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Miner's correspondence, manuscripts, typescripts, manuscript and typescript notes, and printed materials relating to the history of Columbia University. Interfiled with Miner's papers are the correspondence, manuscripts, and notes of Columbia librarian Roger Howson (1882-1962) who had been writing a history of the University at the time of his retirement in 1948. Howson and Miner's correspondence is chiefly with Columbia University administrators, faculty, staff, and alumni and deals entirely with the history of the university. The two major Columbia correspondents are Provost Frank D. Fackenthal and Secretary Philip M. Hayden. There are manuscript and typescript drafts of chapters and parts of chapters by Howson and Miner, but neither's history was ever completed or published. These drafts along with the related correspondence, notes, and typescript copies of original manuscripts from Columbia's archives and manuscript collections are filed together under the appropriate headings in the Name and Subject Files. In addition there are two partially completed typescript drafts of each history.

A collection of diaries (49 vols.) kept by Franz Schrader and his wife, Sally Hughes Schrader. Much of the material relates to academic life in general, the Dept. of Zoology at Columbia University, and field trips made by the Schraders to Mexico, Guatemala, and British Honduras. Also, Franz Schrader's angling diary, 1906-1971.

Papers of Carman spanning his entire career beginning with his student days at Syracuse and Columbia Universities. His Columbia files include professional correspondence, lecture notes, course-related materia, and a bibliographical card index of American and European history. Dean Carman's abiding interest both in the academic and general communities is reflected in numerous special files which include correspondence to him as book review editor of HISTORICAL OUTLOOK, 1925-1929, as participant in Columbia's AMERICAN CULTURE SERIES, ca. 1935-1942, and STUDIES IN THE HISTORY OF AMERICAN AGRICULTURE, ca. 1935-1945. There are numerous files relating to his membership on the New York City Board of Higher Education, 1938-1964, the New York State Board of Mediation, 1941-1955, and the Japan American Committee on Intellectual Exchange. The many folders on American colleges attest to the Dean's concern for the quality and improvement of undergraduate education in the United States. Included are some of the working papers for PREPARATION FOR MEDICAL EDUCATION IN THE LIBERAL ARTS (published 1953), and THE RESURVEY OF PREPROFESSIONAL EDUCATION IN THE LIBERAL ARTS COLLEGE (published 1961). Among the few and incomplete book manuscripts there is a typescript of LINCOLN AND PATRONAGE (published 1943) with handwritten addition and correction.

This collection includes letters from members of the academic community at Columbia and elsewhere, former students, Columbia College alumni, members of the Van Amringe family, and friends. These letters deal with the official, alumni, and personal matters. There are two letter books for 1894 when he was Dean of Columbia's School of Arts (later known as Columbia College, the undergraduate school). The manuscripts include holograph and typescript copies of speeches made by Van Amringe at various Columbia functions, at alumni affairs, and at meetings of civic, charitable, and academic organizations; course notebooks while he attended Columbia College; diaries of daily appointments, 1909-1914; intimate prose and poetry written by Van Amringe and members of his family; a pencil sketchbook and notebook containing three plays by his daughter Emily Bulow Van Amringe. The collection includes numerous clippings, brochures, invitations, and other Columbia and personal memorabilia.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.