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Boxes 6 and 7 are oversized boxes. 1-4 contain unpublished scores, 5 contain misc. paper and copies of unidentified music. 6 and 7 contain published scores with Miller's own markings. 5 rsc and 2 flat boxes.

A collection of seventy nine scores.

A collection consisting of rock posters, primarily from the Fillmore and Matrix auditoriums in San Francisco, representing works by artists including Victor Moscoso, Wes Wilson, and David Singer.

The eight-page biographical sketch, signed M.S. (perhaps Marii︠a︡ Sobrievskai︠a︡), discusses Sobrievskiĭ's early aptitude for music, his military training, his participation in World War I, and his life in German captivity. The sketch also describes Sobrievskiĭ's emigration to Egypt where his career as a violin player flourished.

Papers covering Mayer's literary activities from approximately 1954-1983 and his versatile interests in music and recordings, the financial world, the advertising business, the legal profession, and public education. The collection includes his notes, interviews, drafts, manuscripts, typescripts, proofs, reviews, correspondence, and clippings for THE SCHOOLS; THE LAWYERS; MADISON AVENUE, U.S.A.; EMORY BUCKNER; DIPLOMA; WHERE, WHEN, AND WHY: SOCIAL STUDIES IN AMERICAN SCHOOLS; as well as several hundred essays published in ESQUIRE, HORIZON, the SATURDAY EVENING POST, and other magazines. Also, material dealing with Mayer's books on banking, television, music, and housing, and with his continuing interest in education and the New York City school system; and diplomacy and his Sloan Foundation study on cities and universities.

Letters sent to Volkonskai︠a︡. Among the correspondents are outstanding musical figures, including Vladimir Ashkenazy, Geraldine Farrar, Emil Gilels, Vladimir Horowitz, Eugene Ormandy, and Svi︠a︡toslav Stokowski. There are also letters from the writer Ivan Bunin.