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This collection consists of Wurzbach's notebooks, lab books, exams, essays, grade reports and lecture notes as an undergraduate student at Columbia College.

Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

Collection includes an untitled manuscript, a 712 page political tract, which deals with world events since 1914 in a strongly anti-Communist spirit; there are several drafts of a second treatise on a similar subject, which might have been intended by the author as a continuation of the first. This has been labelled "The Contemporary World Crisis." Also included are: multiple drafts of several shorter pieces on political-historical subjects; a few such pieces included in a single version only; a number of reports written to be delivered at emigre political congresses, chiefly those of the All-Russian National Union (Rossiĭskoe Nat︠s︡ionalńoe Obe̋dinenie); and some notes and jottings. For a list of the contents of each of the numbered stenographer's notebooks in which most of the manuscripts are written see the list compiled by Dmitrenko's literary executor, P. Sokolov, in Box 2.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Playscripts, correspondence about his scripts, poems, notebooks and other manuscripts including drafts, typescripts, notes, photographs, mimeographed scripts and printed materials, re. Cooper's plays, radio and television scripts, short stories, and novels.

The papers largely concern Russian military history and the emigre monarchist movement. There are two letters and typescripts on such themes as military education before World War I, the Benzeman family, and the kidnapping of General A. P. Kutepov in 1930. Also included are a pamphlet entitled "Imperator Nikolai II" (no author, published in Germany in 1948), and a binder entitled "Iz krasivogo proshlogo imperatorskoi Rossii" consisting of clippings of articles written by Benzeman.