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Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Lists, subject files, photographs, etchings and printed materials relating to the Pazheskii Korpus (imperial Corps of Pages), a school for the sons of the Russian nobility founded in 1802, and the Soiuz Pazhei (Union of Pages), the emigré alumni organization founded in 1920. The materials were collected by representatives of the Union of Pages. The collection consists chiefly of mimeographed newsletters, books, printed mementoes, such as programs, menus, tickets, and school forms, and of pictorial materials, especially photographs and etchings. The great majority of the materials pertain to the Imperial Corps of Pages and to Russia's imperial family, and include many unusual photographs portraying school life and the life of the family of Nicholas II. There are also old photographs of Moscow, St. Petersburg, and Tsarskoe Selo, printed reports of the State Council for 1894-99, newsletters published by the Union of Pages and miscellaneous Russian and foreign publications, originally part of the library of the museum of the Union of Pages in Paris.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

A collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers

This collection is primarily concerned with Prof. James Renwick and his professional correspondence and papers, both as Professor of Natural Philosophy (Physics) at Columbia College and as a leading engineer. Many certificates of membership in honorary societies are included. There are letters from Washington Irving (1783-1859) to Prof. Renwick and to his mother, Jane Jeffrey Renwick, pertaining to contemporary events and Irving's own activities. The letters to Mrs. Renwick are about the travels and experiences of Irving and Renwick abroad. The collection also covers the affairs of the Prof. Renwick's grandfather, including documents concerning his land grants in New York State, and those of James Armstrong Renwick, including his valedictory address at Columbia College in 1876 and his class reunion in 1916. There are many legal documents, letters, and manuscripts of various members of the Renwick and Brevoort families; among these are Prof. Renwick's notes on his family genealogy and a memoir of Jane Jeffrey Renwick. Correspondents include Clement Clarke Moore, John A. Dix, Martin Van Buren, Secretary of State John Forsyth, and Secretary of the Navy James K. Paulding. There is one letter from Sir Edward Sabine (1788-1883), President of the Royal Society, giving his views on the American Civil War.

This collection, consisting of original art, process materials, prints, books, and journals. It includes "Tabula Rosetta," issues 1-4, as well the original art for Volumes I and III. Original art for other works includes "Aria," "Aquarius," "Socially Awkaward Funnies," "Soul Deleter," and "Triage." The collection also includes instructions for role-playing games created by Reed, dream journals, poetry, and other written material. The material sheds light on Reed's own work as well as on what it means to be trans in the South.