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The Edward M. Kennedy Prize records are records related to the adminstration of the prize. These include administrative material such as nomination forms and correspondence, as well as the finalists' and winning submissions.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

The collection centers on Zierold's book, LITTLE CHARLEY ROSS, 1967, a re-examination of the first American kidnapping for ransom. Included are notes, research materials, illustrations, typescripts, proofs, reviews, and correspondence. Zierold has added the drafts, manuscripts, and typescripts of several of his plays and writings about Hollywood, including THE CHILD STARS, BABY MADGE, SWINGING FROM A CHANDELIER, DEATH IN HOLLYWOOD, THREE WOMEN IN BLACK, THE SEX GODDESSES, and NOT BEFORE BREAKFAST.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

Turteltaub's correspondence, notes, and drafts of scripts for the Shari Lewis Show, On Broadway Tonight, the Jackie Gleason Show, the Pat Boone Show, the Carol Burnett Show, Candid Camera, the Jack Paar Show, That Girl, and the Phyllis Diller Show.

Playscripts, notes, caricatures, rehearsal lists, playbills, a flyer, and newspaper reviews and clippings for THE CRUCIBLE by Arthur Miller. THE CRUCIBLE, a drama about the Salem witch trials of 1692, was first produced in Wilmington in January 1953 and opened in New York in June 1953. The playscripts show the working notes of Arthur Miller and of Jed Harris, the director.