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Correspondence, contracts, reviews, brochures, fliers, and photographs of various theatrical productions involving Ann Greyson.

Shelved with this collection is the Peter Gilsey Collection of Theatrical Tokens and Medalets

A collection of prints, photographs, pamphlets, clippings, playbills, and programs dealing with the theater, chiefly American and English, in all its aspects including drama, opera, dance, movies, puppets, and spectacles. The majority of the material documents the 19th century.

Correspondence, notebooks, and photocopies of manuscripts. There are letters from Jean Dubuffet, Walter Matthau, Arthur Miller, Harold Pinter, and Tennessee Williams. There are also six of Clurman's notebooks with notes on theater and photocopies of typescript pages re. his book, THE FERVENT YEARS (1945).

Manuscripts by Payne, including plays, poems, journals, essays, account books, correspondence, letter books (to and from) including a large group of letters from Washington Irving. Also, pictorial material, scrapbooks, biographies, portraits, passports, and other documents; and materials on the Cherokee incident, 1835-1838, and Payne's arrest in Georgia. Other material include letters of various members of the Payne family and of related families. Of greatest interest is a group of fine letters and manuscripts of Eloise Richards Payne (1787-1819), a sister of the playwright. These present a sensitive and revealing portrait of the social, cultural, and political life of the time. Among the manuscripts and documents are many items of genealogical interest on the Paine, Shippen, Lynch, Luquer, and Lea families. Two boxes of the papers of Col. Thatcher Taylor Payne Luquer contain correspondence on various aspects of John Howard Payne's career, and on "An Unconscious Autobiography" the letters and diaries of William Osborn Payne (1783-1804), a brother of the playwright, edited by Col. Luquer.

Correspondence, printed materials, photographs, and memorabilia collected by Katherine H. Parker (Mrs. George W.) dealing mostly with Edward Hugh Sothern (1859-1933) and his wife, Julia Marlowe (1865-1950), and also with Daniel Frohman (1851-1940) and American and English theater from 1890 to 1930.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.