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Four photographs of the International Exhibition in Philadelphia, 1876, showing Horticultural Hall, Main Hall (also called Industrial Hall), Memorial Hall, and the Michigan Building with the Detroit Light Guard posed in front of it. Also included are seven photographs of clouds (at the time cameras were not able to expose both buildings and clouds at the same time so the negatives of the clouds were combined with the negatives of the photographs of the International Exhibition to create one print). Also, two photographs of the sculptures "The Forced Prayer" by Pietro Guarnerio and "Religious Liberty" by Moses Ezekiel.

Letters, documents, memorabilia, printed material, prints, medals and sculpture relating to Lincoln and the Civil War period. Included are a letter from Edward Everett, a Philip Henry Sheridan autograph, a document by W. H. Herndon, Linclon's law partner, 19th century leters and documents and 20th century clippings, pictures, etc. of or about Lincoln. The collection features a John Rogers sculpture, "The Council of War," several busts of Lincoln and other two and three dimensional works of art.

Contemporary engravings, lithographs, carte-de-visite photographs, and memorabilia; 20th century drawings and reproductions of portraits of Lincoln, his family, and his contemporaries. Among the portraits of Lincoln are a charcoal sketch by the sculptor Gutzon Borglum, lithographs by Currier and Ives, photographs by Mathew Brady and his studio. Memorabilia in the collection include bookends and sculptures, a dinner plate, a carved plaque, a reproduction of a death mask, a mourning ribbon, silk commemorative badges, and a hair ornament worn by Mrs Lincoln, in a leather-covered trinket box with the President's initials on it.

Three groups of drawings, two in notebooks and the third torn from a notebook. 1). A 38 page spiral bound notebook containing 29 drawings, 9 pages of notes, and a concrete poem by Nancy Holt. Most of the drawings were done in preparation for his show at L'Attico Gallery in Rome, October 15 to November 7, 1969. The last two drawings refer to his travels in the Yucatan. 2). Three loose drawings torn from a larger spiral bound notebook. They are studies for L'Attico Gallery Exhibition. 3). A 12 page typewriter paper tablet containing 10 drawings (four are loose) and two pages of notes. The drawings were done from late 1969 through 1970 in Vancouver, the Anaconda Mines in British Columbia, and elsewhere.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.