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This collection documents the life and career of J. Max Bond, Jr., one of the most influential and prominent African-American architects and educators in the United States. The collection primarily documents Bond's professional activities rather than his building projects; however, the collection does contain project records and office records. The collection is made up of six series: Office Records, Personal Papers, Faculty Papers, Professional Papers, Project Records, and Reference Materials.

Correspondence, manuscripts, documents, photographs, memorabilia, scrapbooks, and printed material. Among his correspondents represented in the collection by at least 75 items are: William Archer, Hobart C. Chatfield-Taylor, Augustin Daly, Austin Dobson, Hamlin Garland, Bronson Howard, William Dean Howells, Henry Arthur Jones, Henry Cabot Lodge and Thomas Raynesford Lounsbury. There are bound volumes of letters from Henry C. Bunner, Andrew Lang, Rudyard Kipling, Theodore Roosevelt, miscellaneous letters to Matthews, and Matthews' editorial correspondence with the North American Review. There are three boxes of manuscripts, including poems by 21 authors; essays on drama; and plays by Henry Arthur Jones, Don Marquis, and Matthews; bound volumes of manuscripts of Matthews' plays and his book, "Development for the Drama." Also included are 17 boxes of his manuscript notes for his many lectures, articles, and books; and memorabilia, primarily from the theatre and from his life at Columbia. Material on the Dunlap Society, which was devoted to printing works relating to the theater, of which Matthews was co-founder with Laurence Hutton, includes documents and correspondence, much of which is between then secretary Evert J. Wendell and members on meetings and other Society business around 1914. In addition, there are notes and correspondence of Herbert Kleinfield relating to his research on Matthews.

This collection of papers thoroughly documents most aspects of the life and work of Boris Sapir, particularly his activities as a Menshevik leader and writer in the Russian emigration, and as an historian of Russian populism and socialism. Materials on his work as a Menshevik include correspondence with his colleagues, significant files on the "Foreign Delegation" in Germany in the 1920s-30s, and on its "New York Center" in the 1940s-50s, an extensive collection of photographs of his fellow Mensheviks, and files and manuscripts relating to the Inter-University Project on the History of Menshevism from the 1960's. Concerning Sapir's career as an historian and archivist, there is material he used for his many publications in the field, correspondence with scholars and students (mostly asking his guidance, or thanking him for it), and some of his own manuscripts. There is a great deal of material on his personal life as well, in particular in his correspondence, in files on his biography, bibliography, and posthumous "rehabilitation, " and in his manuscript and photograph collections. Less well documented are his two decades of work with the American Jewish Joint Distribution Committee. Besides the importance of the papers generated by Sapir himself, this collection is an excellent source for work on the Mensheviks because he was entrusted by his friends and colleagues with their own papers. These materials help to document the history of Menshevism particularly from the still hopeful years of the "Foreign Delegation" in Germany in the 1920s, to the last years of the "New York Center, " including its internal disputes in the 1950s, soon followed by the deaths of those Mensheviks who had survived the many years of wars and persecutions. Some of the materials go back to the pre-revolutionary era, through memoirs on the early years of Russian Marxism (1890s-1917). The entire collection consists of approximately 24, 000 items, spanning 1898-1992. Most of it consists of Sapir's own papers.