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These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.

The collection consists of correspondence, manuscripts by Sidorova and a photograph, presumably of Sidorova (1970). The manuscripts (signed Evgenii︠a︡ Mor, her pseudonym) include short stories, poems and essays about the second world war. Particularly noteworthy are long essays on the painter Kuzḿa Petrov-Vodkin (including lists of his works in private collections) and the playwright Evgeniĭ Shvart︠s︡, both of whom Sidorova knew personally. There are also brief essays about the writers Alekseĭ Pli︠u︡shkin (Ugri︠u︡mov) and Ivanov-Razumnik.

Correspondence, manuscripts, documents, photographs, and printed materials of Surguchev. The papers almost exclusively concern Surguchev's life in emigration; he lived in France from the 1920s onward. Correspondents include Ivan Bunin, Nikolaĭ Evreĭnov, Aleksandr Kuprin, and Vladimir Nemirovich-Danchenko. There are manuscripts of plays, stories, and film scenarios by Surguchev in Russian, French, and English. Documents include literary contracts, and one contract signed by Sergeĭ Lifar ́concerning a film scenario by Surguchev and Ivan Lukash. There are photographs of Surguchev and of scenes from his plays, and a subject file on the Russian Chamber Theater (Kamernyĭ Teatr) in Prague, 1922-23. Among the printed materials are many clippings of pieces by Surguchev, and his play "Igra" and pamphlet "Bolśheviki v Stavropole."

The papers consist of correspondence, autograph books, manuscripts, photographs and printed materials. There are letters from Mark Aldanov, Ivan Bunin, Antonin Ladinskiĭ, Vasiliĭ Nemirovich-Danchenko, Alekseĭ Remizov, Ivan Shmelev, Nadezhda Teffi and Boris Zaĭt︠s︡ev, as well as one letter each from Konstantin Balʹmont, Aleksandr Grechaninov, Vladislav Khodasevich, Aleksandr Kuprin, and Vladimir Nabokov. The autograph albums (owned by Marii︠a︡ A. Berman and Potresov) cover the years 1906-1907 and 1913-1948, respectively, and have entries by Balʹmont, Ivan Bilibin, Bunin, Nabokov, and Maksimili︠a︡n Voloshin, among others. The manuscripts include a poem by Mother Marii︠a︡ and articles, diaries, and a play by Potresov. The printed materials primarily consist of clippings of Potresov's articles in newspapers and journals. In addition to the loose clippings, there are six scrapbooks with clippings of Potresov's articles pasted in.

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.

The collection consists of 22 letters from Nemirovich-Danchenko to Nikolaĭ M. Alekseev; a photograph of Nemirovich-Danchenko, inscribed to Alekseev; and 7 newspaper clippings (Italian and Russian) concerning Nemirovich-Danchenko's theatrical activities.