Search

Correspondence, manuscripts, lectures, notes, diaries, notebooks, reports, financial records, blueprints, photographs, and printed materials of Y.C. James Yen and the IIRR concerned with the development, sharing, and financing innovative methods of teaching, improving agriculture, health and family planning, and education in impoverished villages. Among the cataloged correspondents are: Pearl Buck, William O. Douglas, Nelson Rockefeller, and DeWitt Clinton.

The collection includes 21 posters relating to book arts, and a number of historical rare book dealer and auction catalogs and booklets related to rare book librarianship. It also includes several groups of printed materials, documents, art and memorabilia related to literature, performing arts, and the New York World's Fairs of 1939-40 and 1964-65.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Posters originating primarily in the United States (with some from Canada and France) publicizing various activities on the home front in World War I: recruitment efforts, Red Cross Drives, the sale of Liberty Bonds, War Savings Stamps, and Thrift Stamps, the YMCA, various austerity measures, and appeals for charitable contributions. Included in the collections is the well-known recruitment poster "I want you for the U.S. Army."

Papers and memorabilia of Schillinger, including a group of rare Russian concert posters, programs, music compositions, published writings about Schillinger, and a notebook containing the outlines of courses and lectures given in Russia and in New York.

A collection consisting of rock posters, primarily from the Fillmore and Matrix auditoriums in San Francisco, representing works by artists including Victor Moscoso, Wes Wilson, and David Singer.

Correspondence, notes, manuscripts, documents, photographs, audio tapes, and printed material of Louis G. Cowan. The files document Cowan's activites at CBS and Brandeis University, and in many other capacities. Approximately one-third of the collection consists of records and studies of the Broadcast Institute of North America. The papers also reflect a number of Cowan's various interests such as posters; the earliest item in the collection, a letter from General Charles P. Stone, 1885, is indicative of Cowan's active interest in the history of the Statue of Liberty. Among the prominent correspondents are Jacob Bronowski, Hubert H. Humphrey, William Phillips, and Jonas Salk.

A group of 45 Soviet World War II posters. These posters were part of a numbered series of 1,250 produced as wartime art and propaganda by the Tass Window Collective in Moscow. The collection is believed to have been acquired from the Rockwell Kent Estate