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Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, subject files, manuscripts, photographs, slides, and printed materials relating to criminal justice and economic history documenting the work of Henry Cohen. The correspondence consists of two series, general correspondence and correspondence relating to "Criminal Justice History." There are manuscripts by Cohen for "Interpretive History of American Political Economy" (unpublished?) and other manuscripts including the introduction to the film script "Public Enemy." There are manuscripts by other authors submitted for publication in "Criminal Justice History" with related photographs. The subject files relate to "Business and Politics in America" with related photographs, the Spater artistic censorship case at the University of California, discussion material relating to the "National Right to Work Legislation" "Brutal Justice" with related slides, the Geese National Theater Company, the Pritzker Architecture Prize and the paper "Vicisitudes of an Absentee Landlord." The printed materials include copies of CJH articles, issues of "Historical Approaches to Studying Crime" and other offprints

Letters of Jackson to Montgomery Evans, an American book collector, discussing the works of Arthur Machen, book collecting and other literary topics, London restaurants, and wartime conditions in London. Also, photographs, pamphlets, clippings, and two eulogies of Jackson.

Correspondence, manuscripts, notes, course related materials, photographs, photostats, and printed materials of Rusk. Included are two small files of correspondence, approximately 100 items, relating to Rusk's editing of THE LETTERS OF RALPH WALDO EMERSON (1939) and to his study of occasional poetry in Colonial America for the Colonial Project in American Literature. The manuscripts include several miscellaneous items by Rusk, and five Columbia University masters essays submitted to him in connection with the Colonial American poetry study. Also, 12,000 note cards relating to this study as well as 150 photostatic copies of books of Colonial American poetry. For the Emerson edition there are 14,000 note cards on Emerson's life and letters. There are also 1,000 note cards for Rusk's edition of THE LETTERS OF EMMA LAZARUS (1939). The Columbia course related materials consist of notes, syllabi, reading lists, bibliographies, examination questions, lists of students and a few letters from them for Rusk's American literature course, 1931-1951. The printed materials are mainly reprints of articles on R.W. Emerson, inscribed to Rusk and containing annotations by him. In addition there are 23 photographs taken by Rusk in 1913, of a Passion Play which was performed in the Philippines.

Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.