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Field notebooks detailing the customs and ceremonies of the Native American Hopi tribe, collected by Elsie Worthington Clews Parsons, PhD (1874-1941). Thirty of these volumes were the notebooks of Alexander M. Stephen (d. 1894), a U.S. Army officer who, in about 1882, started observing Hopi life. Although chiefly concerned with the Hopis, there are some notes on Hopi-Navajo relations and a few references to the Native American Tewa and Hokya tribes. Stephen's penciled notes and drawings were edited and published by Dr. Parsons as the Hopi journal of Alexander M. Stephen (New York: Columbia University Press, 1936). Also included are three unpublished notebooks of observations made by a young American physician with the Bureau of Indian Affairs (BIA), Jeremiah Sullivan (1850-1916), who lived among the Hopis (1881-1888) in the village of Sichomovi. A letter from anthropologist Alfred L. Kroeber, PhD (1876-1960) to Dr. Parsons explains the provenance of one of Sullivan's notebooks. These last three notebooks [Vols. 31-33] have also been attributed to Alexander M. Stephen by Alex Patterson (February 1994). [See, Alex Patterson's full note at subseries I.2. Jeremiah Sullivan (Vols. 31-33).]

Collection consists of typescripts of Emiliia Vitol'dovna Brusinskaya's reminiscences of Siberia in the late 19th century. There are also two newspaper clippings with her publications, 1 drawing, clipping with image of ballerina, and a brief essay (typescript) written by Konstantin Bruzinskii about his grandfather, Iakub Geishtor.

Letters and manuscripts of Evelyn Waugh, including letters written to Sr. Jaime Potenze, and a series of eight pen-and-ink drawings done by the novelist for the limited edition of BLACK MISCHIEF, ca. 1932. The scenario for the MGM film of his THE LOVED ONE (1966), screenplay by Terry Southern and Christopher Isherwood, has been added. Also, thirteen letters from Evelyn Gardner Waugh to John Maxse.

The collection consists of diaries, documents, a map of the Zmievskiĭ uezd of the Kharkov region, and printed materials. Diaries by Onopko cover the Civil War period from March 13, 1920 to March 25, 1922, and span from his service in the Kharkov area to his emigration to Prague. The diaries also concern Onopko's years in emigration in France from 1930-1944. Documents are mostly from the Civil War period. Printed materials consist of a clipping and printed drawing.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

This artificial collection consists of oversized posters, maps, newspapers, drawings, floor plans and architectural plans related to Columbia events, people and locations. The collection has been organized by subject matter.

This collection includes correspondence, original artwork, journals and scrapbooks of Stettheimer's work, photographs of her paintings, apartments, family and friends, catalogues, books and articles pertaining to Stettheimer's paintings and exhibits and puppets for Four Saints in Three Acts and the (unfinished) ballet Pocahontas.

Correspondence, manuscripts, notes, drafts of speeches, appointment books, subject files, documents, photographs, memorabilia and printed materials. There are notes from her lectures on Sociology at Adelphi College in 1911-1912; papers from 1912-1932, when Perkins served on the Commission for Safety and on the Industrial Commission of New York State; the main body of the material is from the period of her cabinet office, 1933-1945; and some items from her days on the Civil Service Commission, 1946-1953. Also included are personal and family papers.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.