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Correspondence by and relating to Housman and to his brother, Laurence Housman. Nearly all of the letters were written to Cyril Clemens, who was working on a proposed biography of A.E. Housman. The collection includes six letters from A.E. Housman and an important group of 94 letters from Laurence Housman, which contain comments on his brother's life and activities, religious beliefs, reading, and manuscripts. There are 45 letters from relatives and persons closely related to A.E. Housman, among them his sisters, Clemence Housman and Katharine E. Symons, his publisher, Grant Richards, and his associates at Oxford University, James T. Nance and Alfred W. Pollard. Also included in the collection are twelve manuscripts, the most noteworthy of which are two signed poems by Laurence Housman and a 4-line verse in Lord Dunsany's holograph entitled "A. E. Housman.".

A collection of seventeen letters and one manuscript of Coppard. The letters were written to Cyril Clemens and deal with short story writing, poetry, contemporary writers, and political figures. The holograph manuscript in the collection is of Coppard's poem "Rascal Song." Also, nineteen letters and postcards to Coppard's brother, George A. Coppard.

Correspondence, manuscript, document, autograph and photographs of and by Irish, English and American poets. The letters are by Samuel Austin Allibone, John Erskine, Padraic Colum, Lord Dunsany, Frances Anne Kemble, Henry Wadsworth Longfellow, Daniel O'Connell, Theodore Parker, and John Greenleaf Whittier. There is an a.ms.s. poem by John Quincy Adams; manuscripts by Ralph Waldo Emerson, Padraic Colum, and Daniel 0'Connell, as well as G. M. Fuller's autograph and photographs of Dunsany, Longfellow and James Russell Lowell. There is also a custom receipt signed by Nathaniel Hawthorne, an uncataloged portrait of Longfellow, and a charcoal portrait of G. K. Chesterton by Ivan Opffer

Mostly testimonial letters from satisfied clients of A.P. Watt, praising his services. Many of the letters were published in promotional brochures. Two of these books, COLLECTION OF LETTERS ADDRESSED TO A.P. WATT BY VARIOUS WRITERS (London, 1893) & LETTERS ADDRESSED TO A.P. WATT (London, 1894), are included in the collection. There were other editions published in 1889, 1898, 1899, 1924, 1929, etc.

Autograph manuscripts of 22 of the 34 poems published in MUSIC AND MOONLIGHT, POEMS AND SONGS, 1874. Also included is "The Song of Aloe" a lyric complete in itself, but included in the long title poem. The collection is rich in interest to the student of poetic composition by virtue of its inclusion of a large number of successive drafts of the same poem, most of them with corrections. Also, sixteen autograph letters by Eleanor Marston O'Shaughnessy written to Arthur O'Shaughnessy before and after their marriage, and to other correspondents.

Correspondence, manuscripts, photographs, and printed materials. The correspondence includes 42 letters to Derek Stanford. There are also ten volumes of his diaries covering the years from 1918 to 1981 and his autobiographical manuscripts: THE OCTOPUS OF LOVE; THE ANSWER TO LIFE IS NO; BLACK SAHARA; COFFEE FOR LAURA; PRINTERS' PIE; THE FRAIL SCREEN; and NO MONEY FOR DREAMS, as well as many unpublished poems in manuscript. Among the cataloged correspondents are: Dannie Abse, Edwin Brock, Alexander Comfort, Denise Levertov, Kenneth Patchen, and Sydney Tremayne

Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Correspondence from clients about placing their work. Among the authors are: Michael Arlen, Nancy Astor, Beverley Nichols, Cecil Roberts, and Alec Waugh. There is also a typescript concert program for The Amphion Glee Club in 1907, signed by 58 members who were orthopedic surgeons.

Correspondence, manuscripts, photographs, and printed materials of Sypher, reflecting his interest in A.C. Swinburne and in the Estonian poet, Aleksis Rannit. Correspondents include Joseph Hume, Ted Joans, Aleksis Rannit, Enid Starkie, and Algernon Charles Swinburne. There are additional materials on Africa, the Mina dialect in Togo, and the Sypher and related families of New York State.

Correspondence and manuscripts. Correspondents include Leonard Cutts, John Gawsworth, Robert Herring, David Higham, John Lehmann, and Denys Kilham Roberts. The letters in general deal with the publication of his poems. The manuscripts are mainly corrected typescripts.

Correspondence, manuscripts, art works, and printed materials by and about the English Poet Laureate John Masefield. Included are about 72 letters written by Masefield to his wife, Constance, from February through May 1917 when he was with the British Army in northern France. There are also letters from Masefield to Suzanne and Nicholas Fay, Jean Downs, Michael and Mollie Hardwick, Thomas F. E. Kelly, Mrs. Robert Masefield, Lord Noel-Buxton, Ruth Robinson, Dorothy S. Rodwell, and others. In addition, there are autograph manuscripts of poems, manuscript notebooks with drafts of poems, related art work, and printed materials including several items relating to the poets's death. Also included are 90 letters and cards from Masefield to the ballerina Brangwen reflecting their close friendship

Autographed and typed letters from Riding to newspaper and magazine editors, primarily concerning published material by and about her. Throughout the collection there are references to Robert Graves. There is also a group of letters to Anthony Dickins, English poet and editor of the LONDON MAGAZINE.

Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.

A group of poetry manuscripts written during the 1960's. Also, a manuscript notebook containing at least 55 pieces including articles, talks, and book reviews, mostly with titles. These are carefully corrected first drafts and include a long essay on Graves' "White Goddess" an introduction to Edgell Rickword, and essays on J.R. Ackerley, Ruth Pitter "My Kind of Poetry", "Auden at Sixty", George Orwell, A.E. Housman, and F.R. Leavis.

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Various letters and manuscripts by and about Sir Osbert Sitwell (1892-1969), Dame Edith Sitwell (1887-1964), and Sir Sacheverell Sitwell (1897-). There are 2 notebooks which Dame Edith Sitwell inscribed to Siegfried Sassoon containing drafts of her poem "Gold Coast Customs" as well as numerous other drafts of prose and poems.

Correspondence, manuscript, and drawings relating to English and American literature of the 19th and early 20th centuries collected by Solton (1896-1961) and Julia (-1984) Engel. Ten letters and four manuscripts of poems by Rudyard Kipling form the largest unit within the collection. Prominent among the other items are the manuscript of Robert Louis Stevenson's "Mock Trial" and two Walt Whitman letters, a copy of R. W. Emerson's famous "Leaves of Grass" letter in Whitman's hand and Whitman's letter to Conway regarding the Emerson letter. Also included is a letter from James Fenimore Cooper to Mary Rutherfurd Clarkson Jay, wife of Peter Augustus Jay. Thirty-one of the drawings in the collection are by William Wallace Denslow and John Rae Neill and represent illustrations done for various works by L. Frank Baum. There are also two drawings of Gelett Burgess, one ot "The Goop" and the other of "The Purple Cow." Castings of the obverse and reverse of the bronze Kipling medallion commissioned by Engel in 1953 from Julio Kilenyi are stored in 2 oversize boxes. Most of the items in this collection relate to a collection of first editions which was also presented to the Libraries by Mr. and Mrs. Engel.

Letters of Thomas Hood. Eight of the nine letters in the collection are addressed to J.O. Ward and treat chiefly matters of Hood's health and a governmental pension. None of these is dated. The remaining letter, written from abroad in 1837 to a Doctor Elliot of London, is a lengthy account of Hood's health, travels, literary activities, and experiences of living in Germany and Belgium. The items are pasted on or hinged to versos of leaves in one volume, being faced by typed transcriptions.

The collection contains letters and manuscripts by and relating to Wilfred Owen, including seven letters (Nov. 5, 1917 to Oct. 10, 1918) written by Owen to Siegfried L. Sassoon (1886-1967) (English war poet, writer, and soldier). Additional correspondence includes 22 letters from the poet's mother, Mrs. Susan Owen to Sassoon (1921-1933); 28 letters written by the poet's brother, Harold Owen to Sassoon (1921-1966); one letter written by the poet's cousin, Leslie Gunston, to Sassoon (1921), and one letter (1930) to Edmund C. Blunden (1896-1974) (English poet, author and critic). There are also three letters from the Wilfred Owen scholar, Dennis S.R. Welland, to Siegfried Sassoon (1950). Finally, the collection holds one letter from Ian M. Parsons a partner at Chatto and Windus and one letter from the editor John Bell of Oxford University Press to Siegfried Sassoon (1946 and 1965).

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.