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Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

A collection of prints, photographs, pamphlets, clippings, playbills, and programs dealing with the theater, chiefly American and English, in all its aspects including drama, opera, dance, movies, puppets, and spectacles. The majority of the material documents the 19th century.

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

Correspondence, scripts, slides, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players

Correspondence, manuscripts, notes, photographs, reviews, clippings, and other printed materials about Hanff, as well as books by and about her.

Correspondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.

Papers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.