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Photographs, clippings, and programs, as well as inscribed copies of her books, FAITH IS A SONG and YOUR VOICE AND YOU. Portions of the typescript and autograph manuscripts of the latter book are also included.

Letters, notes, programs, photographs, and printed materials. The collection is comprised primarily of handwritten correspondence between Reiner and notable music figures including Samuel Barber, Leonard Bernstein, Aaron Copland, Lukas Foss, Darius Milhaud, Arthur Nikisch. Arnold Schoenberg, Richard Strauss, Igor Stravinsky, and Leo Weiner. Also of note, letters from writer and conductor Gian Francesco Milpiero and his wife Auna detailing wartime conditions in Italy (1946).

Papers, letters, memoranda, memorabilia, and manuscript music scores assembled by and related to the life and musical activities of Anton Seidl. The collection includes many letters from Cosima Wagner and her children addressed to Anton Seidl and his wife, the opera singer Auguste Kraus Seidl. There are also letters from Lilli Lehman, Edvard Grieg, Antonin Dvorak, Bronislaw Hubermann, Carl Goldmark, Maud Powell, Marianne Brandt, Felix Weingartner, Lyman Abbott, and many others. The letters are chiefly concerned with musical performances, composition, and related affairs. There are journals, diaries, and memoranda in Seidl's hand, as well as photographs and clippings relating to his conducting career. Also, twenty-seven manuscript scores of Seidl's orchestrations of various works.

Correspondence, minutes of meetings, financial records, publications, notes, subject files, awards, speeches, reports and audiovisual materials document work by the Church Peace Union, its successors Council on Religion in International Affairs and Council on Ethics and International Affairs, and related organizations such as the World Alliance for International Friendship Through the Churches. The first installment of the CCEIA archival materials came to the RBML in 1974, with numerous additions over the years. A major addition in 1982 contained primarily the records of the Board of Directors and their semi-annual meetings, as well as the various programs and institutes of the Council, for the years 1972-1982, along with selected 1930s materials. 1986 addition contains presidential correspondence files, minutes of the Board of Trustees and committees, special projects, programs and conferences files, and the business and editorial files of "Worldview". Correspondents include John Foster Dulles, Jane Addams, Fiorello La Guardia, and Paul Tillich. 1990 and 2000 additions includes files of CCEIA presidents and vice presidents, paper and audiovisual materials on Merrill House Conversation Programs; Educational programs; International Monetary Fund/Lecture series; The Annals Of The Academy Of Political & Social Science; Washington Consultations; Colloquia for the Clergy; Church State Project; Asian Development & The Carribean Initiative; Korea: Year 2000 Project; fundraising files, printed materials and files of the Department of Publications.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials