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Includes letters, documents, pamphlets, and many manuscript notes by Rockwell.

Four letters to Story from Leigh Hunt, and one from Ralph Waldo Emerson; and one letter to Emelyn Story from Margaret Fuller. The Hunt letters are friendly notes touching on a variety of subjects including his health and Mrs. Hunt's, publication of selections of his work, etc. The Emmerson letter, 1851, is in connection with Browning's reminiscences of Margaret Fuller which had been sent to Story. He speaks also of Carlyle and Tennyson. Margaret Fuller's letter to Mrs. Story is a friendly one in which she writes chiefly of her love for Rome and her life there.

Letters and manuscripts including correspondence with Mrs. Elizabeth Stedman Kinney, Edmund Clarence Stedman, Arthur Stedman, and William B. Kinney. Also, some manuscript poems of Lord, a number of which are unpublished.

"Work - Personal": Books, files "Work and Printed Work": books, magazines, reviews, files "Wilma's Desk #1": files "Work": files "Wilma's Desk #2": files "Work and Printed Work": files "Wilma's Desk #3": files "Scrapbooks and Published".

In 1941, Isidore Witmark, noted musical publisher, bequeathed to the Libraries his collection of about 400 books and musical scores, each autographed by the author, a musical artist or a friend, who presented the item to Mr. Witmark. They are classified in a special call number scheme with WITMARK prefix.

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.

Typescripts in Russian and English of PETERBURGESKII SOVET BEZRABOTNYKH, 1906-1907 (THE SOVIET OF THE UNEMPLOYED IN PETERSBURG..). Both copies have handwritten corrections, probably in the hand of Woytinsky's wife, Emma S. Woytinsky. In addition there is one folder of photocopies of miscellaneous printed materials, mostly in Russian.