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Appleton Sheet Music collection, 1925-1955

2.5 Linear Feet
Abstract Or Scope
A collection of sheet music of musical theater works from 1925-1955.
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Comic Art collection, circa 1884-2016

16 linear feet
Abstract Or Scope

A teaching collection of original comic art, much of which sheds light on various historical styles or techniques. Accompanied by several comic books. Materials includes daily newspaper strip art, Sunday newspaper strip art, single-panel cartoons, comic book pages, and related comics material, such as printing plates and ephemera.

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Daniel Gregory Mason papers, 1894-1953

35 linear feet
Abstract Or Scope

Manuscript materials which include correspondence, business papers, composition scrapbooks and musical scores; books; clippings; records; and photographs.

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David W. Miller American Sheet Music Collection, 1900-1950

56 linear feet
Abstract Or Scope

Collection of popular sheet music, arranged by date of publication, from ca. 1900-1950.

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Douglas Moore papers, 1883-2018, bulk 1907-1969

45 linear feet
Abstract Or Scope
Douglas Stuart Moore (1893-1969) was an American composer, educator, and author. His best known works include the operas The Devil and Daniel Webster (1937-1939), The Ballad of Baby Doe (1953-1956), and Giants in the Earth (1949-1950), which won the Pulitzer Prize for Music in 1951. The papers include clippings, correspondence, course and lecture materials, librettos, photographs, programs, publicity materials, recordings, and scores.
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Eda Rothstein Rapoport Papers, circa 1915-1968, 1915-1968

15 linear feet
Abstract Or Scope
Eda Rapoport was a Jewish American composer and pianist. Her papers are comprised primarily of manuscripts of musical scores arranged by Rapoport, as well as commercially-printed music. The collection also features recordings of performances of Rapoport's works dating from 1939 to 1966.
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Frederick Fried Coney Island collection, 1847-2001

32.62 linear feet
Abstract Or Scope
The collection consists of materials used by Frederick Fried in his research and writing about folk art and material culture, especially related to Coney Island, Brooklyn, New York. A significant portion of the collection consists of the personal archive of William F. Mangels, which was purchased by Fried in 1955. Mangels was a designer and manufacturer of amusement rides and founder of the American Museum of Public Recreation at Coney Island. Subjects include amusement parks, amusement rides, architecture, bathing pavilions, beaches, beauty contests, carousels, carousel animals, Brooklyn, coin-operated machines, Coney Island, exhibitions, games of chance and skill, hotels, mechanical rides, mechanization, parades, pleasure railways, recreation, roller coasters, sideshows, transportation, and other subjects related to American material culture and popular amusement.
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Hunt-Berol Sheet Music Collection, 1700s-1900s

244 linear feet
Abstract Or Scope

Printed music from the 18th-20th centuries, primarily 19th century American. Almost half the items are popular editions of European composers' instrumental music. The collection contains a large quantity of patriotic music such as the 1798 "Adams and Liberty" and the first and third editions (both 1798) of "Hail Columbia" and a comprehensive collection of music from the Civil War. There are also early printings of "The Star Spangled Banner," first and later editions of Stephen Foster's music, and a large collection of Benjamin Carr materials. Collection of 16th-20th century rare music books was cataloged individually. Primarily collected by Arthur Billings Hunt, 1890-1971, baritone, musical director and broadcaster. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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Jerome Moross papers, 1924-2018

70.25 linear feet
Abstract Or Scope

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

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