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These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

Manuscripts, photographs, drawings, watercolors, and printed materials relating to the mission of the American Relief Administration in Soviet Russia in the early 1920s, during the famine of those years. There are manuscripts by William N. Haskell (chief of the mission) and Alvin E. Blomquist based on their experiences. There are many photographs concerning the mission's work, and the famine; there are also photographs of Communist Party leaders Lev Kamenev, Maksim Litvinov, and Nikolai Semashko. The drawings and watercolors, which are by an undentified artist, are of Simbirsk.

The collection includes correspondence, memoirs, organizational records, and printed materials. The correspondence -- which covers the 1923-1963 period -- concerns the activities of a number of emigre Cossack groups, scout groups and anti-Communist organizations throughout Europe, Canada and the United States. There is a two volume memoir written by P.P. Cherepanov, a member of the Tiflis Cadet Corps. The organizational records include accounts, membership lists, poems and songs, protocols and receipts, chiefly for the Tiflis Cadet Corps. Among the printed materials are issues of emigre and Cossack publications (such as "Bodrost,́" "Mikhaĭlovt︠s︡y" and "Rodimyĭ kraĭ") and ten folders of clippings about Cossack events and members. One of the scrapbooks contains guest lists of various events, clippings and photographs (including photographs from the filming of a 1920s production of "Khadzhi Murat"), while the other scrapbook has records of Cossack events and a number of original watercolors.

The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

Correspondence, manuscripts, and memorabilia of the American poet, Hart Crane, range in date over most of his active life. This collection includes over 500 letters written by Crane to members of his family and close friends and received by him from his family and contemporary authors including Eugene O'Neill, Sherwood Anderson, T. S. Eliot, Alfred Stieglitz, Waldo Frank, and Allan Tate. Among these is a group of letters written to Mrs. Crane upon Crane's death. There is correspondence and documents relating to his books, THE BRIDGE, WHITE BUILDINGS, and THE COLLECTED POEMS. Also present are most of the original manuscripts of Crane's major works ("The Bridge" "White Buildings" "West Indies Poems" etc) with corrections and additions in Crane's hand. Included here are a number of drafts of poems of his earlier period. The is also a copy of the 16mm motion picture "In Search of Hart Crane."

The papers consist of correspondence, manuscripts, documents, subject files, newspaper clippings, printed materials, photographs, and drawings. Most of the correspondence concerns Bilyi's activities as Ataman, and the journal "Kazak"; other correspondence is personal or relates to the activities of anti-Communist groups (such as the Anti-Bolshevik Bloc of Nations - ABN). The manuscripts include articles, reminiscences, drafts of appeals and proclamations, and speeches mostly concerning the Cossack movement, Cossack history, and the anti-Communist movement. The documents mostly concern KNOD and related organizations for the period ca.1955-1970; a few relate to the Cossacks in 1919-1945. The subject files contain newspaper clippings, printed materials, notes, and correspondence relating to KNOD, ABN, "Kazak", Ukrainian-Cossack relations, and the Vlasov Movement. The newspaper clippings are mostly from Russian and Ukrainian emigre publications. Printed materials include a set of "Kazak" and ephemera of KNOD, ABN, and similar organizations. There are a few photographs showing Bilyi in Cossack dress and also various Cossack emigre organization activities. The paintings and drawings include portraits of Bilyi and his wife, Tatiana Iurievna Bilyi, in national dress (his Cossack, hers Czech), other Cossack leaders, Cossack heraldry, and a map of "Cossackia."

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.