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Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

A collection of letters, manuscripts, proofs, and drawings of English and American authors, including 33 letters from Alan Gabriel Barnsley (Gabriel Fielding) to Derek Stanford; a letter from James Boswell to George Colman the younger; a letter from Wilkie Collins; a letter from James Fenimore Cooper to William Buell Sprague; a letter from Dinah Maria Mulock Craik; letters from E.M. Forster; letters from Sarah Grand to James B. Pond; letters from T.B. Macauley; a letter from Hester Lynch Piozzi to James Robson; letters and cards from G.B. Shaw; letters from R.B. Sheridan to Thomas Grenville and to C. Ward, and a letter from Elizabeth Ann Linley Sheridan to R.B. Sheridan; a letter from William Wordsworth to F.W. Faber; a letter to Alfred, Lord Tennyson to Benjamin Disraeli; letters from Anthony Trollope written to Frederic Chapman, Mary Christie, J.T. Fields, Frederic Harrison, and others; letters from Ellen Terry and Rhoda Broughton, and postcards from Evelyn Waugh to Graham Ackroyd. The manuscripts include examples by Max Beerbohm, Arnold Bennett, Elizabeth Bowen, John Burroughs, Ivy Compton-Burnett, A.E. Coppard, Baron Corvo, Cecil Day Lewis, Ronald Firbank, E.M. Forster, George Gissing, Sarah Grand, A.P. Herbert, Rudyard Kipling, Edward Lear, Henry W. Longfellow, Amy Lowell, John Wilmot 2nd Earl of Rochester, G.B. Shaw, Edith Sitwell, and Logan Pearsall Smith.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Correspondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.

Correspondence, manuscripts, documents, memorabilia and printed materials. The correspondence deals with literary and political topics, from such people as Hayden Carruth, Irwin Edman, Lola Ridge and Norman Thomas; numerous manuscripts of Mrs. Marshall's writings, including the notes, drafts, manuscripts and proofs of her last novel THE HILL IS LEVEL and various manuscripts of the stories published in THE CONFRONTATION AND OTHER STORIES, and numerous manuscripts of poetry and short stories. Also included is material on the World War II draft of 19-year-olds, economic aid for Western Europe, the Vietnam War, the origin of SANE, the Committee for Nuclear Responsibility, the Amchitka Islands nuclear tests, the Task Force against Nuclear Pollution, and personal correspondence from her own and her husband's families

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.