This collection documents the work of AIUSA human rights activist Judy Patterson and includes information on the AIUSA Board of Directors, budget, administration, and many other topics.
This collection documents the work of AIUSA human rights activist Judy Patterson and includes information on the AIUSA Board of Directors, budget, administration, and many other topics.
There are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.
There are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.
The Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.
The Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.
The materials concern Greenberg's teaching and administrative duties at Columbia in the 1990s. There is nothing related to his civil rights work in the 1960s. Includes papers files, 3.5" floppy disks, CDs and cassette tapes.
The materials concern Greenberg's teaching and administrative duties at Columbia in the 1990s. There is nothing related to his civil rights work in the 1960s. Includes papers files, 3.5" floppy disks, CDs and cassette tapes.
26.5 linear feet 21 record cartons, 2 document boxes, 3 flat boxes
Abstract Or Scope
John Leonard (1939 -2008) was an American literary and cultural critic best known for his extensive writing on literature, television, media, politics and American culture and his work as head editor of The New York Times Book Review in the 1970s. The John Leonard papers include drafts of Leonard's reviews, essays, essay collections, and works of fiction and nonfiction. The collection also includes his correspondence with prominent literary and cultural figures, his research and business files, personal memorabilia, photographs, signed artwork, printed matter, posthumous tributes to Leonard, and audio-visual material.
John Leonard (1939 -2008) was an American literary and cultural critic best known for his extensive writing on literature, television, media, politics and American culture and his work as head editor of The New York Times Book Review in the 1970s. The John Leonard papers include drafts of Leonard's reviews, essays, essay collections, and works of fiction and nonfiction. The collection also includes his correspondence with prominent literary and cultural figures, his research and business files, personal memorabilia, photographs, signed artwork, printed matter, posthumous tributes to Leonard, and audio-visual material.
Maryse Condé is a prominent contemporary Caribbean writer. She has published ten novels to date while continuing an academic career which brought her to UC Berkeley, the University of Virginia, the University of Maryland, and Harvard before coming to Columbia in 1995. The collection consists primarily of audio/visual material. Most items are labeled in French and it is presumed that the content consists of various lectures and interviews given by Condé.
Maryse Condé is a prominent contemporary Caribbean writer. She has published ten novels to date while continuing an academic career which brought her to UC Berkeley, the University of Virginia, the University of Maryland, and Harvard before coming to Columbia in 1995. The collection consists primarily of audio/visual material. Most items are labeled in French and it is presumed that the content consists of various lectures and interviews given by Condé.
14 linear feet 9 record cartons; 1 document box; 1 cassette box (37 cassettes); 2 flat boxes
Abstract Or Scope
Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.
Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.
13 Linear Feet 2 record storage cartons, 21 manuscript boxes, and 2 flat boxes78 Megabytes 13 floppy disks (5.25-inch) and 43 floppy disks (3.5-inch).
Abstract Or Scope
This collection contains the papers of Peter G. Davis (1936-2021), who worked as a classical music critic at various national and specialist publications from 1962-2018. It includes the vast majority of Davis's writings on music (published or draft), along with print material relating to these writings, Davis's compositions (1957-1964), material relating to Davis's early education (1948-1959), and correspondence and interviews with a number of major classical musicians.
1 result in this collection
Peter G. Davis Papers, 1912-2021, bulk 1948-202113 Linear Feet 2 record storage cartons, 21 manuscript boxes, and 2 flat boxes78 Megabytes 13 floppy disks (5.25-inch) and 43 floppy disks (3.5-inch).
Creator
Davis, Peter G.
Abstract Or Scope
This collection contains the papers of Peter G. Davis (1936-2021), who worked as a classical music critic at various national and specialist publications from 1962-2018. It includes the vast majority of Davis's writings on music (published or draft), along with print material relating to these writings, Davis's compositions (1957-1964), material relating to Davis's early education (1948-1959), and correspondence and interviews with a number of major classical musicians.