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Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Turteltaub's correspondence, notes, and drafts of scripts for the Shari Lewis Show, On Broadway Tonight, the Jackie Gleason Show, the Pat Boone Show, the Carol Burnett Show, Candid Camera, the Jack Paar Show, That Girl, and the Phyllis Diller Show.

Correspondence, memoranda, photoreproductions of manuscript excerpts by Kafka, publicity files, production records, and printed materials for the works of the Austrian author, Franz Kafka, in German and English translations, 1940-1977. These extant files were set aside by David Rome, the former president of Schocken Books, after the firm was purchased by Pantheon Books, a division of Random House, several years ago. The files consist mainly of production files for the first American editions of THE GREAT WALL OF CHINA (1946), LETTERS TO MILENA (1948), ERZAHLUNGEN UND KLEINE PROSA (1957), and FRANZ KAFKA: BRIEFE (l958). Also included is a publicity file aimed at American Jewish organizations and college and university German departments promoting SAMLICHE WERKE edited by Max Brod as well as his biography of Kafka, and a marked master galley proof for PARABLES AND PARADOXES (1958). Also included are photocopies and mimeograph copies of playscripts based on Kafka's DIARY and METAMORPHOSES and a script by Michael McClure, JOSEPHINE, based on a character of the same name in Kafka's story, THE MOUSE FOLK. There is correspondence with Professor Heinz Pollitzer concerning the promotion of publishing Kafka's writings in the early 1960s. The printed materials are chiefly book reviews of Kafka's publications and some scholarly articles on Kafka.

Papers of the Society, including correspondence among the officers and directors of the Society, memoranda, reports, legal papers, minutes, financial records, radio scripts, clippings, scrapbooks, comic books, and a subject file of pamphlets and clippings on all aspects of crime prevention. Also, an extensive history of the Society.

Stark Young's own manuscripts. The complete manuscript of IMMORTAL SHADOWS, 1948. Each of the 65 essays is in a separate folder and most are the manuscripts which were originally printed in THE NEW REPUBLIC and show Young's extensive revisions of his earlier work. The final typescript of his autobiography, THE PAVILION, 1951, as well as a loose-leaf notebook of early drafts and a typescript copy of several reviews of this book. A printed copy of his play ARTEMIS, 1942, and his notes concerning the originality of his authorship. Also, one letter from Young to a playwright.

The Edward M. Kennedy Prize records are records related to the adminstration of the prize. These include administrative material such as nomination forms and correspondence, as well as the finalists' and winning submissions.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

Proofs, photographs, photostatic copies, and other printed materials of Roscoe. Included are proofs and illustrative materials for his book The Web Of Conspiracy; The Complete Story Of The Men Who Murdered Abraham Lincoln, and a printed copy of his book, Only In New England, a book of crime fiction.