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The original scores, clippings, correspondence and ephemera in this collection document the lives and careers of Harry Lawrence, Carlotta, and Valdo Freeman, a family of African-American performing artists involved in opera, theatre, and music in early-twentieth-century New York.

The Howard "Stretch" Johnson Papers document the life of Howard Johnson, known for most of his life as "Stretch." Johnson was a tap dancer with the Duke Ellington Orchestra and performed in Harlem at the Cotton Club and the Apollo Theater in the 1930s. After joining the Communist Party of the United States of America in 1940, Johnson went on to engage in social activism for most of his life, living in a number of places, including Brazil, Galveston, Texas, Hawaii, Paris, and St. Croix. The Papers contain correspondence, both personal and work related, as well as a nearly finished typescript of Stretch's autobiography. There are a number of photographs, mainly copies of the various performers at the Cotton Club, as well as audio and videocassettes, and ephemera. Additionally, the collection contains a family scrapbook with photos from the late 1940s and early 1950s.

The papers of Hubert Harrison, the brilliant and influential writer, orator, educator, critic, and political activist in Harlem during the early decades of the 20th century.