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Architectural drawings and papers.

This collection consists of sample forms for construction companies, from printer. There are not project records or personal papers related to Almirall or his work.

Drawings show plans, elevations, and sections for the Bermingham Residence.

The William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

Pollard's architectural drawings for churches, and residential and commercial buildings, located largely in New York and New Jersey, many undated, circa 1830s. Included are drawings for St. Paul's Protestant Episcopal Church, Petersburgh, Va., built, 1838, and destroyed in a fire, 1854; a prison, probably submitted by Pollard to the 1835 competition for the New York Hall of Justice. Also, a broadside, undated, describing the projected Washington Monument, New York City; a letter Pollard from Charles C. Taber, 1850, describing his plans for four houses on three adjacent lots on 25th Street, with sketched plans on verso; and two trade cards of C. Pollard's Ohio Fire Proof Mineral Paint attached.

Flash drive contains a video file in MP4 format of the video documenting the history of Emery Roth and Sons, Architects. Oral History was commissioned by Annice Alt.

A collection of 44 original photographs by Yosei Amemya, New York. The subjects include private gardens, office buildings and houses (interior and exterior views) and a few bridges. The majority are printed in a grainy, soft focuse technique and signed in pencil by the photographer. Also included are 3 halftone prints of bridges after photos by Amemya.

26 diazo prints of Victor Lundy's Church of the Resurrection in East Harlem.