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Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, typescripts, research files, documents, printed materials, photographs, and memorabilia of Mr and Mrs Hough. Correspondence includes both personal and business letters, dealing with wildlife conservation, civic interests, and birding. There is some correspondence of George A. Hough, Sr., father of H.B. Hough, who was editor of the New Bedford MA Standard. Most of the correspondence is arranged alphabetically, by personal name or subject, out-going and in-coming filed together. Henry and Elizabeth Hough's correspondence, for which there are no in-coming or related letters, are filed chronologically. Cataloged correspondents include Calvin Coolidge, Max Eastman, Helen Keller, John F. Kennedy, Emily Post, and James Reston.

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Proofs, photographs, photostatic copies, and other printed materials of Roscoe. Included are proofs and illustrative materials for his book The Web Of Conspiracy; The Complete Story Of The Men Who Murdered Abraham Lincoln, and a printed copy of his book, Only In New England, a book of crime fiction.

Correspondence, manuscripts, notes, memoranda, notebooks, notecards, proofs, photographs, microfilms, and printed materials. The Papers include the manuscript research materials and correspondence for each of his books except his biography of Theodore Dreiser. Among the correspondents are William Benton, Bruce Catton, Carey McWilliams, Mrs. Fremont Older (Cora Miranda Baggerly Older), and Thornton Wilder.