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New York Clearing House Association records, 1853-2006

154 linear feet
Abstract Or Scope
New York Clearing House Association (now The Clearing House Association) was founded in 1853 as the first banking clearing house in the United States. The records include amicus briefs, constitutions and amendments, letter books, meeting minutes, financial ledgers and statements, photographs, publications, and reports.
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Greene & Greene architectural drawings and records, 1896-1931

4,800 drawings
Abstract Or Scope
The American architectural firm Greene & Greene was a partnership between the brothers Charles Sumner Greene (1868-1957) and Henry Mather Greene (1870-1954). The firm, established in 1894, was officially dissolved in 1922, after which the two practiced independently. They were active in Southern California and were part of the American Arts and Crafts Movement. During the years 1907-1909 the Greenes created some of their most renowned residences, including the Blacker, Gamble, Pratt, and Thorsen houses. They also designed interiors, creating furniture, lighting, carpets, and stained glass for their clients. Greene & Greene architectural drawings and records spans the years circa 1896 to circa 1963. The collection chiefly consists of architectural drawings (approximately 4,800) and also includes photographs, personal papers, and other manuscript material. Access to digital images of all the architectural drawings and to selected photographs are provided in the finding aid.
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Bertram Grosvenor Goodhue architectural drawings and papers, 1882-1980

50 linear feet
Abstract Or Scope

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

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Frederick Fried Coney Island collection, 1847-2001

32.62 linear feet
Abstract Or Scope
The collection consists of materials used by Frederick Fried in his research and writing about folk art and material culture, especially related to Coney Island, Brooklyn, New York. A significant portion of the collection consists of the personal archive of William F. Mangels, which was purchased by Fried in 1955. Mangels was a designer and manufacturer of amusement rides and founder of the American Museum of Public Recreation at Coney Island. Subjects include amusement parks, amusement rides, architecture, bathing pavilions, beaches, beauty contests, carousels, carousel animals, Brooklyn, coin-operated machines, Coney Island, exhibitions, games of chance and skill, hotels, mechanical rides, mechanization, parades, pleasure railways, recreation, roller coasters, sideshows, transportation, and other subjects related to American material culture and popular amusement.
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Research Center for Arts and Culture Oral History Collection, 1990-1993

4 linear feet
Abstract Or Scope
The interviews of the Artist Career and Training Project were conducted by the Research Center for Arts and Culture at Columbia University from 1990 to 1993. The project sought to systematically analyze the career paths, training, and job satisfaction of artists, craftspeople, painters, actors, and related professionals, such as museum curators, critics, dealers, managers, directors, producers, and union representatives. The interviews address education, training, preparation to career entry, peers and colleagues, marketplace judgments, critical evaluation and public response, and career satisfaction and maturity. The study strove to include diverse participants in terms of gender, ethnicity, age, and stage of career. Other themes frequently discussed include the use of other jobs to supplement a career in the arts, aging, Actors' Equity, materials used in crafts, and the very meaning of having a career in the arts.
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Toulouse (France) Gild Hall records, 1270-1450

4 boxes
Abstract Or Scope

Copies of parts of the Archives Municipales de Toulouse, Mss. H.H.1s and H.H.2, which include statutes of craft gilds dating from ca. 1270 A.D. to 1450 A.D. The codices are of the 14th century and contain the earliest known records of the gilds of Toulouse.

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Press kits collection, 1988-2002

5 linear feet
Abstract Or Scope

Information in press kits includes press releases, credit and cast lists, production information, cast biographies, plot summaries, position papers, photographs, both of the film and of behind-the-scenes, Cds, slides.

1 result

Columbia University Office of Art Properties Records, 1960-2012

7.9 linear feet
Abstract Or Scope
The records in the collection reflect the Department's mission and its daily operations. The materials contained within it include exhibition proposals, catalogs and posters, photographs, general correspondence, and other administrative files.

G. Thomas Tanselle Bibliography and Auction Catalogs collection, 1960-2015

162.5 linear feet
Abstract Or Scope

A collection of bibliographical ephemera, consisting of announcements, leaflets, invitations, etc., from bibliographical societies, bibliophilic clubs, typographical organizations, and rare-book libraries, from about 1960 through 2015 (with a few earlier materials).

1 result

Group H: Periodicals-13 boxes

Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.