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Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Notes and books from the library of Frances Elizabeth Henne, including some of her own books from her childhood, and others on children's literature inscribed to her by the authors; material for her class on illustration in children's literature, 1952-1979; and memorabilia. Also, a 3,000 card bibliography of children's books cited in book dealer catalogs as well as a small group of entries for monographs and serials with references to children's literature; printed ephemera collected by Phyllis Yuill Marquart (Columbia M.L.S., 1973) relating to her collecting of and research on Helen Bannerman's LITTLE BLACK SAMBO. Included are photocopies of Bannerman's out-of-print books, a folder on commercial spinoffs, such as Sambo's Restaurants, photocopies of various editions of STRUWELPETER, which contains the Sambo story and a 1971 BBC audio tape recording and transcript of a radio program on the topic.

Correspondence, manuscripts, notes, drafts of speeches, appointment books, subject files, documents, photographs, memorabilia and printed materials. There are notes from her lectures on Sociology at Adelphi College in 1911-1912; papers from 1912-1932, when Perkins served on the Commission for Safety and on the Industrial Commission of New York State; the main body of the material is from the period of her cabinet office, 1933-1945; and some items from her days on the Civil Service Commission, 1946-1953. Also included are personal and family papers.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

Correspondence and manuscripts of Bowles. Most of the letters in the collection are from Bowles to his friend, Ira Cohen, and pertain to Bowles' life in Morocco and his interest in the music of Morocco and Thailand. Bowles was particularly interested in Moroccan hypnotic music and made a commercial recording of it. His notes for an insert booklet to be included with the record are in this collection. There are also eight letters from Bowles to Frank Roberts, his friend and collaborator on the screenplay adapted from Bowles' novel, LOVE WITH A FEW HAIRS. There are also 4 letters from Bowles to Irving Stettner and 1 letter from Mohammed Mrabet to Stettner. The Bowles manuscripts also include three short stories, some poems, an interview with Bowles by Ira Cohen, and several pages (thermofax copies) from a notebook. In addition, a reel of tape with one of Bowles' compositions"Wet and Dry" and a short story by Mohammed Mrabet are in the collection.