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Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

Correspondence, manuscripts, notes, documents, subject files, photographs, art works, and printed materials. This collection covers the entire span of his life, although by far the greatest part relates to his activities as a professor from the 1930s to the 1960s. Among the correspondents are many important figures in American Russian studies or Columbia University; there are also many letters from his wife, Clemens T. Robinson, and Lewis Mumford. Manuscripts by Robinson include his "Rural Russia under the Old Regime" lectures, notes, speeches and essays, and also miscellaneous pieces (essays, reviews, poems, stories, plays, etc.) that he wrote while he was an aspiring young journalist and writer in the 1910s and 1920s. Manuscripts by others consist of student theses, papers, books and reports that were given him for review or comment. Subject files deal with such topics as his service in World War I; Columbia University (especially the Libraries and the History Department); and various aspects of academic life and Russian studies. Almost nothing in the collection has any bearing on his government service during World War II; items from the war years concern personal affairs or scholarship. There are photographs of Robinson and his wife; family photographs from the late 19th and early 20th centuries; and Russian scenes. Art works include items by Clemens T. Robinson. Among the printed materials are two books inscribed by Mumford to Robinson.

The papers consist of correspondence, manuscripts, documents, original art works, bibliographic notes and material on exhibitions. There are letters from Aleksandr Benois, Mikhail Chekhov, Fedor Komissarzhevskiĭ, Georgiĭ Lukomskiĭ, Nikolaĭ Medtner, Vladimir Nabokov and Aleksandra Tolstai︠a︡, and one letter each from Ivan Bunin, Mikhail Fokin, Tyrone Guthrie, Sok Hurok and Serge Kusevit︠s︡kiĭ. The manuscripts include essays by Dobuzhinskiĭ on such topics as the Mir Iskusstva group, Pushkin's illustrations, Aleksandr Blok, Kuzḿa Petrov-Vodkin and Josʹe-Maria Sert. There are original art works (pen and ink, goache, etc.) relating to his artistic and theatrical productions. Also included are photographs of Russian scenes, apparently from before World War I.

Correspondence, manuscripts, documents, and newspapers. These include over four hundred letters to Alexander, as well as miscellaneous letters and telegrams; some of his manuscripts and notes; business records of his law firm; military documents of the western divisions of the Confederate Army; copybooks and letter books; and complete and partial newspapers and clippings from the various Southern newspapers (in particular THE SAVANNAH REPUBLICAN, the DAILY DISPATCH of Richmond, and the ADVERTISER AND REGISTER of Mobile) which carried Alexander's dispatches.

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.

Correspondence, manuscript, and drawings relating to English and American literature of the 19th and early 20th centuries collected by Solton (1896-1961) and Julia (-1984) Engel. Ten letters and four manuscripts of poems by Rudyard Kipling form the largest unit within the collection. Prominent among the other items are the manuscript of Robert Louis Stevenson's "Mock Trial" and two Walt Whitman letters, a copy of R. W. Emerson's famous "Leaves of Grass" letter in Whitman's hand and Whitman's letter to Conway regarding the Emerson letter. Also included is a letter from James Fenimore Cooper to Mary Rutherfurd Clarkson Jay, wife of Peter Augustus Jay. Thirty-one of the drawings in the collection are by William Wallace Denslow and John Rae Neill and represent illustrations done for various works by L. Frank Baum. There are also two drawings of Gelett Burgess, one ot "The Goop" and the other of "The Purple Cow." Castings of the obverse and reverse of the bronze Kipling medallion commissioned by Engel in 1953 from Julio Kilenyi are stored in 2 oversize boxes. Most of the items in this collection relate to a collection of first editions which was also presented to the Libraries by Mr. and Mrs. Engel.