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These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The collection consists primarily of Gasler's 26-part manuscript memoirs (ca. 1,350 p.), which discuss his family, his military career, World War I, the emigration in France, and interwar Latvia. The collection also includes Gasler's service record and passport, several postcards, and several clippings.

The collection consists mostly of Iskander's memoirs, including a typescript entitled "Videnii︠a︡ proshlogo" (457 p.), which discusses his years in Turkestan during the Civil War. There are also several notebooks containing other memoirs by Iskander. In addition, there are clippings about him, and several photographs, including one of Iskander's father.

Correspondence, manuscripts, subject files and printed materials of Velḿin. The correspondence includes letters from Mark Aldanov, Mikhail Karpovich, Ekaterina Kuskova, Vasiliĭ Maklakov, Mikhail Taube, and Mark Weĭnbaum. Most of the manuscripts are by Velḿin himself and concern the Russian emigration in Poland, the 1917 Revolution and Civil War, and German concentration camps during World War II. The collection likewise contains Velḿin's diary (handwritten in eleven volumes) covering the 1900-1960 period. There are subject files devoted to Vasiliĭ Maklakov and to the activities of the Russian scouts, and there are numerous publications, such as journals, pamphlets, clippings and books.

The collection includes correspondence, memoirs, organizational records, and printed materials. The correspondence -- which covers the 1923-1963 period -- concerns the activities of a number of emigre Cossack groups, scout groups and anti-Communist organizations throughout Europe, Canada and the United States. There is a two volume memoir written by P.P. Cherepanov, a member of the Tiflis Cadet Corps. The organizational records include accounts, membership lists, poems and songs, protocols and receipts, chiefly for the Tiflis Cadet Corps. Among the printed materials are issues of emigre and Cossack publications (such as "Bodrost,́" "Mikhaĭlovt︠s︡y" and "Rodimyĭ kraĭ") and ten folders of clippings about Cossack events and members. One of the scrapbooks contains guest lists of various events, clippings and photographs (including photographs from the filming of a 1920s production of "Khadzhi Murat"), while the other scrapbook has records of Cossack events and a number of original watercolors.

The collection consists of correspondence, manuscripts, subject files and printed materials. Nearly all the manuscripts are by Savit︠s︡kiĭ himself, and include essays on such topics as Suvorov and Napoleon Bonaparte, Pushkin, early foreign travelers in Russia, eternal youth, Russian art and engineering. There are subject files relating to Savit︠s︡kiĭ's father, Kazimir Antonovich Savit︠s︡kiĭ, who was chairman of the Severskiĭ Donet︠s︡ Railroad from about 1907 to 1920, and to the Obshchestvo li︠u︡biteleĭ russkoĭ voennoĭ stariny (Society of Russian Military History Enthusiasts), a Paris based emigre organization. The printed materials include clippings and several issues of "Russkiĭ Voenno-Istoricheskiĭ Vestnik" of which Savit︠s︡kiĭ was co-editor.

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.

The collection consists of diaries, documents, a map of the Zmievskiĭ uezd of the Kharkov region, and printed materials. Diaries by Onopko cover the Civil War period from March 13, 1920 to March 25, 1922, and span from his service in the Kharkov area to his emigration to Prague. The diaries also concern Onopko's years in emigration in France from 1930-1944. Documents are mostly from the Civil War period. Printed materials consist of a clipping and printed drawing.

The papers consist primarily of the Kosatkin-Rostovskiĭ's memoirs. His manuscript memoirs (150 p.) discuss his life up to 1906. Her typescript memoirs (440 p.) discuss her childhood, career as an actress in St. Petersburg, 1917-1918 in Petrograd, and the emigration in France. Also included are his diary for June-July 1940; a few letters written to him; clippings of his newspaper articles (many signed with the pseudonym "Antar"); and a book with his poetry and with essays dedicated to him; "Krestnym putem k voskresenii︠u︡" (Paris, 1948).

Correspondence, manuscripts, documents, photographs, and printed materials of Surguchev. The papers almost exclusively concern Surguchev's life in emigration; he lived in France from the 1920s onward. Correspondents include Ivan Bunin, Nikolaĭ Evreĭnov, Aleksandr Kuprin, and Vladimir Nemirovich-Danchenko. There are manuscripts of plays, stories, and film scenarios by Surguchev in Russian, French, and English. Documents include literary contracts, and one contract signed by Sergeĭ Lifar ́concerning a film scenario by Surguchev and Ivan Lukash. There are photographs of Surguchev and of scenes from his plays, and a subject file on the Russian Chamber Theater (Kamernyĭ Teatr) in Prague, 1922-23. Among the printed materials are many clippings of pieces by Surguchev, and his play "Igra" and pamphlet "Bolśheviki v Stavropole."