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Amram Scheinfeld papers, 1915-1975

24 linear feet
Abstract Or Scope

Manuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.

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Geoffrey Parsons papers, 1919-1959

4 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

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Judith Crist papers, 1930s-2012

112 linear feet
Abstract Or Scope
Judith Crist (1922-2012), was a film critic, journalist, and long-time adjunct professor at the Columbia University School of Journalism (1958-2012). Her papers include clippings, correspondence, interviews, mementos, notes, photographs, review files, telephone logs, and audiovisual materials.
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Marie Mattingly Meloney papers, 1891-1943

22 Linear Feet
Abstract Or Scope
Correspondence, manuscripts, documents, photographs, art works, memorabilia, and printed material created by and belonging to journalist, magazine editor, socialite, and social reformer Marie Mattingly Meloney (1878-1943). Meloney edited The Delineator, 1920-1926; the New York Herald Tribune Sunday Magazine, 1926-1934; and This Week magazine, 1934-1943.
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Rafael Steinberg Papers, 1903-2014, bulk 1944-1980

19.25 linear feet
Abstract Or Scope
Personal and professional papers of the foreign correspondent. The collection includes telexes from the Korean War and from assignments across Southeast Asia, letters to and from Steinberg, annotated copy and clips of published work, fiction by Steinberg, various items Steinberg collected in his work and travels, and photographs. Items from the Steinberg family collection include illustrations and book covers by Isador N. Steinberg.
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Robert N. Caldwell Correspondence, 1949-1969

1.26 linear feet
Abstract Or Scope
In 1949, New Jersey newspaper editor Robert N. Caldwell began a close friendship with his former professor at Columbia University, Mark van Doren. The two frequently discussed politics, literature, philosophy, and their day-to-day lives. This collection consists of correspondence, between Robert Caldwell and Columbia professor Mark van Doren spanning two decades.
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Thomas Whiteside papers, 1839-1995, bulk 1952-1992

29 linear feet
Abstract Or Scope
Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.
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