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This collection contains 1700+ folders of feminist ephemera collected by the Barnard Center for Research on Women on topics such as women, gender, activism, labor, sexuality, healthcare, marriage, psychology, development, and law.

This collection contains correspondence to Bose, flyers, newsletters, and publications.

The Class of 1971 Oral History Collection currently contains 39 oral histories from members of Barnard College's class of 1971.

The Coalition for Women Prisoners was a coalition founded in 1994 to address the issues and needs of women incarcerated in the New York prisons. The CWP was coordinated by the Women in Prison Project at the Correctional Association of New York. Formerly incarcerated women held various leadership roles in the Coalition as committee co-chairs, lobby team leaders, campaign organizers, peer-leader outreach workers, and public speakers. Their narratives, writing, and organizing work are present across the collection's materials. The CWP Collection contains physical and digital materials documenting the work of the Coalition for Women Prisoners and its members. The collection's contents include organizational records, photographs, video footage, films, artwork, reports, publications, and movement ephemera from the CWP's advocacy campaigns, programming, and organizational operations.

This collection consists of administrative records, biographical files, and materials such as banners, posters, and t-shirts, regarding the activities of the East End Women's Alliance, a feminist group active from 1970 - 1999 in the Hamptons, New York.

This collection contains records collected and maintained by Maggie Leigh Groff during her tenure as the Director of Public Affairs for Planned Parenthood Association of Bucks County, now a part of Planned Parenthood Keystone. The records are related to advocay for and campaigns related to the Abortion Control Act.

This collection contains materials relating to reproductive justice and abortion research and policy in the second half of the 20th century.

This collection documents Sabra Moore's involvement in the Women's Art Movement, Women's Caucus for Art, Women Artists in Revolution, Heresies Collective, and other feminist artist groups based in New York City from the 1970s to the mid-1990s. The collection consists of flyers, publications, artwork, t-shirts, correspondence, photographs, and protest ephemera conceived of, and created by, Moore and her artist colleagues.