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Folkus, 1995

0.01 Linear Feet
Abstract Or Scope
This collection consists of the student publication, Folkus. It featured articles, poetry, and interviews on topics such as drugs, sex, and music.
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Frank O'Hara papers, 1946-1973

24 items
Abstract Or Scope

Miscellaneous photographs, clippings, and other materials relating to O'Hara, collected by his boyhood friend Burton A. Robie. The collection includes one letter from O'Hara, one music score in his hand, and Handel music from his library.

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Frederick Barry papers, 1910-1943

21 linear feet
Abstract Or Scope

Manuscripts and lectures notes. The lecture notes are filed in 127 volumes arranged by subject. Professor Barry's interest in music is represented by the holograph manuscript of a voluminous musical composition"The Alcayde" composed in the late 1890s.

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George Antheil papers, 1919-1959

3.92 linear feet
Abstract Or Scope
The George Antheil Papers are composed primarily of correspondence, both professional and personal.
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Gloria Coates papers, 1970-1986

0.5 linear feet
Abstract Or Scope
Gloria Coates is an American composer who studied at Columbia University with Jack Beeson and Otto Luening. These papers include correspondence, concert programs and business records related to her activities as director of the German-American Contemporary Music Series in Munich from 1970 through 1986.
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Harold Triggs papers, 1900-1984

1.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child

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Hunt-Berol Sheet Music Collection, 1700s-1900s

244 linear feet
Abstract Or Scope

Printed music from the 18th-20th centuries, primarily 19th century American. Almost half the items are popular editions of European composers' instrumental music. The collection contains a large quantity of patriotic music such as the 1798 "Adams and Liberty" and the first and third editions (both 1798) of "Hail Columbia" and a comprehensive collection of music from the Civil War. There are also early printings of "The Star Spangled Banner," first and later editions of Stephen Foster's music, and a large collection of Benjamin Carr materials. Collection of 16th-20th century rare music books was cataloged individually. Primarily collected by Arthur Billings Hunt, 1890-1971, baritone, musical director and broadcaster. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music.

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İlhan Mimaroğlu Papers, 1926-2012

40 linear feet
Abstract Or Scope

The collection documents the career and personal life of Turkish-American electronic music composer, record producer, journalist and cultural critic, photographer, and filmmaker İlhan Mimaroğlu (1926-2012). It includes materials from each of Mimaroğlu's professional interests and activities, the bulk of which date from the early 1950s until his death in 2012.

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Irina Sergeevna Volkonskaia Letters, 1951-1969

114 items
Abstract Or Scope

Letters sent to Volkonskai︠a︡. Among the correspondents are outstanding musical figures, including Vladimir Ashkenazy, Geraldine Farrar, Emil Gilels, Vladimir Horowitz, Eugene Ormandy, and Svi︠a︡toslav Stokowski. There are also letters from the writer Ivan Bunin.

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John Erskine papers, 1890-1951

40 linear feet
Abstract Or Scope

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

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