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Printed music from the 18th-20th centuries, primarily 19th century American. Almost half the items are popular editions of European composers' instrumental music. The collection contains a large quantity of patriotic music such as the 1798 "Adams and Liberty" and the first and third editions (both 1798) of "Hail Columbia" and a comprehensive collection of music from the Civil War. There are also early printings of "The Star Spangled Banner," first and later editions of Stephen Foster's music, and a large collection of Benjamin Carr materials. Collection of 16th-20th century rare music books was cataloged individually. Primarily collected by Arthur Billings Hunt, 1890-1971, baritone, musical director and broadcaster. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music.

Printed books and music manuscripts of the Ephrata Cloister. Manuscripts 1-6 are printed books by Johan Conrad Beissel (1690-1768) some with manuscript musical notation. Manuscripts 7-12 are volumes of manuscript musical notation of melodies for hymn texts in various printed books. Most of this collection relates to Beissel's DAS GESÄNG DER..TURTEL-TAUBE, 1747.

The archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

A group of fifteen letters from Hearn to Basil Hall Chamberlain (1850-1935), professor of Japanese and Philology at the Imperial University in Tokyo and Hearn's closest Western friend in Japan. The letters cover a tremendously varied range of subjects including Hearn's opinion of his own writing, his methods of work and use of language; his discontent as a teacher at the government college at Kumamoto; his views on religion, philosophy, and music; Japanese customs, mythology, art, and language; the Oriental character vs. the Occidental; and critical opinion of Paul Boerget's LE DISCIPLE and of Lewis Carroll.

Collection of popular sheet music, arranged by date of publication, from ca. 1900-1950.

Correspondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child

Manuscripts and lectures notes. The lecture notes are filed in 127 volumes arranged by subject. Professor Barry's interest in music is represented by the holograph manuscript of a voluminous musical composition"The Alcayde" composed in the late 1890s.