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Aleksandr Aleksandrovich and Mariia Nikolaevna Bashmakov Papers, 1830; 1910-1958

5000 items
Abstract Or Scope

These papers consist of correspondence, manuscripts, documents, subject files, photographs, and printed materials. Most of the collection concerns Bashmakov's ethnographical work in France in the 1920s and 1930s, including correspondence, many manuscripts, lectures, notes, and copies of his publications. Subject files concern emigre monarchism in France, and the death of Father Georgiĭ Spasskiĭ. There are copies of the Russian version of Bashmakova's memoirs, "Perezhitoe." Cataloged correspondence in the collection consists of letters from Petr Krasnov and one or two items each from Henry Field, Evgeniĭ Miller, Petr Wrangel, and Boris Zaĭt︠s︡ev. There are also photographic slides representing ethnographical types from the Caucasus.

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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
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Collection of China's Spring 1989 Democracy Movement, 1988-1997, bulk 1989-1990

11.5 Linear Feet
Abstract Or Scope

The Collection of China's spring 1989 democracy movement (六四前后中国民主运动资料汇集) documents the legacy of the democracy movement in China during 1989 as well as events leading up to the Tiananmen Square Incident and its aftermath, dating from 1988 to 1997, and with the bulk of the materials dating from 1989 to 1990. The collection holds the originals and the photocopies of over 300 ephemeral posters, leaflet/handbills, newsletters, open letters, and petitions created and distributed in 1989, including those issued by the Peking Workers Autonomous Association (北京工人自治联合会), student groups from various universities, the "Hunger Strike Newsletter" and other unofficial news bulletins, intellectuals' petitions to the government, cartoons, and poetry. The collection also comprises over 200 photographs depicting demonstration banners, big character posters, petitions and letters to the leaders. The collection also contains 15 eye-witness reports by Asians and Westerners, reports of human rights organizations, as well as books, miscellaneous news magazine articles and newspaper clippings. Related materials in the collection also include Spring 1989 issues of the banned intellectuals' journal "Eastern Record"; 147 slides of work shown at the Peking National Gallery's avant-garde exhibition; and a video tape of interviews with artists and performance art at the February 5, 1989 opening of that exhibition. Other items are several VHS, audiocassettes, floppy disks, fragments of wall posters, a T-shirt, and commemorative envelopes. A large fabric banner prepared by Chinese students at the University of Michigan which was sent to Peking where it was displayed at Tiananmen Square in May 1989 and later returned to the U.S., is also included in the collection.

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Columbia Engineering Photograph Collection, 1958-2008, bulk 1988-2003

9.59 linear feet
Abstract Or Scope
This collection consists of photographs, negatives, and contact sheets of alumni and alumni activities, faculty, students and annual events which were taken to illustrate the School of Engineering and Applied Science alumni magazine Columbia Engineering.
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Columbia Theater Associates, 1893-1958

6 Linear Feet
Abstract Or Scope

Correspondence, scripts, slides, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players

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Columbia University historical recordings, 1902-1985

18.55 linear feet
Abstract Or Scope

An artificial collection of phonograph records, reels of audio tape recordings, and motion picture films recording a variety of Columbia University academic and extra-curricular activities and events such as lectures; speeches, some at award ceremonies; commencement; installation of Nicholas M. Butler and Dwight D. Eisenhower as presidents of the university; King George VI of England during his visit, 1939; speech of England's Queen Mother, Elizabeth in 1954; homecoming; football, the band; academic and alumni conferences; and radio programs under the auspices of Columbia. Many of the recordings are of Eisenhower. Other prominent personalities include John Foster Dulles, Herbert Hoover, Isidor Rabi, Eleanor Roosevelt, John R. Dunning, and the Shah of Iran.

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Committee for Health in Southern Africa records, 1981-1998, bulk 1985-1991

7.56 linear feet
Abstract Or Scope
This collection documents the efforts of the Committee for Health in Southern Africa, a human rights organization once based in New York State, in its attempts improve the health of the people of Southern Africa through research, education, training, and consultation.
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Daniel Talbot Papers, 1923-2010, bulk 1960-2008

495 linear feet
Abstract Or Scope
The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.
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Department of Physics Historical records, 1862-1997, bulk 1906-1957

2.29 linear feet
Abstract Or Scope
This collection of various historical materials collected by the Columbia University Physics Department includes photographs and negatives of faculty members, faculty biographical information, images of related buildings and grounds, correspondence between faculty members and others, publications, information concerning guest lecturers in the department, as well as materials used in exhibitions and presentations depicting the department's history.
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East Harlem Protestant Parish records, 1942 -- 2007

21 linear feet
Abstract Or Scope
The East Harlem Protestant Parish (EHPP) was an interdenominational ministry seeking to provide leadership in the development of community life, and was an excellent example of an ecumenical ministry in a local, inner-city setting. The collection contains documents and photographs of the churches, individuals, programs, and committees of the EHPP.
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Edmund Stevens papers, 1939-1992

16 linear feet
Abstract Or Scope
Edmund Stevens (1910-1992) was an American journalist who worked as a foreign correspondent in the Soviet Union from the 1930s until the early 1990s. He won the Pulitzer Prize for international reporting in 1950. The papers include articles, book materials, correspondence, travel notes, reporter notebooks, and photographs.
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Edwin H. Armstrong papers, 1886-1982, bulk 1912-1954

295.7 linear feet
Abstract Or Scope

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

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Estelle Brodman papers, 1950-1987

20 linear feet
Abstract Or Scope
This collection contains correspondence, manuscripts, notes, documents, reports, publications and other printed matter relating to Estelle Brodman, librarian and professor of Medical History.
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Fly papers, late 1980s-early 2000s

52 Linear Feet
Abstract Or Scope

A large collection of original comic and illustration art; a considerable number of articles of clothing; tapes and CDs; documents; photographs; ephemera.

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Goddard-Riverside Community Center records, 1854-1994

51 linear feet
Abstract Or Scope

The records include annual reports, board minutes, budgets, by-laws, correspondence, memos, publications, reports, scrapbooks, photographs and printed material. They document the settlement and its antecedent institutions from 1854 to 1994, offering a unique view of the first wave of the settlement house movement in America, as well as related philanthropy and social welfare activities in New York City over a 140 year period. The origins of Goddard-Riverside Community Center are documented in Series I, which includes eight institutional subseries. These records provide a wealth of information on philanthropic, social welfare and settlement work from the mid-19th century through the 1950s. Series II - IV document the activities of the settlement from 1959 to the 1990s, with a particular emphasis on the urban renewal period of the 1960s. Items in Series VII include photographs of staff, activities, facilities of Goddard-Riverside Community Center, as well as several of its predecessor institutions.

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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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Guastavino Fireproof Construction Company architectural records, 1866-1985, bulk 1890-1942

40.1 linear feet
Abstract Or Scope
This collection is made up of architectural drawings, correspondence, specifications, contracts, invoices, minutes, financial statements, patents, advertisements, photographs, photograph album, test results and reports, memoranda, tile samples, factory order cards, and other materials pertaining to The Guastavino Fireproof Construction Company's projects. The dates of the materials span 1866-1985, with bulk dates 1890-1942. The architectural records include structural, decorative, and acoustical sample products and fragments. Also included are materials added to the files by George Collins (1917-1993), Professor of Art History at Columbia University. Prof. Collins secured the donation of this archive in 1963, and remained its custodian until it was transferred to the Drawings and Archives Collection at the Avery Architectural and Fine Arts Library in 1988. The records document Prof. Collins' research efforts, as well as the Company's projects in forty states (including District of Columbia), four Canadian provinces, and eleven other foreign countries.
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Gustavus Elmer Emanuel Lindquist Papers, 1897-1955

67 boxes
Abstract Or Scope

Correspondence; minutes; reports; surveys of conferences and Home Missions congresses and the American Indian, Indian tribes, reservations, and agencies; maps; photographs; and slides.

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Harry J. Carman papers, 1900-1964

47 linear feet
Abstract Or Scope

Papers of Carman spanning his entire career beginning with his student days at Syracuse and Columbia Universities. His Columbia files include professional correspondence, lecture notes, course-related materia, and a bibliographical card index of American and European history. Dean Carman's abiding interest both in the academic and general communities is reflected in numerous special files which include correspondence to him as book review editor of HISTORICAL OUTLOOK, 1925-1929, as participant in Columbia's AMERICAN CULTURE SERIES, ca. 1935-1942, and STUDIES IN THE HISTORY OF AMERICAN AGRICULTURE, ca. 1935-1945. There are numerous files relating to his membership on the New York City Board of Higher Education, 1938-1964, the New York State Board of Mediation, 1941-1955, and the Japan American Committee on Intellectual Exchange. The many folders on American colleges attest to the Dean's concern for the quality and improvement of undergraduate education in the United States. Included are some of the working papers for PREPARATION FOR MEDICAL EDUCATION IN THE LIBERAL ARTS (published 1953), and THE RESURVEY OF PREPROFESSIONAL EDUCATION IN THE LIBERAL ARTS COLLEGE (published 1961). Among the few and incomplete book manuscripts there is a typescript of LINCOLN AND PATRONAGE (published 1943) with handwritten addition and correction.

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Henry Beetle Hough papers, 1841-1994

24 linear feet
Abstract Or Scope

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

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