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This collection documents the life and career of J. Max Bond, Jr., one of the most influential and prominent African-American architects and educators in the United States. The collection primarily documents Bond's professional activities rather than his building projects; however, the collection does contain project records and office records. The collection is made up of six series: Office Records, Personal Papers, Faculty Papers, Professional Papers, Project Records, and Reference Materials.

Correspondence, documents, photographs, tape recordings of interviews with people who knew John Berryman, and printed material gathered by John Haffenden for the authorized biography of Berryman, commissioned by Faber and Faber. Haffenden is a lecturer in English at the University of Sheffield.

Correspondence, manuscripts, notes, research materals, lectures, speeches, galley proofs, news releases, appointment diaries, photographs, printed materials, audio and video cassettes. The correspondence consists of letters from editors and publishers as well as a selected group of letters from readers reacting to his columns and articles. Among these letters are one or two each from Joseph Alsop, Warren E. Burger, J. William Fulbright, John Kenneth Galbraith and Hubert H. Humphrey. The manuscripts, with corrections, notes and research materials are for his numerous contributions to periodicals, such as the "Letters from.." series in The New Yorker, radio and television scripts, interviews with prominent government officials, such as George Shultz, lectures, speeches, ideas and proposals for books, and an extensive file for his unpublished history of the investment firm, Lehman Brothers Kuhn Loeb, Inc. There is a set of news releases for his column, "Washington Insight" 1965-1984 and for his Los Angeles Times column, 1980-1985. The printed materials include newspaper clippings, articles by Kraft in foreign periodicals and some books from his library. The audio and video cassettes contain interviews with presidents and prime ministers as well as radio and television broadcasts on which Kraft appeared.

The Juma Sultan papers includes a large collection of performances from the loft era in New York City, a significant but under-documented period of jazz history. The recordings collection of circa 430 items, spanning the period from 1965-1975 (on open reel and cassette) contains unique, unreleased concert recordings, with the exception of a small amount of the collection included in the box set of Aboriginal Music Society recordings, Father of Origin (Eremite records, 2011). The recordings document not only the music of Sultan's own groups, such as the Aboriginal Music Society, but also a wide variety of recordings of other bands at Studio We, at other loft spaces in Lower Manhattan (e.g., Studio Rivbea, Artist House, the Ladies Fort, and Ali's Alley), as well as in Woodstock.

Correspondence, manuscripts, diaries, drafts, notes, documents, proofs, clippings, printed books, and other related materials. There are typescript drafts, proofs, related correspondence,, and printed copies of each of her books; typescript and tearsheets of her short stories, novelettes, and playscripts; correspondence with readers, agents, and publishers, and files for her promotional work at Time-Life, her newspapare and magazine columns, and her other interests; her daily appointment books; and her financial records. Among the cataloged correspondence are: Roger Nash Baldwin, Moss Hart, Hubert H. Humphrey, Ernest Jones, Clare Boothe and Henry Luce, Thomas Mann, Jo Mielziner, and Dorothy Thompson.

Notes relating to and manuscripts of CASTRO'S CUBA, CUBA'S FIDEL by Lockwood. Included in the collection are ten tapes of a 22-hour interview with Castro. These tapes contain Lockwood's questions, Castro's answers, and Vallejo's translation into English. An edited transcript of these tapes, signed, and dated by Castro, is included.