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The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Flyers, posters, and occasional periodical issues of various protest, political, and social action groups in New York City. The emphasis is anti-war, gay liberation and New York City political campaigns

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

A collection including World War I posters issued in France. 1) Auguste Leroux: "3-e Emprunt de la défense nationale."; 2) Maurice Neumon: "Journée du Poilu."; 3) Georges Redon: "Emprunt national, Société générale."; 4) Th. Steinlen: Poster for the book PENDANT AU'ARSENE SE BAT by Cyril Berger, serialized from February 1918 in LE PAYS; 5) Tel: "L'emprunt des 'Derniéres cartouches.'"; 6) Charles Fouqueray: "Journée de l'Armée d'Afrique et des Troupes Coloniales." 1917

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Manuscripts and memoirs of Vakar. The topics with which Vakar chiefly deals include: his military education and service; the role of the cavalry in the Imperial Army; emigre military groups in Europe; the Russian Defense Corps (Russkiĭ Okhrannyĭ Korpus) in Yugoslavia during World War II; and Russian emigre life in Argentina after the war. In addition to the manuscripts and memoirs, there are several posters and maps drawn by Vakar on military topics.

American and English literary posters of the late nineteenth and early twentieth centuries (up to 1930) primarily relating to book and magazine publication. There are also examples of poster art of France, Germany and Italy.