Search

Correspondence, manuscripts, drafts, notes, journals, scrapbooks, audio tapes, datebooks and calendars, photographs, printed material, and memorabilia. Included are files relating to articles which she researched and wrote while on the staff of LIFE magazine, especially on popular figures in current literature and the arts. There are also research files and typescripts for her books: PLEASE TOUCH, A DIFFERENT WOMAN, and FAMILIES. Among the correspondents are: Paul Bowles, Agnes de Mille, Ken Kesey, and Hope Cooke Namgyal

Collection consists of Schilt's correspondence as chairperson of Columbia's department of astronomy and director of the Yale-Columbia Southern Station as well as the Rutherford Observatory at Columbia. The majority of arranged office files are comprised of memoranda, documents, some departmental correspondence, committee reports, course material including material for student laboratory exercises. Thers is also a small sampling of Schilt's early notes as a student and reports of oo-site testing done under the auspices of the National Science Foundation.

This is a collection of twenty letters addressed to Daniel Polluche "de la Societe Literaire et Historien d'Orleans." The letters are from Etienne de Foncemagne, Louis Lemerault, Nicholas Lenglet Dufresnoy, the Duc de Luynes, Antoine-Joseph Pernety, and Daniel Secousse, and are requests for information and discussions of publishing projects related to work on Joan of Arc. There are also manuscript notes taken from books in the Jeanne d'Arc book collection"Remarques sur une Médaille de Philippe second.." by Polluche, and notes and a battle plan drawn for Samuel L. Clemens book about Joan of Arc.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Correspondence with friends and patients, manuscripts and printed copies of Taft's many scholarly articles, notes for the courses which she taught, and case histories of some of her patients. Correspondents include James R. Angell, Ruth Benedict, and Karen Horney.

Material gathered by Oswald Garrison Villard in the researches for his biography JOHN BROWN, 1800-1859: A BIOGRAPHY FIFTY YEARS AFTER. A large part of the materials is copies of correspondence both contemporary and of a later period, concerning John Brown and his associates, especially in the Kansas Territory and at the Harper's Ferry raid. Of the original letters in the collection, many are from descendants and family of John Brown and the men who accompanied him on his raid. There are clippings, pamphlets, proof sheets, and other printed matter. Photographs number 181 items.

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

Correspondence, manuscripts, documents, photographs, and printed materials by and about John Howard Griffin. The correspondence is extensive and includes letter from Jacques Maritain; Thomas Merton; Maxwell Geismar; Eldridge Cleaver; Robert Casadeus; Abraham Rattner; P.D. East; Joseph Noonan; Sarah Patton Boyle; Lillian Smith; Father August Thompson; Nell Dorr; and Brother Patrick Hart. All of his major works are represented in manuscript form (usually typescript, carbon). In addition there are many original photographs by Griffin, which he pasted throughout his extensive journal, 1950-1980. This journal is a remarkable account of his life and thoughts, extending to over 3,000 pages.

Correspondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.