and petitions sent to Miliukov during the Third State Duma (1907-12). Manuscripts include Mili︠u︡kov's memoirs, and his notebooks from the period of the Civil War. There is also a manuscript by Isaak Shkovskiĭ (pseudonym -- Dioneo) on Russian writers and journalists during World War I. Subject files deal with the State Duma, the Civil War, and the emigration.

New York Clearing House Association records, 1853-2006

154 linear feet
Abstract Or Scope
New York Clearing House Association (now The Clearing House Association) was founded in 1853 as the first banking clearing house in the United States. The records include amicus briefs, constitutions and amendments, letter books, meeting minutes, financial ledgers and statements, photographs, publications, and reports.
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G. Thomas Tanselle Bibliography and Auction Catalogs collection, 1960-2015

162.5 linear feet
Abstract Or Scope

A collection of bibliographical ephemera, consisting of announcements, leaflets, invitations, etc., from bibliographical societies, bibliophilic clubs, typographical organizations, and rare-book libraries, from about 1960 through 2015 (with a few earlier materials).

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Group H: Periodicals-13 boxes

Greene & Greene architectural drawings and records, 1896-1931

4,800 drawings
Abstract Or Scope
The American architectural firm Greene & Greene was a partnership between the brothers Charles Sumner Greene (1868-1957) and Henry Mather Greene (1870-1954). The firm, established in 1894, was officially dissolved in 1922, after which the two practiced independently. They were active in Southern California and were part of the American Arts and Crafts Movement. During the years 1907-1909 the Greenes created some of their most renowned residences, including the Blacker, Gamble, Pratt, and Thorsen houses. They also designed interiors, creating furniture, lighting, carpets, and stained glass for their clients. Greene & Greene architectural drawings and records spans the years circa 1896 to circa 1963. The collection chiefly consists of architectural drawings (approximately 4,800) and also includes photographs, personal papers, and other manuscript material. Access to digital images of all the architectural drawings and to selected photographs are provided in the finding aid.
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Frederick Fried Coney Island collection, 1847-2001

32.62 linear feet
Abstract Or Scope
The collection consists of materials used by Frederick Fried in his research and writing about folk art and material culture, especially related to Coney Island, Brooklyn, New York. A significant portion of the collection consists of the personal archive of William F. Mangels, which was purchased by Fried in 1955. Mangels was a designer and manufacturer of amusement rides and founder of the American Museum of Public Recreation at Coney Island. Subjects include amusement parks, amusement rides, architecture, bathing pavilions, beaches, beauty contests, carousels, carousel animals, Brooklyn, coin-operated machines, Coney Island, exhibitions, games of chance and skill, hotels, mechanical rides, mechanization, parades, pleasure railways, recreation, roller coasters, sideshows, transportation, and other subjects related to American material culture and popular amusement.
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