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Also, minutes kept by Richard Michell Upjohn for the American Institute of Architects, New York Chapter, Committee for Library and Publications, 1868-1877, and Executive Committee, 1867-1889; sketchbooks, 1850s-1870s; photographs of Upjohn buildings and portraits of Richard Upjohn; correspondence, wills, memorial tributes, manuscripts, printed material, and miscellaneous personal and business documents; and several drawings by other architects including Alexander Jackson Davis, Hobart Brown Upjohn, and Calvert Vaux

This collection includes letters from members of the academic community at Columbia and elsewhere, former students, Columbia College alumni, members of the Van Amringe family, and friends. These letters deal with the official, alumni, and personal matters. There are two letter books for 1894 when he was Dean of Columbia's School of Arts (later known as Columbia College, the undergraduate school). The manuscripts include holograph and typescript copies of speeches made by Van Amringe at various Columbia functions, at alumni affairs, and at meetings of civic, charitable, and academic organizations; course notebooks while he attended Columbia College; diaries of daily appointments, 1909-1914; intimate prose and poetry written by Van Amringe and members of his family; a pencil sketchbook and notebook containing three plays by his daughter Emily Bulow Van Amringe. The collection includes numerous clippings, brochures, invitations, and other Columbia and personal memorabilia.

Correspondence, art work, and memorabilia of Rood, including letters to Rood from colleagues, scientists, and artists including Albert Bierstadt, Arthur J. Evans, Joseph Henry, and Charles Eliot Norton. Family letters to and from his wife, Matilda, and children; letters from his wife to her mother, Anna Prunner, in Germany; sketchbooks, drawings, and etchings of Rood and his son, Roland Rood; and photographs and memorabilia.

Correspondence, manuscripts, original drawings and sketches, and memorabilia of Reinhart. Of the 247 letters in the collection, a number are from E.A. Abbey, William Dean Howells, and Henry James. There are eight original drawings and sketches and two sketchbooks, as well as numerous photostats and clippings of his works that appeared in magazines. Also, a group of letters to the artist's son, C. Stanley Reinhart, relating to the disposition of various paintings to galleries and museums throughout the country.

Included are drawings made by Avery while studying under Jules Andre at the Ecole des Beaux-Arts, Paris, and sketchbooks containing sketches made in Paris and on excursions, 1872-1879. Architectural drawings and photographs of architectural drawings for proposed or executed residential and commercial buildings, churches, art galleries, monuments, and other structures, 1880s; competition drawings for public monuments, 1883-1887; experimental studies, 1885, for the pedestal of Frederic-Auguste Bartholdi's Statue of Liberty; and 39 studies and finished drawings, 1888-1890, made for a competition for a memorial for Ulysses S. Grant which he did not win. Also, magazine articles by or about Avery and his work, 1883-1890; obituaries and death announcements, 1890; miscellaneous photographs, certificates, and papers; and invitations, clippings, illustrations, and photographs, circa 1892-1894, relating to the founding of the Avery Architectural Library at Columbia University.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

Also, a variety of professional and personal miscellany, such as correspondence, clippings, pamphlets, flyers, postcards, invitations, menus, receipts, a diploma, caricatures of colleagues, and Sawyer's monocle