Search Results
Guastavino Fireproof Construction Company architectural records, 1866-1985, bulk 1890-1942
40.1 linear feetHowells & Stokes architectural records and drawings, 1900-1940, bulk 1904-1907
4 manuscript boxesCorrespondence, specifications, contracts, invoices, financial statements, memoranda, and architectural drawings pertaining to the construction of St. Paul's Chapel (Columbia University, New York, N.Y.), a project designed by Howells & Stokes, and by Stokes independently. Correspondence is between Howells & Stokes and Columbia University officials, contractors, and suppliers, including Nicholas Murray Butler, R. Guastavino Co., Tiffany Studios, Coppède, Paul Manship, and McKim, Mead & White, as well as Stokes' aunts Olivia Egleston Phelps Stokes and Caroline Phelps Stokes.
Kwang Pu Chen papers, 1936-1968
4.27 linear feetSamuel and Bella Spewack papers, 1920-1980
67 linear feetCorrespondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.
William Muschenheim architectural drawings and papers, 1929-1957, bulk 1931-1950
20 manuscript boxesThe William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.