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Eugene H. Nickerson papers, 1955-1970

290 boxes
Abstract Or Scope

Personal, administrative, political, and investigative files of Nickerson. The papers deal almost entirely with his eight years as County Executive, and consist of correspondence, memoranda, manuscripts of speeches, notes, press releases, photographs, and clippings. Among the major correspondents are James A. Farley, Hubert H. Humphrey, Robert F. Kennedy, Edward I. Koch, and Percy E. Sutton. The Investigation Files, which amount to nearly half the collection, document investigation into corruption and mismanagement in numerous Long Island businesses and governmental departments. These investigations, instigated and overseen by Nickerson, were carried out largely by the Commissioner of Accounts, Milton Lipson, and later by Samuel Greason, the first governmental ombudsman in the United States. These files consist primarily of memoranda, transcripts of hearings, payroll and financial accounts, notes, and tape recordings.

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Frank Smithwick Hogan papers, 1932-1975

18.77 linear feet
Abstract Or Scope

Personal correspondence, speeches, subject files, photographs, and printed and miscellaneous material of Hogan. The correspondence, speeches, and other material relate primarily to his activities as District Attorney, and to his unsuccessful campaign for the U.S. Senate, 1958. The papers also reflect Hogan's deep concern for Columbia University, as a Trustee and a member of numerous alumni committees. Among the major correspondents are Harry J. Carman, Dwight David Eisenhower, Robert F. Kennedy, Arthur Hays Sulzburger, and Herbert Bayard Swope.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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Lawrence A. Wien papers, 1954-1982

60 linear feet
Abstract Or Scope

Correspondence, documents, financial records and memorabilia. The personal correspondence of Lawrence A. Wien, 1960-1983; including memoirs and notes on interests both personal and financial. The Lawrence A. Wien Foundation files include correspondence, 1958-1976, information on the Foundation's 10-year trust, and information on tax returns. Files for the Charles and Rosanna Batchelor Memorial fund consist of general correspondence, grant requests, and miscellaneous financial documents. The Committee to Increase Corporate Philanthropic Giving files comprise a large part of the collection. Among the numerous individual corporations represented are the American Broadcasting Company and the Zale Company. Wien's Foundation for the Improvement of Housing Arrangements for Official Foreign Personnel has personal files for each person receiving the Foundation's benefits, guarantees for those individuals, and letters ment to solicit funds from various corporations

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Samuel and Bella Spewack papers, 1920-1980

67 linear feet
Abstract Or Scope

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

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