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The department records include graduate student information cards (1910s-1960s) and Master's essays on microfilm (1960s-1990s), along with two indexes to identify essays found on microfilm.

Correspondence, manuscripts, documents, photographs, memorabilia, scrapbooks, and printed material. Among his correspondents represented in the collection by at least 75 items are: William Archer, Hobart C. Chatfield-Taylor, Augustin Daly, Austin Dobson, Hamlin Garland, Bronson Howard, William Dean Howells, Henry Arthur Jones, Henry Cabot Lodge and Thomas Raynesford Lounsbury. There are bound volumes of letters from Henry C. Bunner, Andrew Lang, Rudyard Kipling, Theodore Roosevelt, miscellaneous letters to Matthews, and Matthews' editorial correspondence with the North American Review. There are three boxes of manuscripts, including poems by 21 authors; essays on drama; and plays by Henry Arthur Jones, Don Marquis, and Matthews; bound volumes of manuscripts of Matthews' plays and his book, "Development for the Drama." Also included are 17 boxes of his manuscript notes for his many lectures, articles, and books; and memorabilia, primarily from the theatre and from his life at Columbia. Material on the Dunlap Society, which was devoted to printing works relating to the theater, of which Matthews was co-founder with Laurence Hutton, includes documents and correspondence, much of which is between then secretary Evert J. Wendell and members on meetings and other Society business around 1914. In addition, there are notes and correspondence of Herbert Kleinfield relating to his research on Matthews.

Correspondence, manuscripts, subject files, and photographs of Tannenbaum, including typewritten lists of property records in the various states of Mexico, ca. 1926; and clippings relating to Mexico. Some of these materials were used in the preparation of his book THE MEXICAN AGRARIAN REVOLUTION. Also, personal letters and files relating to the Farm Security Program, and specifically the Bankhead Bill and the Farm Tenant Bill, 1937, 1934-1937.

This collection consists of the materials used to compile the report, Columbia's Academic Eminence: A Report by the University Development Plan Committee's Subcommittee on Academic Eminence, 1954-1955. There are surveys for each academic department (Philosophy) and "field of learning" (Ethics, Logic, Metaphysics). There are also some subcommitee records: minutes, correspondence, outlines, and drafts of the final report.

Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

This collection contains the correspondence, editorial files and office files of the Columbia University Press, primarily from its reorganization in 1923 by Frederick Coykendall to the present.

Papers and 50 boxes of paperback books.

Correspondence, manuscripts, documents, financial records, photographs, drawings, engravings, and printed materials of Benjamin. The personal and business papers concern Benjamin's publishing and bookselling company, his numerous benefactions, the disposal of his collections, and many printed catalogs for his company, 1883-1940. The two major correspondents are the business and financial records for the printing, binding, and extensive promotion through a network of agents of Stedman's A LIBRARY OF AMERICAN LITERATURE FROM THE EARLIEST SETTLEMENT TO THE PRESENT TIME; new ed. (New York, W.E. Benjamin, 1894). There are also letters, manuscripts, documents, and drawings of English literary figures collected by Benjamin. Among these are six letters of George Eliot, 47 letters and six manuscripts of John Ruskin, and three letters and one manuscript of Joseph Mallord Turner, with four letters relating to the artist. In addition there ten drawings and watercolors by Ruskin.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.